New Mexico art patron Millicent Rogers (1902-1953) was a passionate collector who assembled a stellar collection of Navajo and Zuni silver and turquoise, Hopi silverwork, and Pueblo stone and shell jewellery during the late 1940s and early 1950s when fine late-nineteenth- and early-twentieth-century work could still be found. Her collection provided the foundation for what has become one of America's most important repositories for the aesthetic achievements of Native American artists oft he Southwest: The Millicent Rogers Museum.

This beautiful book examines the first century of Navajo and Pueblo metal jewelry-making in the American Southwest. Beginning in the late 1860s, the region's native peoples learned metalworking and united it with a traditon of beads and ornaments made from turquoise and other natural materials. The cross-cultural appeal of this jewelry continued into the mid-1900s, and by the 1950s and 1960s masters created a legacy of fine art jewelry that is prized today.

This collection of 146 stunning colorplates shows turquoise in the context in which it is worn and used today. Images depict Native American rituals, daily life, pow-wows, rodeas, portraits, and the landscape and ruins of the Southwest, as well as some of the finest pieces made in the last 50 years.

The third in our series of best-selling guides to collectible Indian crafts. Features bright, clear photographs of work by Navajo, Zuni, Hopi, and Santo Domingo artists. Brief text details the meticulous tasks these artists perform to create a southwestern style of wearable art.

A dazzling exploration of both traditional and contemporary jewelry. Spectacular photographs of the beautiful jewelry and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and of the cultures from which it springs. Includes a collector's guide and a directory of sources. 210 illustrations, 155 in full color.

More than 125 vivid color photos display groups of Indian-made wrought silver, turquoise, shell, and coral jewelry brought together from the American Southwest. The authors explore the diversity of this handcrafted jewelry from historic collections as well as those available today on reservations. Includes products of Navajo, Zuni, Hopi, and Rio Grande Pueblo artisans.