Byock sees the crucial element in the origin of the Icelandic sagas not as the introduction of writing or the impact of literary borrowings from the continent but the subject of the tales themselves - feud. This simple thesis is developed into a thorough examination of Icelandic society and feud, and of the narrative technique of recounting it.

Dubbed by the New York Times as "one of the most sought-after legal academics in the county," William Ian Miller presents the arcane worlds of the Old Norse studies in a way sure to attract the interest of a wide range of readers. Bloodtaking and Peacemaking delves beneath the chaos and brutality of the Norse world to discover a complex interplay of ordering and disordering impulses. Miller's unique and engaging readings of ancient Iceland's sagas and extensive legal code reconstruct and illuminate the society that produced them. People in the saga world negotiated a maze of violent possibility, with strategies that frequently put life and limb in the balance. But there was a paradox in striking the balance—one could not get even without going one better. Miller shows how blood vengeance, law, and peacemaking were inextricably bound together in the feuding process. This book offers fascinating insights into the politics of a stateless society, its methods of social control, and the role that a uniquely sophisticated and self-conscious law played in the construction of Icelandic society. "Illuminating."—Rory McTurk, Times Literary Supplement "An impressive achievement in ethnohistory; it is an amalgam of historical research with legal and anthropological interpretation. What is more, and rarer, is that it is a pleasure to read due to the inclusion of narrative case material from the sagas themselves."—Dan Bauer, Journal of Interdisciplinary History

Feud stands at the core of the Old Icelandic sagas. Jesse Byock shows how the dominant concern of medieval Icelandic society—the channeling of violence into accepted patterns of feud and the regulation of conflict—is reflected in the narrative of the family sagas and the Sturlunga saga compilation. This comprehensive study of narrative structure demonstrates that the sagas are complex expressions of medieval social thought. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983. Feud stands at the core of the Old Icelandic sagas. Jesse Byock shows how the dominant concern of medieval Icelandic society—the channeling of violence into accepted patterns of feud and the regulation of conflict—is reflected in the narrative of the fami

Historians spend a lot of time thinking about violence: bloodshed and feats of heroism punctuate practically every narration of the past. Yet historians have been slow to subject 'violence' itself to conceptual analysis. What aspects of the past do we designate violent? To what methodological assumptions do we commit ourselves when we employ this term? How may we approach the category 'violence' in a specifically historical way, and what is it that we explain when we write its history? Astonishingly, such questions are seldom even voiced, much less debated, in the historical literature. Violence and Risk in Medieval Iceland: This Spattered Isle lays out a cultural history model for understanding violence. Using interdisciplinary tools, it argues that violence is a positively constructed asset, deployed along three principal axes - power, signification, and risk. Analysing violence in instrumental terms, as an attempt to coerce others, focuses on power. Analysing it in symbolic terms, as an attempt to communicate meanings, focuses on signification. Finally, analysing it in cognitive terms, as an attempt to exercise agency despite imperfect control over circumstances, focuses on risk. Violence and Risk in Medieval Iceland explores a place and time notorious for its rampant violence. Iceland's famous sagas hold treasure troves of circumstantial data, ideally suited for past-tense ethnography, yet demand that the reader come up with subtle and innovative methodologies for recovering histories from their stories. The sagas throw into sharp relief the kinds of analytic insights we obtain through cultural interpretation, offering lessons that apply to other epochs too.

In the ninth century, at the beginning of this account, Iceland was uninhabited save for fowl and smaller Arctic animals. In the middle of the sixteenth century, by the end of this history, it had embarked on a course that led to the creation of a small country on the periphery of Europe. The history of medieval Iceland is to some degree a microcosm of European history, but in other respects it has a trajectory of its own. As in medieval Europe, the evolution of the Church, episodic warfare, and the strengthening of the bonds of government played an important role. Unlike the rest of Europe, however, Iceland was not settled by humans until the Middle Ages and it was without towns and any type of executive government until the late medieval period. Medieval Iceland is a review of Icelandic history from the settlement until the advent of the Reformation, with an emphasis on social and political change, but also on cultural developments, such as the creation of a particular kind of literature, known throughout the world as the sagas. A view of medieval Icelandic history as it has never been told before from one of its leading historians, this book will appeal to students and scholars alike interested in Icelandic and medieval history.

Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.