His lyrics are a lesson in history. His songs are a movement in groove theory. His book is a light out of the dark that will change the way you think about America and the world as a whole. From Rap to Hip-Hop, Gangsta to Trip-Hop, Chuck D, his Bomb Squad, and his monumental band, Public Enemy, have been a sonic, singular, and transcendental force in modern music. As a poet and philosopher, Chuck D has been the hard rhymer, rolling anthems off his tongue in an era of apathy, tapping into the youth culture of the world for more than a decade. Fight the Power, his first book, part memoir, part treatise, part State of the Union Address, is a testament to his nearly twenty years in the music business and his experiences around the world. Here is a history of one of the most important and controversial musical movements of our century, its impact on modern culture, and the heroes and victims it has created in its wake. Chuck D has never been just a rapper. He's an artist, a rock 'n' roll star who's shared the spotlight with everyone from U2 to Anthrax. He's fought to bridge the gap between musical genres and cultural differences. He is truly the voice of a generation. Startling, gripping, and uncompromising, Fight the Power is most of all the story of one man's struggle to bring about change in this difficult world at all costs. It is certain to take its place among the classics of African American experience.

In the spring of 1992 the African American neighborhoods of Los Angeles — Compton, Watts, Gardena, South Central — were irrevocably transformed by the greatest domestic disturbance of this century: the “Uprisings,” as they were then described on the streets. In the aftermath of the violence emerged a powerful spirit of reconciliation and change, as gang members who had once fought each other for years came together in an attempt to rebuild their homes, businesses, families and most importantly themselves. This new sense of peace and cooperation continued to thrive in the inner city, and now, with uprising, thirteen former Crips and Bloods give voice to their fresh hopes for the future.What these men reveal is both provocative and profound: the rites of initiation, the pressure to commit crimes, the bonds of gang brotherhood, the significance of gangsta rap, the need for self-empowerment, and the durability of racism in our culture. But Uprising has a timely moral mission as well: Mean streets similar to those of L.A. can be found in cities across the country like Chicago, Baltimore, New York, Atlanta, and Newark. Gang warfare is escalating, spreading to the heartland — and here Yusuf Jah and Sister Shah’Keyah proclaim that lives and communities must be saved. An intricate mosaic of a nuanced and often turbulent world, Uprising defines issues that confront all Americans. It’s message cannot be ignored. Uprising is a powerfully raw, intimate history of gang life in South Central L.A. In detailed interviews, gang members of the Crips and Bloods open up on a wide range of issues, including the bonds of the gang brotherhood, the significance of gangsta rap, the despair of welfare, and the scourge of drugs. "Moments of brutal clarity…One finishes the book convinced of its authentic depiction of gang life." — The New York Times Book Review

Taking inspiration from Public Enemy's lead vocalist Chuck D - who once declared that 'rap is the CNN of young Black America' - this volume brings together leading legal commentators to make sense of some of the most pressing law and policy issues in the context of hip-hop music and the ongoing struggle for Black equality. Contributors include MSNBC commentator Paul Butler, who grapples with race and policing through the lens of N.W.A.'s song 'Fuck tha Police', ACLU President Deborah Archer, who considers the 2014 uprisings in Ferguson, Missouri, and many other prominent scholars who speak of poverty, LGBTQ+ rights, mass incarceration, and other crucial topics of the day. Written to 'say it plain', this collection will be valuable not only to students and scholars of law, African-American studies, and hip-hop, but also to everyone who cares about creating a more just society.

There are many issues that affect the African American community that are not being addressed adequately. For a long time now, many African American people have been under the impression or made to feel that they are helpless and need to depend on someone on the outside to help them rebuild their communities. Of course, this is not true. No one from the outside is coming to help rebuild a community in which they do not live. It is time for us as Black people or African Americans in this country to take responsibility for our own neighborhoods and our own schools and our own economics and our own future. For us to thrive as a community and prosper, we must figure out the answers to these questions and understand why we do not force ourselves to live up to our full potential. It is up to us and only us to better our situations and rebuild our communities.

Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity.

This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, and industrialist as a vehicle through which to interpret and understand the African American experience. Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other. Ice-T’s iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T’s ability to inhabit conflicting pop-cultural roles including: ’hardcore’ gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed ’pimp’ and reality television house husband. As the essays in this collection detail, Ice-T’s chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed ’post-racial’.