Feminism In Modern English Drama Explores The Emergence Of The New Woman In The Plays Of Bernard Shaw, Galsworthy And Granville Barker And How Their Dominating Role Revolutionized The Modern Drama. The Emphasis Shifted From The Male Protagonist To The Unwomanly Woman Who Is Shown More As A Product Of Social, Economic And Political Interactions Than Individual Creation.The Focus Is On The Early And Middle Plays Of Bernard Shaw And The Influence Of Ibsen S Plays Has Been Given Their Rightful Place. Most Of Shaw S Major Plays From Widowers Houses To Pygmalion, Come Under The Purview Of The Book, While The Plays Of Contemporaries Like Pinero, Jones And Oscar Wilde Have Been Discussed To Highlight The Contrast.More Interesting Are The Unknown Assertive Heroines Of Galsworthy S Middle And Late Plays From The Eldest Son And The Fugitive To The Skin Game. His Women Characters Remain In Oblivion Because Hardly Any Scholar Has Bothered To Study Them. Though Granville Barker Is Well-Known As A Critic And Director Of Shakespeare S Plays, His Own Plays With The New Woman As Heroine Still Remain Little Known In The Academic Circle. In The Conclusion The Bearing Of This Early Feminism Is Shown On The Feminist Playwrights Like Caryl Churchill, Pam Gems Et Al. Of The 1980S.It Is Hoped That The Present Book Will Prove An Asset To Those Who Have Keen Interest In English Drama. In Addition, The Students, Researchers And Teachers Of English Literature Will Find It An Ideal Reference Book.

The New Series Studies In Women Writers In English Is A Grateful Acknowledgment Of The Contribution And Public Recognition Of The Emerging Voice Of Women In The Arena Of Literature During The Last Few Centuries, And Especially In The Latter Half Of The Twentieth Century. Women Writers Across The Globe Have Made Their Distinctive Mark, With Their Own Perception Of Life Be It Feminine, Or Feminist Or Female.The Critique Of Work By Women Writers Introduced In The Present Volume, The Sixth In The Series, Bears Evidence To The Growing Critical Attention Towards Authors Writing Outside The Mainstream, In America, Canada, And Especially In India, Who Can Be Seen Sharing Similar Awareness And Feelings Regarding The Woman S Angst And Aspirations.Since Most Of The Authors Discussed In These Articles Are Prescribed In The English Syllabus In The Universities Of India, Both The Teachers And The Students Will Find Them Extremely Useful, And The General Readers Who Are Interested In Literature In English And/Or Women Writers Will Also Find Them Intellectually Stimulating.

The Present Critical Anthology On Indian-English Drama Is A Welcome Addition To The Ever-Increasing Repertoire Of The Academic World. It Contains Some Twenty-Two Papers On Diverse Authors, Themes And Trends. The Authors Treated In It Are Girish Karnad, Mahesh Dattani, Badal Sircar, Rabindranath Tagore (Chronologically, Tagore Should Have Been Placed First), And Vijay Tendulkar. The Themes Dealt With Herein Are Myths And Folk Tales, Religious Propensity, Social Alienation, Audience Participation, Feminine Psyche, Role Of Freedom, And Man-Woman Relationship. And The Trends Touched Upon In This Anthology Are Mythic And Symbolic Interpretations, Focusing On Folklore, Experimentations In Third Theatre And Street Plays, And Feminist Approaches To Certain Plays. The Broad Spectrum Of Indian-English Drama Has Also Been Presented In A Few Papers.In Its Present Shape And Size, This Anthology Will, Hopefully, Find A Place On The Library Shelves And Enlighten The Academics On The Perspectives And Challenges Inherent In Indian-English Drama.

The Present Book Traces The Background To Indian English Women S Fiction, Excluding The Translated Texts, From The Late Nineteenth Century Novels Of Toru Dutt, Krupabai Satthianadhan, And Shevantibai M. Nikambe. Almost All The Twentieth Century Major Works Of Leading Women Writers Such As Kamala Markandaya, Nayantara Sahgal, Anita Desai, Kamala Das, Gita Mehta, Shashi Deshpande, Shobha De To The Emerging Novelists Like Anjana Appachana, Namita Gokhale, Githa Hariharan, Manju Kapur Have Been Studied In Depth To Discuss The Issues Of Marriage, Career And Divorce. The Book Attempts To Delve Into The Life Of Educated Women And Traces The Answers To The Followings:" What Kind Of Marriage Should The Women Undergo: Arranged Marriage Or Love Marriage Or Love-Cum-Arranged Marriage? " What Is The Difference Between A Job And A Career?" What Kind Of Career Should They Choose?" Who Is Going To Determine What Career To Choose?" What Career Options Do The Women Have?" Do Women Want Separation Or Divorce And Why?" What Is The Right Time For Divorce? There Are Many Other Feministic Issues Which Have Been Approached To Realistically And Analytically, With Special Reference To Several Literary Works.The Present Book Thus Offers An In-Depth Study Of Elite Women On One Hand And Caters To The Academic Needs Of Students And Researchers Of Indian English Women Fiction On The Other. The General Readers Will Definitely Find It A Real Eye-Opener And Also Interesting.

The Book Places A Body Of Women S Fiction Against The Ideological Territory Of Radical Feminism With A Firm Belief In Its Social, Political And Intellectual Essentiality. The Absence Of This Specific Discourse In Women S Texts Stirs An Urge For A Different Kind Of Gender Sensitivity Than Their Limited And Undefined Approach Provides. The Book Takes Into Its View A Huge Compendium Of Women S Fiction In Hindi And In Indian English, Most Of Which Has Been Victim Of Hegemonic Biases And Overall Marginalization.

Modern American Literature Is Too Vast And Varied To Be Studied Between The Covers Of A Single Book. Although Limited By Space, A Sincere Effort Has Been Made In This Anthology To Put Together Deeply Perceptive Articles On Some Of The Most Influential And Representative American Authors And Literary Works. Among The Writers Studied Here Are Henry David Thoreau, Walt Whitman, Earnest Hemingway, Thomas Wolfe, Toni Morrison, Harold Robbins, Eugene O Neill And Edward Albee Who Represent Most Of The Important Genres And Trends In American Literature Today. Thoreau And Whitman Have Been Included Not Because They Are Modern But Because Of Their Immense Contribution To The Evolution Of The American Thought And Literature.The Novels And Plays Specially Focussed Upon Are: The Old Man And The Sea, Look Homeward, Angel, The Bluest Eye, Sula, Where Love Has Gone, Desire Under The Elms, A Streetcar Named Desire, A Delicate Balance And Tiny Alice.It Is Earnestly Hoped That Teachers, Research Students And Scholars Interested In American Literature Will Find This Book Immensely Useful.

Indian Writing In English Has Undoubtedly Acquired Its Own Independent Identity; It No More Remains Mere Imitative And Derivative. Its Long Journey From Colonial To Post-Colonial, From Imperial To Democratic And From English To Hinglish Forms A Remarkable Chapter In The History Of World Literature. Tagore Earned The First Recognition And Naipaul Is The Recent Laureate. In Between These Nobel Laureates Came A Number Of Writers Whose Work Earned Worldwide Appreciation.The Present Book Is An Attempt To Present The Different Genres Of Indian Writing In English. It Aims At Tracing Its Distinctive Features, Such As Cultural Alienation, Romanticism, Realism, Naturalism, Modernism Etc. While Nehru Has Furnished The Best English To The Globe, Amitav Ghosh, Shashi Tharoor, Arundhati Roy, Shiv K. Kumar And Dattani Have Stirred The West With Their Great Works. The Works Of These Renowned Literary Figures Have Been Considered Thoroughly And Meticulously In The Present Book.It Is Hoped That While The Student Community Will Find It Easily Accessible, The Teachers Will Also Consider It Exciting Study Material.