As the turbulent years following the Russian revolution of 1917 settle down into a new Soviet reality, the brilliant and eccentric zoologist Persikov discovers an amazing ray that drastically increases the size and reproductive rate of living organisms. At the same time, a mysterious plague wipes out all the chickens in the Soviet republics. The government expropriates Persikov's untested invention in order to rebuild the poultry industry, but a horrible mix-up quickly leads to a disaster that could threaten the entire world. This H. G. Wells-inspired novel by the legendary Mikhail Bulgakov is the only one of his larger works to have been published in its entirety during the author's lifetime. A poignant work of social science fiction and a brilliant satire on the Soviet revolution, it can now be enjoyed by English-speaking audiences through this accurate new translation. Includes annotations and afterword.

Set in 1928 but written four years earlier, during Stalin's rise to power, The Fatal Eggs is both an early piece of science fiction reminiscent of H.G. Wells and a biting, brilliant satire of the consequences of the abuse of power and knowledge. Professor Persikov, an eccentric zoologist, stumbles upon a new light ray that accelerates growth and reproduction rates in living organisms. In the wake of a plague that has decimated the country's poultry stocks, Persikov's discovery is exploited as a means to correct the problem. As foreign agents, the state and the Soviet media all seize upon the red ray, matters get out of hand -

The classic collection of wildly inventive and bitingly satirical tales of post-revolutionary Russia: “amusing and excellent reading” (Isaac Bashevis Singer). This famous collection of Soviet satire from 1918 to 1963 devastatingly lampoons the social, economic, and cultural changes wrought by the Russian Revolution. Among the seventeen boldly outspoken writers represented here are Mikhail Bulgakov, Ilya Ilf, Yevgeny Petrov, Mikhail Zoshchenko, Yevgeny Zamyatin, Valentin Katayev, and Yury Kazakov. Whether the stories and novellas collected here take the form of allegory, fantasy, or science fiction, the results are ingenious, critical, and hilariously timeless. “The stories in this collection tell the reader more about Soviet life than a dozen sociological or political tracts.” —Isaac Bashevis Singer “An altogether admirable collection . . . by the highly talented translator Mirra Ginsburg . . . Many of these stories and sketches are delicious, even—a miracle!—funny, and full of subtlety and intelligence.” —The New Leader “Hilarious entertainment. Beyond this it illuminates with the cruel light of satire the reality behind the pretentious façade of the Soviet state.” —Sunday Sun

Professor Persikov accidentally discovers a light ray that accelerates cell growth and, when shone on the wrong batch of eggs, creates monster hybrid snakes and crocodiles.

“Bulgakov’s strong point was his ability to amplify the roots of man’s dementia, the howls of political pandemonium . . . a lively collection.” —The Washington Post Book World Mikhail Bulgakov’s Diaboliad and Other Stories, comprised of Diaboliad, No. 13–The Elpit Workers’ Commune, A Chinese Tale, and The Adventures of Chichikov, serves as an excellent introduction to this renowned Russian satirist and playwright’s work. Black comedy, biting social and political commentary, and Bulgakov’s unique narrative exuberance combine to tell the tales of labyrinthine post-Revolution bureaucracy; clashes between science, the intellectual class, and the state; and the high price to be paid for the promised utopian world of Communism in early Soviet Russia. Bulgakov’s signature eloquent skewering of the various shortcomings of the world around and within him can be found on every page, and horror and magic interweave in a constant dance of the absurd—a dance that would reach its highest point both stylistically and thematically in Bulgakov’s tour de force novel The Master and Margarita. “One of the most original voices of the twentieth century.” —The Guardian, UK

A comic novel about the theater world in early Soviet Russia and a “biting attack on censorship” (The Guardian, UK). From the author of The Master and Margarita, this semi-autobiographical satirical novel paints a vibrant portrait of life behind the curtains of the Russian literary and theater arenas in the early decades of the twentieth century. Maxudov is a failed novelist who, after contemplating suicide, adapts his novel into a play that—seemingly at random—is chosen to be produced at the renowned Independent Theatre. As it so often does in theater, chaos ensues—including bloodthirsty battles between the show’s two co-directors (modeled on Stanislavsky, the famed inventor of Method Acting, and his co-director) over control of the production; near-constant drama brewing between the actors; and the playwright’s own growing host of misgivings and insecurities about his place in the theatrical community. With each rehearsal turning more disastrous than the last, it becomes less and less clear whether Maxudov’s play will ever be performed at all… “A masterpiece of black comedy.” —The Irish Times

"He had sought to be the agent of all forces and actions on the Earth, and thus, just as he had transformed iron ingot into a music box, so had he strived to transform the Earth and all it contained into a machine." Ihsan Oktay Anar's 1996 novella, "The Book of Devices," is a skeleton key to the ever-inventive author's fictional world set in the Ottoman times. Here are the wonderful histories of the triumphs and tribulations of three Ottoman inventors, "as reported by the narrators of events and relators of traditions." By turns humorous and touching, these interlinked stories are nutshells of vividly imagined past. While we follow Yafes Chelebi and his two successors in their search for the secret of the perpetual motion, the crumbling empire undergoes drastic changes in the background and the city of their dreams, Istanbul, witnesses coup d''tats, Westernizing reforms, and the advent of technological innovation. Written in a unique idiom that is both a tender mimicry and witty parody of the Ottoman bureaucratic prose, The Book of Devices is Anar at his imaginative best. One cannot help but wonder how a twenty-first-century author can dwell in the past with such ease and come back to the present, as in a Borgesian parable, with a cabinet of dreamy curiosities.