George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

It Is The Growing Relevance Of The Political Thought And Vision Of George Orwell In The 21St Century When The World Is At Eternal War With Itself In The Name Of War On Terrorism That Prompted The Idea Of Getting This Book Published. The Title Fictional Styles Of George Orwell May Well Be Understood As To How The Author Wrote In His Times In The First Half Of The Twentieth Century, But It Attempts To Encompass A Greater Concept: How Orwell Used Different Techniques To Demonstrate Through His Writings That The World Was Heading Toward A Planet Inhabited By The People Deprived Of The Human Values And Becoming Robots Under The Complete Control Of Their Masters. Though His Target Was The Soviet Society And The Colonial Powers, But As The Times Have Shown That Even The Democracies Be That India Boasting Of Being The Largest Democracy In The World Or The United States Of America Where Individual Freedoms Are Sought To Be Curtailed In The Garb Of Patriotism Have Come To Follow The Same Totalitarian Attitude. The Distinction Between Democracies And Dictatorships Has Collapsed In Our Times. The Records Are Being Fudged, Past Is Being Distorted And Falsehood Is Being Touted As Truth. These Ideas Of Suppression Of The Freedom Of The Individual Thinking And How Unrelenting Mad Race For Money And Status Is Corrupting And Polluting Society Have Been Effectively Brought Out By George Orwell In His Fictional Works. This Book Deals With His Literary Tools To Enrich The Fiction. It Reveals That How Sometimes Small Things Like Paper Weight In Orwell S Works Help In Understanding Today S World More Than It Was In The Times Of The Author. While Turning The Pages Of The Book, Another Revelation That Dawns Is That It Is The Reel Of The Real Times Now.The Book Is A Comprehensive Reference To College, University Students And Research Scholars Of English Literature.

DigiCat presents the George Orwell Collection -the greatest novels, poems, essays and autobiographical works of this great visionary in one volume: Novels: Burmese Days A Clergyman's Daughter Keep the Aspidistra Flying Coming Up for Air Animal Farm 1984 Poetry: Awake! Young Men of England Kitchener Our Hearts Are Married, But We Are Too Young The Pagan Poem from Burma The Lesser Evil Romance Summer-like for an Instant The Italian Soldier Shook My Hand... Reflections on War and Society: Spilling the Spanish Beans Not Counting Niggers Prophecies of Fascism Wells, Hitler and the World State Looking Back on the Spanish War Who Are the War Criminals? Future of a Ruined Germany Revenge is Sour You and the Atomic Bomb Notes on Nationalism Catastrophic Gradualism Freedom of the Park How the Poor Die In Front of Your Nose Thoughts on England: Democracy in the British Army The Lion and the Unicorn Antisemitism in Britain In Defence of English Cooking Decline of the English Murder Politics and the English Language Views on Literature, Art & Famous Men: In Defence of the Novel Notes on the Way Charles Dickens Literature and Totalitarianism The Art of Donald Mcgill Rudyard Kipling W. B. Yeats Mark Twain—the Licensed Jester Lear, Tolstoy and the Fool Writers and Leviathan Reflections on Gandhi... Book Reviews: Mein Kampf The Totalitarian Enemy... Miscellaneous Writings: A Farthing Newspaper The Spike Boys' Weeklies and Frank Richards's Reply Poetry and the Microphone The Sporting Spirit... Autobiographical Works: A Hanging Down and Out in Paris and London Bookshop Memories Shooting an Elephant The Road to Wigan Pier Homage to Catalonia Marrakech Why I Write...

Uncertainty about what is truly going on makes it simpler to hold to irrational views.' From the man who wrote more about his country than anybody, razor-sharp thoughts on patriotism, bigotry, and power. Penguin Modern is a collection of fifty new books that celebrate the legendary Penguin Modern Classics series' pioneering spirit, with each giving a concentrated dosage of the series' contemporary, worldwide flavour. From Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem, and George Orwell to Shirley Jackson, here are essays that are both radical and inspiring, poems that are both moving and disturbing, and stories that are both surreal and fantastic, taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of space.

Publisher description

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The Non-Fiction of George Orwell includes three memoirs, Down and Out in Paris and London, The Road to Wigan Pier, and Homage to Catalonia which provide an indispensable introduction to the thought and writing of George Orwell. Immediately after deciding to become a writer, the Eton-educated Orwell lived among the paupers and the poorest of working-class labourers in Paris and the East End of London, observing and recording. His first book Down and Out in Paris and London discusses not just the physical life of the poor, but also their inner life. "If you set yourself to it, you can live the same life, rich or poor. You can keep on with your books and your ideas. You just got to say to yourself, "I'm a free man in here" - he tapped his forehead - "and you're all right." ― George Orwell, Down and Out in Paris and London "People are wrong when they think that an unemployed man only worries about losing his wages; on the contrary, an illiterate man, with the work habit in his bones, needs work even more than he needs money. An educated man can put up with enforced idleness, which is one of the worst evils of poverty ... The man who really merits pity is the man who has been down from the start, and faces poverty with a blank, resourceless mind." ― George Orwell, Down and Out in Paris and London. The Road to Wigan Pier, a highly original and unorthodox political treatise, describes Orwell's experiences living among the destitute and unemployed miners of northern England, sharing, observing, and describing their lives. It concludes with a passionate description of socialism; a critique of the middle class, who, logically, should support it but are its most vociferous opponents; and a scathing critique of the socialist movements of the time. Robert McCrum describes the book's essential role in the evolution of "George Orwell" "The upshot of this uniquely strange book was a kind of creative liberation: Eric Blair, who was now unequivocally George Orwell, had found his voice and his identity. For the rest of his active life - barely 10 years - he would write as a British literary socialist. From this declaration of intent come his masterpieces: Homage to Catalonia, Animal Farm and, finally, Nineteen Eighty-Four. It's arguable that without The Road to Wigan Pier none of these would have been possible." Homage to Catalonia is Orwell's account of his experiences as a volunteer in the Spanish Civil War. It was a formative period for his political thought and his subsequent writing. He states in Why I Write "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for Democratic Socialism, as I understand it." Homage to Catalonia, "politically and as literature ... is a work of first-class importance, " Geoffrey Gorer. "It shows us the heart of innocence that lies in revolution; also, the miasma of lying that, far more than the cruelty, takes the heart out of it, " Philip Mairet. George Orwell (1903-1950) was a leading British writer of the twentieth century. After studying at Eton as a King's Scholar he joined the Indian Imperial Police until 1927 when, disgusted by imperialism, he resigned to pursue his boyhood dream of being a writer. Orwell was a prolific journalist, essayist, novelist and nonfiction writer. He is remembered for his prescient writing and his unwavering commitment to truth and clarity of expression. Animal Farm and Nineteen Eighty-Four have placed him at the very pinnacle of British literature.