In 1990, David Lynch was on top of the world. Wild at Heart won the Palme d'Or at the Cannes Film Festival and Twin Peaks was the hottest show on TV. In 1992, he released Twin Peaks: Fire Walk with Me. It sure is amazing how fast coffee can get cold. The film was not well received, to say the least, by critics or ticket buyers. It seemed like the verdict was in: Twin Peaks was dead and wrapped in plastic. Thirty years later, the film is thought by many to be Lynch's masterpiece. Author Scott Ryan (Moonlighting: An Oral History, The Blue Rose magazine) was among the few Twin Peaks fans who saw the film on the day it was released and loved it from the beginning. He takes an in-depth look at the film, its legacy, and the people who created it, weaving in his own story of how the film has inspired him throughout his life, and still does. The book features Interviews with cowriter Bob Engels, editor Mary Sweeney, lead actress Sheryl Lee, and other cast members, as well as Ryan's essays covering the different iterations of the script, and Angelo Badalamenti's superb score. This is an ambitious, unique exploration of one of the darkest films ever created by the master himself, David Lynch.

David Lynch’s prequel film Twin Peaks: Fire Walk with Me has received renewed appreciation with the broadcast of Twin Peaks: The Return. Lindsay Hallam argues that what Lynch created was not a parody of soap opera and detective television but a horror movie. She examines initial reaction to and subsequent reevaluation of the film.

In 1990, the groundbreaking television series Twin Peaks, co-created by David Lynch and Mark Frost, opened with a murder mystery when a beautiful homecoming queen, wrapped in plastic, washed up on a cold and rocky beach. Laura Palmer's character began as a plot device that triggered a small town to face its fractured self. But after three seasons and a film, Laura Palmer is no longer just a plot device. Instead of solely focusing on the murderer, like most traditional storytelling at the time, the audience gets to know the victim, a complex young woman who explores her sexuality and endures incredible abuse. Laura's Ghost: Women Speak About Twin Peaks is an examination of Laura Palmer's legacy on the 30th anniversary of Twin Peaks. Palmer's character was one of the few frank and horrific representations of sexual abuse victims which did not diminish the strength and complexity of the victim. Sheryl Lee, who played Laura Palmer, discusses the challenges of the role and how it has impacted herself as well as women she has met over the years, many of whom are survivors of sexual abuse. The role demanded Lee give all of her vulnerability as an actor to this role. This role is one she cannot escape, one with which she will forever be identified. It's a role that still haunts her today. For many women, this character represents them. Here was a woman who was not just a victim, but who was owning her sexuality as well—a woman coming into her own and discovering her sources of power. This book is a reckoning in which women from the show and community speak about grief, mischief, humor, sexuality, strength, weakness, wickedness, and survival.

Laura Palmer was introduced to television audiences in the opening scenes of "Twin Peaks"--as a beautiful dead girl, wrapped in plastic. Now available in print for the first time in many years (and in e-book for the very first time!), THE SECRET DIARY OF LAURA PALMER chronicles Laura's life from age 12 to her death at 17, and is filled with secrets, character references, and even clues to the identity of her eventual killer. Fans of the show will love seeing their favorite characters again, and Laura's diary makes compelling reading as she turns from a naive freshman having her first kiss to a "bad girl" experimenting with drugs, sex and the occult. "As seen by" Jennifer Lynch, creator David Lynch's daughter, THE SECRET DIARY OF LAURA PALMER is authentic, creepy, and a perfect book for anyone who loves supernatural suspense.

This book presents a show of interrelated paintings and sculptures by French artist Jérémy Demester (born 1988). An essay by psychoanalyst Annabelle Gugnon, exploring the mythical themes of his work, accompanies images of "undead still lifes," sky paintings and totemlike sculptures.

A revealing look at the life and work of David Lynch, one of the most enigmatic and influential filmmakers of our time Every frame of David Lynch's work, from the '70s midnight movie Eraserhead to the groundbreaking TV series Twin Peaks, to the digital-video DIY feat Inland Empire, bears his unmistakable imprint. But the paradox of the Lynchian is that it's easy to recognize and hard to define. Lynch is a master of the inscrutable gesture, the opaque symbol. His career evades the usual categories: pop culture icon and subject of academic study, cult figure and industry outsider. He's a Renaissance man—musician, painter, photographer, carpenter, entrepreneur—and a vocal proponent or transcendental meditation. Dennis Lim, the newly minted director of Cinematheque programming at Lincoln Center, is a skilled cinephile wary of over-interpretation.David Lynch preserves the strangeness of the Lynch's universe and offers a personal meditation on the most distinctive filmmaker in modern American culture. It leaves what Lynch likes to call "room to dream," honoring the allure of the unknown and the unknowable.