The Thunder Moon series represents some of Max Brand?s best work, originally published in 1927?28 as a series of interlocking stories. The University of Nebraska Press is now republishing these stories uncut and in the sequence Faust intended, with careful reference to the original typescripts. In order, the works appear in four volumes as The Legend of Thunder Moon, Red Wind and Thunder Moon, Thunder Moon and the Sky People, and Farewell, Thunder Moon. Farewell, Thunder Moon originally appeared in 1928 in Western Story Magazine. In this work, Thunder Moon is betrayed yet again and forced to flee his newly found home among those from whom he was abducted as a child. Returning to the plains that have been the scene of his greatest exploits, he finds the shadows of the encroaching whites lengthening on the lodges of his people. Forced, in order to preserve his people, to make choices that they cannot understand, Thunder Moon must again confront his hereditary enemy, the Pawnees, as well as the oncoming whites. But soon Thunder Moon?s greatest test draws nigh, and he must find where his heart truly lies.

Thunder Moon, unaware that his father was a white man, struggles to make a name for himself among the Sky People

The Thunder Moon series represents some of Max Brand?s best work, originally published in 1927?28 as a series of interlocking stories. The University of Nebraska Press is now republishing these stories uncut and in the sequence Faust intended, with careful reference to the original typescripts. In order, the works appear in four volumes as The Legend of Thunder Moon, Red Wind and Thunder Moon, Thunder Moon and the Sky People, and Farewell, Thunder Moon. Red Wind and Thunder Moon originally appeared in 1927 issues of Western Story Magazine. In this work, Walking Horse, war chief of the Omissi band of the Cheyennes, pays a mysterious visit to the Suhtai band, among whose foremost chiefs is Big Hard Face. Big Hard Face proudly shows Walking Horse the large herd of fine horses presented to him by his son, Thunder Moon, who has captured them in daring raids upon their traditional enemies, the Comanches. Feigning a desire to buy some of the horses, Walking Horse cleverly concludes a bargain with Big Hard Face, over Thunder Moon?s objections, that obliges the young warrior to accept an unknown gift. Big Hard Face is ecstatic over the good price he has received for the horses; Thunder Moon awaits the ?gift? with foreboding.

The big man at the window, as though fascinated by the flood of light within the room, remained for a long time staring. Finally he turned, and instantly he grappled with the smaller shadow behind him. “It is I!” whispered the Cheyenne hastily. “It is Standing Antelope. Take your hand from my throat, Thunder Moon!” He was free, and the two slipped silently through the garden, through the hedges, and back into the adjoining woods where they had left their four horses. “I, also, have seen,” said the boy. “What?” asked the other. “I have seen the reason that brought you from the Suhtai and made you travel all these moons into the land of the white men. I have seen his face!” “You have seen him? Then who is he, Standing Antelope?”

Thunder Moon was the adopted son of a great warrior, unaware that he was born the son of a white man. And though he grew bigger and stronger than the other boys of his tribe, he was not accepted--until the day a water snake bit him, and so began a great adventure that would make him a legend among Indians and white man alike!

Rival police detectives Angus Campbell and Patrick O'Rourke find themselves working together to locate the millionaire who disappeared while under their protection on a train bound for Chicago

Pierre Ryder is a missionary priest in the frozen wastes of the far north. He can out run, out ride and out shoot most. His father has been shot, and he runs into an evil woman.