Examines how horses shaped society, politics, and imperial control during the first century of conquest and colonization in Spanish America.

This book considers the material basis of building as a key impetus of both urbanization and the energetics of urban life. The otherwise externalized material geographies and thermodynamics of building’s material basis reveal much about the dynamics and efficacy of how we build. This book plots the material history and geography for one plot of land in Manhattan—the parcel of land under the Empire State Building—over the past two hundred years. Through rich illustrations, it tracks all the building material that have passed through this parcel or remain in its geographic and ecological dynamics: spatially (in terms of their geographic material footprints and industrial processes) and quantitatively (in terms of embodied energy, embodied carbon, and emergy flow). In successive chapters, the book articulates the empire and states that are inherent to building, but remain unconsidered—abstract and unknown—by architects.

"The British opium trade along China’s seacoast has come to symbolize China’s century-long descent into political and social chaos. In the standard historical narrative, opium is the primary medium through which China encountered the economic, social, and political institutions of the West. Opium, however, was not a Sino–British problem confined to southeastern China. It was, rather, an empire-wide crisis, and its spread among an ethnically diverse populace created regionally and culturally distinct problems of control for the Qing state. This book examines the crisis from the perspective of Qing prohibition efforts. The author argues that opium prohibition, and not the opium wars, was genuinely imperial in scale and is hence much more representative of the actual drug problem faced by Qing administrators. The study of prohibition also permits a more comprehensive and accurate observation of the economics and criminology of opium. The Qing drug traffic involved the domestic production, distribution, and consumption of opium. A balanced examination of the opium market and state anti-drug policy in terms of prohibition reveals the importance of the empire’s landlocked western frontier regions, which were the domestic production centers, in what has previously been considered an essentially coastal problem."

This is the story of a young white leopard growing up in the most tempting time in history. She receives a dream from the Shepherd that tells her that she will "defeat the maned one with the voice of thunder." However, as she grows up her life becomes unstable and she begins to question her purpose. Stress and strife dominate her life, and eventually, doubt begins to rule her thoughts, allowing bitterness to envelop her heart. Dreams and visions, though, also dominate her mind as they foreshadow future events. As she tries to figure out each vision, heavenly signs also appear unto the white leopard, signs that she knows only come from the Lord of heaven and earth. Eventually, these visions come to pass. Four sore plagues — war, famine, death, and wild beasts — devastate a fourth part of the earth, changing the landscape of the world. In an attempt to restore peace and safety, the kingdoms of the earth come together to form a ten-kingdom coalition called the New Kingdom. With this New Kingdom comes new rules and laws that contradict the holy laws established by the Lord of heaven and earth. While most suspect nothing of the kingdom's true plans, the white leopard senses that the time of great tribulation is at hand. In order to survive, she must trust the Lord to bring her through all trials and show her the path for strength in fulfilling her purpose while also overcoming emotional bondages that have hampered her spiritual freedom.

Nature has gone feral. How can we re-attune ourselves to the new nature? A field guide can help. Human action has transformed our planet and ushered in a new geological epoch—the Anthropocene. The effects are global in scope, but take shape within distinct social and ecological "patches," discontinuous regions within which the key actors may not be human, but the plants, animals, fungi, viruses, plastics, and chemicals creating our new world. Field Guide to the Patchy Anthropocene takes stock of our current planetary crisis, leading readers through a series of sites, thought experiments, and genre-stretching descriptive practices to nurture a revitalized natural history. Field guides teach us how to notice, name, and so better appreciate more-than-human worlds. They hone our powers of observation and teach us to see the world anew. Field-based observations and place-based knowledge cultivation—getting up-close and personal with patchy dynamics—are vital to truly grapple with the ecological challenges and the historical conjunctures that are bringing us to multiple catastrophic tipping points. How has commercial agriculture runoff given rise to comb jellies in the Black Sea? What role did the Atlantic slave trade play in the worldwide spread of virus-carrying mosquitoes? How did the green revolution transform the brown planthopper into a superpredator in Philippine rice fields? Questions like these open up new ways of understanding, and ways of living through, the epoch that human activity has ushered in. This Field Guide shifts attention away from knowledge extractive practices of globalization to encourage skilled observers of many stripes to pursue their commitments to place, social justice, and multispecies community. It is through attention to the beings, places, ecologies, and histories of the Anthropocene that we can reignite curiosity, wonder, and care for our damaged planet.

The relationship between humans and domestic animals has changed in dramatic ways over the ages, and those transitions have had profound consequences for all parties involved. As societies evolve, the selective pressures that shape domestic populations also change. Some animals retain close relationships with humans, but many do not. Those who establish residency in the wild, free from direct human control, are technically neither domestic nor wild: they are feral. If we really want to understand humanity's complex relationship with domestic animals, then we cannot simply ignore the ones who went feral. This is especially true in the American South, where social and cultural norms have facilitated and sustained large populations of feral animals for hundreds of years. Feral Animals in the American South retells southern history from this new perspective of feral animals.

What did the 13th Earl of Derby, his twenty-two-year-old niece, Manchester’s Belle Vue Zoo, and even some ordinary laborers all have in common? All were avid collectors and exhibitors of exotic, and frequently unruly, specimens. In her study of Britain’s craze for natural history collecting, Ann C. Colley makes extensive use of archival materials to examine the challenges, preoccupations, and disordered circumstances that attended the amassing of specimens from faraway places only vaguely known to the British public. As scientific institutions sent collectors to bring back exotic animals and birds for study and classification by anatomists and zoologist, it soon became apparent that collecting skins rather than live animals or birds was a relatively more manageable endeavor. Colley looks at the collecting, exhibiting, and portraying of animal skins to show their importance as trophies of empire and representations of identity. While a zoo might display skins to promote and glorify Britain’s colonial achievements, Colley suggests that the reality of collecting was characterized more by chaos than imperial order. For example, Edward Lear’s commissioned illustrations of the Earl of Derby’s extensive collection challenge the colonial’s or collector’s commanding gaze, while the Victorian public demonstrated a yearning to connect with their own wildness by touching the skins of animals. Colley concludes with a discussion of the metaphorical uses of wild skins by Gerard Manley Hopkins and other writers, exploring the idea of skin as a locus of memory and touch where one’s past can be traced in the same way that nineteenth-century mapmakers charted a landscape. Throughout the book Colley calls upon recent theories about the nature and function of skin and touch to structure her discussion of the Victorian fascination with wild animal skins.