The Penguin Book of Feminist Writing selects writing from across time and throughout the world, creating a treasure-trove of the most important feminist thought alongside surprising and delightful fiction, poetry and diaries, celebrating the multiplicity of feminist voices that have emerged over the centuries. Beginning in the fifteenth century with Christine de Pizan, who imagined a City of Ladies that would serve as a refuge from the harassment of men, this book goes beyond the usual white, western story. The writers in this anthology ask questions about class, capitalism and colonialism, and other axes of oppression that intersect with sexism. Inside, we find writers like Elizabeth Cady Stanton, who declared in 1848 the self-evident truth 'that all men and women are created equal', alongside Sojourner Truth, born into slavery in New York, who asked in 1851 'and ain't I a woman?' Put together by a world-leading historian of ideas and a feminist, The Penguin Book of Feminist Writing is both a history of thought - readers will find incisive and provocative selections from Mary Wollstonecraft, Virginia Woolf, Susan Sontag, Audre Lorde and over one hundred other pioneering thinkers - and a voyage of discovery, highlighting lesser-anthologised thinkers, like Juana Ines de la Cruz's seventeenth-century philosophical satire of 'misguided men', or the "poet of Palestine" Fadwa Tuqan's mountainous journeys towards self-knowledge and revolution. The product of many years of research and reading, The Penguin Book of Feminist Writing is both a deeply considered introduction to feminist thought and an abundance of riches to read and keep throughout a lifetime.

Eve was not Adam's first wife. That honor belongs to Lilith, who was created as Adam's equal. When he tried to dominate her, she uttered God's secret name and flew away. Lilith is mentioned in the Talmud, elaborated on in the midrash and in the kabbalah, whispered about in stories, and passed down from mother to daughter. In this anthology, a vivid, provocative, and enlightening sampling of Jewish women's written responses to the Lilith myth are offered. The editors have provided the space for contemporary women to link themselves to a tradition and participate in a sacred activity, thereby infusing energy into Lilith and creating a new tradition.

Originally published in 1935, this is Pulitzer Prize winner Edna Ferber's sprawling novel of Wisconsin's logging days, when fortunes—and families—were made and broken over king lumber. Barney Glasgow, who had fought his way up from chore-boy in the lumber camps of Iron Ridge to lumber king of Wisconsin, is fifty-three and has much reason to be content when the granddaughter of his old friend, Swan Bostrom, disrupts his life. But destiny provides an ironic escape from folly, and Barney's son carries on the story—a story which was to end in those fatal months that closed the year 1929. Rich with the vibrant qualities of life itself, this is more than the story of Barney Glasgow and his children. It is the story of lumber, and the story of the making and breaking of a fortune, during one of the most fascinating periods in the history of Wisconsin, and of the nation.

For centuries women have been marginalized and overlooked in American literary history. That injustice is corrected in this entertaining and provocative collection of 350 years of poetry and fiction by American women. From Puritan poet Anne Bradstreet to Margaret Fuller to Harriet Beecher Stowe, readers will encounter scores of lesser-known and forgotten writers who fully deserve to be rediscovered and enjoyed by new generations. Our famous women writers, including contemporary stars like Annie Proux and Jhumpa Lahiri, are showcased in their full literary context, offering an epic overview of the canon in one monumental, dazzling volume. This landmark anthology features the best work of our best American women, and was inspired and informed by the author's groundbreaking history celebrating women writers, A Jury of Her Peers.

Discusses the obstacles women have had to overcome in order to become writers, and identifies the sexist rationalizations used to trivialize their contributions

Concise discussions of the lives and principal works of feminist writers from all time periods, written by subject experts.

'Make this your next inspirational read. Trust us, it's Oprah's Book Club worthy' Vice In London in 1958, a play by a 19-year-old redefined women's writing in Britain. It also began a movement that would change women's lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O'Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; an extraordinarily disparate group who were united in their determination to shake the traditional concepts of womanhood in novels, films, television, essays and journalism. They were as angry as the Angry Young Men, but were also more constructive and proposed new ways to live and love in the future. They did not intend to become a literary movement but they did, inspiring other writers to follow. Not since the Brontës have a group of young women been so determined to tell the truth about what it is like to be a girl. In this biographical study, the acclaimed author, Celia Brayfield, tells their story for the first time.