The wagon ride from town is so hazardous that Farmer Palmer, a pig, and Ebenezer, an ass, barely make it home again.

A kindly pig and his hired donkey, Ebenezer, suffer unlikely adventures when returning from market with gifts for their fat families.

The companion volume to the twelve-hour PBS series from the acclaimed filmmaker behind The Civil War, Baseball, and The War. America’s national parks spring from an idea as radical as the Declaration of Independence: that the nation’s most magnificent and sacred places should be preserved, not for royalty or the rich, but for everyone. In this evocative and lavishly illustrated narrative, Ken Burns and Dayton Duncan delve into the history of the park idea, from the first sighting by white men in 1851 of the valley that would become Yosemite and the creation of the world’s first national park at Yellowstone in 1872, through the most recent additions to a system that now encompasses nearly four hundred sites and 84 million acres. The authors recount the adventures, mythmaking, and intense political battles behind the evolution of the park system, and the enduring ideals that fostered its growth. They capture the importance and splendors of the individual parks: from Haleakala in Hawaii to Acadia in Maine, from Denali in Alaska to the Everglades in Florida, from Glacier in Montana to Big Bend in Texas. And they introduce us to a diverse cast of compelling characters—both unsung heroes and famous figures such as John Muir, Theodore Roosevelt, and Ansel Adams—who have been transformed by these special places and committed themselves to saving them from destruction so that the rest of us could be transformed as well. The National Parks is a glorious celebration of an essential expression of American democracy.

The wagon trains to California greatly decreased in 1851 as reports of deadly cholera on the trail the year before and strikeouts in gold prospecting became known. Those who did go west—about 2,160 men and 1,440 women—tended toward Oregon's rich Willamette Valley because of a new federal land law that awarded a husband and wife a full section. Volume 3 of Covered Wagon Women contains the diaries and letters of six Oregon-bound women, as well as the journal of an English Mormon woman who described her experience all the way from Liverpool to Salt Lake City. The words of these pioneer women convey their exhilaration, courage, exhaustion, and terror in traveling so far into the unknown.

The diaries and letters of women on the overland trails in the mid- to late nineteenth century are treasured documents. These eleven selections drawn from the multivolume Covered Wagon Women series present the best first-person trail accounts penned by women in their teens who traveled west between 1846 and 1898. Ranging in age from eleven to nineteen, unmarried and without children of their own, these diarists had experiences different from those of older women who carried heavier responsibilities with them on the trail. These letters and diaries reflect both the unique perspective of youthful optimism and the experiences common among all female emigrants. The young women write of friendship and family, trail hardships, and explorations such as visits to Indian gravesites. Some like Sallie Hester even write of enjoying the company of men, and many speculate about marriage prospects. Domestic roles did not define the girls’ trail experience; only the four oldest in this collection recorded helping with chores. As they journey through Indian lands, these writers show that even their youth did not prevent them from holding notions of white racial superiority. Two of the selections are newly published, having appeared only in limited-distribution collector’s editions of the original series. For all readers captivated by the first Best of Covered Wagon Women collection, this new volume’s focus on youthful travelers adds a fresh perspective to life on the trail.

A novelist and short-story writer, Willa Cather is today widely regarded as one of the foremost American authors of the twentieth century. Particularly renowned for the memorable women she created for such works as My Antonia and O Pioneers!, she pens the portrait of another formidable character in The Song of the Lark. This, her third novel, traces the struggle of the woman as artist in an era when a woman's role was far more rigidly defined than it is today. The prototype for the main character as a child and adolescent was Cather herself, while a leading Wagnerian soprano at the Metropolitan Opera (Olive Fremstad) became the model for Thea Kronborg, the singer who defies the limitations placed on women of her time and social station to become an international opera star. A coming-of-age-novel, important for the issues of gender and class that it explores, The Song of the Lark is one of Cather's most popular and lyrical works. Book jacket.