ONE WRONG MOVE Private detective Claire Morgan has come home from her honeymoon just in time for Christmas at Lake of the Ozarks. And for the sheriff's department, laid low with flu, to hand her a case guaranteed to chill her to the bone. ONE CHANCE TO DIE One of the homes in the local Christmas On the Lake House tour—the mansion of an aging rock star trying to turn his life around—has been "decorated" with the body of a young woman, arranged as a bloody angel on the balcony above his Christmas tree. There's a piece from a board game, gift wrapped and left under the tree, a hint that connects this murder to other deaths. With evidence of a gruesome pattern appearing, Claire suspects she's on the hunt for a serial killer. IN A GAME WITH NO RULES But the closer she comes, the more certain she is that the killer is playing his game with her, just waiting his turn. The next move might be on Claire herself—or worse, the people she loves . . . Praise for Linda Ladd’s Claire Morgan Thrillers “One of the most creepy, crawly, and compelling psychological thrillers ever.” —Fresh Fiction “Chilling, compelling suspense . . . be prepared to lose sleep!” —Eileen Dryer “Exciting, thrill-a-minute!” —Midwest Book Review “Plenty of suspense and surprises.” —Publishers Weekly

Arizona's favorite superhero, 13-year old Cat-Boy, finds himself in the unusual position of having to fight the dangerous Queen Jonester, the video-game character that escaped from his beloved Game-Cat. All of Team Cat must do battle with her digital army, which is seemingly indestructible. Will Cat-Boy be able to defeat the evil Queen Jonester before it's too late? And just whose side is Cat-Boy really on? A very delightful tale, set in Arizona, Michael Morgan has created believable, lovable characters, such as Janetic, Professor Nutt, Leopard Girl, Magma Man, and Wiggles. It is worth noting that one of the most important characters, 'General Joe', was based on America's most popular lawman, Maricopa County Sheriff Joe Arpaio. Indeed, Sheriff Arpaio has been quoted as saying, "It is my delight that Michael Morgan based the character General Joe on me, and I am very impressed by his writing talent and publishing ambitions. Keep up the good work!" Cat-Boy vs. The Fatal Game Glitch is fast paced and action packed from the first page to the last. Cat-Boy and company are sure to take their place among the classics in American literature.

A terrorist attack has just hit a busy railway station. Jake Winter was the British intelligence officer in charge of stopping the attack and now his career, and his conscience, are in free fall . . . Jake's next anti-terror operation has to be a success. He has got himself a new source - a young British Asian man, Rashid, recently returned, apparently disillusioned, from battle, who he hopes is the key to foiling the next attack and to getting him to the leader of the network. But is Rashid really working for British intelligence, or has Jake put his faith in the wrong man once again?A Fatal Game is the story of an organisation, and a single man, in a state of panic. And panic is the last thing you need when you're playing a game like this . . .

Contributors from a range of disciplines explore boundary-crossing in videogames, examining both transgressive game content and transgressive player actions. Video gameplay can include transgressive play practices in which players act in ways meant to annoy, punish, or harass other players. Videogames themselves can include transgressive or upsetting content, including excessive violence. Such boundary-crossing in videogames belies the general idea that play and games are fun and non-serious, with little consequence outside the world of the game. In this book, contributors from a range of disciplines explore transgression in video games, examining both game content and player actions. The contributors consider the concept of transgression in games and play, drawing on discourses in sociology, philosophy, media studies, and game studies; offer case studies of transgressive play, considering, among other things, how gameplay practices can be at once playful and violations of social etiquette; investigate players' emotional responses to game content and play practices; examine the aesthetics of transgression, focusing on the ways that game design can be used for transgressive purposes; and discuss transgressive gameplay in a societal context. By emphasizing actual player experience, the book offers a contextual understanding of content and practices usually framed as simply problematic. Contributors Fraser Allison, Kristian A. Bjørkelo, Kelly Boudreau, Marcus Carter, Mia Consalvo, Rhys Jones, Kristine Jørgensen, Faltin Karlsen, Tomasz Z. Majkowski, Alan Meades, Torill Elvira Mortensen, Víctor Navarro-Remesal, Holger Pötzsch, John R. Sageng, Tanja Sihvonen, Jaakko Stenros, Ragnhild Tronstad, Hanna Wirman

"This monumental work has now become... the indispensable tool of all folk narrative scholars." --Southern Folklore Quarterly "A work of this kind can never be quite complete, but in this work Stith Thompson has approached perfection." --Volkskunde "An invaluable aid to students and scholars... " --Reference & Research Book News Indiana University Press, with the generous support of the L. J. and Mary C. Skaggs Foundation, is pleased to announce the republication of this folklore classic, in honor of the centenary of the American Folklore Society.