"A charming, interactive tale that can help young readers engage with reading—probably one that will earn that simple command, 'Again!'" —Kirkus Reviews There’s no place like home. But poor Florence Firefly is lost, and there are so many bright lights shining in the night sky that she doesn’t know which way to go. She’ll need some help to find her way back home. In this clever interactive picture book, readers can participate in Florence’s journey by encouraging her to fly faster, suggesting which direction to take, and making a wish.

Learn how to use Generative AI to create images, add text and color effects, and perform image editing faster than ever with step-by-step guidance from a creative community leader and educator Key Features Create stunning visuals without complex editing Enhance your image creation skills with advanced editing techniques Discover practical tips to integrate Firefly with Photoshop, Illustrator, and Express Purchase of the print or Kindle book includes a free PDF eBook Book DescriptionCreating conceptual art and design assets is a slow and laborious process, especially for those unfamiliar with complex design tools. With Adobe Firefly, you can say goodbye to your design challenges and start creating attractive visuals faster than ever before. Written by an Adobe expert with over two decades of experience, Extending Creativity With Adobe Firefly teaches you how to use Generative AI for art and design with easy-to-follow steps. You’ll learn how to create images, add text effects, edit photos, and explore colors faster with Adobe Firefly. You'll discover Firefly’s capabilities for tasks like generating text-to-image samples, styling text effects, and editing photos quickly. You’ll also find how to integrate Firefly with other Adobe Creative Cloud apps to streamline your workflow. If you're just starting out, this book will acquaint you with the basics of design, enabling you to create images easily. If you are a professional, you’ll learn how to improve collaboration and visual communication, and if you are a teacher, you’ll be able to enhance your teaching methods with visual thinking. By the end, you’ll master every function of Adobe Firefly and create outputs for website and desktop applications such as Photoshop, Illustrator, Express, and Adobe Stock. What you will learn Compare the functionality of Adobe Firefly with other similar GenAI models Generate images effortlessly using text-to-image prompt engineering Edit photos with Generative Fill, using brushes for object removal and inpainting Create stylish textured words and phrases through text effects and color combinations using Generative Recolor Extend your design workflow by integrating Adobe Firefly with Photoshop, Illustrator, and Express Access resources for Generative AI, including example prompts and techniques for immediate use Who this book is for This book is for students, marketers, content creators, aspiring designers, and entrepreneurs who want to craft design elements using Generative AI images and edit visuals without extensive graphic design software know-how. This book empowers you to harness the full potential of Adobe Firefly as a beginner, regardless of your design experience.

Little sisters, Hayley and Hannah, are so excited to make a firefly lamp for their mother with the help of five tiny firefly friends. The fireflies each have a mind of their own, and Dudley is none too happy about the idea! But he agrees, and the adventure begins!

From Buffy the Vampire Slayer to the Marvel Cinematic Universe, Joss Whedon's work presents various representations of home spaces that give depth to his stories and storytelling. Through the spaceship in Firefly, a farmhouse in Avengers: Age of Ultron or Whedon's own house in Much Ado About Nothing, his work collectively offers audiences the opportunity to question the ways we relate to and inhabit homes. Focusing on his television series, films and comics, this collection of new essays explores the diversity of home spaces in Whedon's many 'verses, and the complexity these spaces afford the narratives, characters, objects and relationships within them.

This book comprises a collection of popular folk stories from Guyana and other countries of the Caribbean region. The starring character in all of them is Nansi whose exploits form part of the folklore of these countries. Nansi, the starring character in all the stories, is also popularly known as Anansi. But in Guyana and some other Caribbean countries, Nansi, the shortened form of this name, is usually preferred. Nansi, who is a spiderbut who sometimes takes the qualities or form of a man, or even half-man and half-spideris originally the chief trickster among the Ashanti and Akan peoples of West Africa. When some of these peoples were forcibly brought to the Caribbean and the American continent as slaves from the sixteenth to the nineteenth centuries, they also brought with them the tales of the exploits of Nansi, who was, and still is, variably regarded as a folk hero, a cunning trickster and also sometimes as a fool. The stories in this book are no different to the ones told in West Africa or other parts of the Caribbean and the south-east United States, even though the plots and the characters involved may vary slightly. They certainly provide tangible evidence that much of the oral traditions of people of African origin in the Americas remain intact, despite the historical trauma caused by centuries of slavery. Nansi is always outwitting the forest creatures, humans, his own family, the community in which he lives, and sometimes even deities. His character assumes various patterns. In some cases he is regarded as wise, but he can be greedy, cunning, gluttonous, stupid and dishonest. Despite these varying characteristics, Nansi is generally admired for the manner in which he outwits others. In Guyana and other countries of the English-speaking Caribbean, particularly in rural areas, the exploits of Nansi are related by older people as a form of entertainment at wakes and other community gatherings. The stories are now no longer exclusive to people of West African ancestry, since people of all ethnic origins in the these countries regard Nansi as their folk hero as well. Interestingly, all stories told at these informal community gatherings are regarded as Nansi stories even though Nansi may not be a character in any of them. The tales of Nansi are very imaginative and they are so embedded in the minds of people of Guyana and the Caribbean that sometimes any story that is far-fetched and hard to believe is dismissed as a Nansi story.