A critical study of Louise Bourgeois's art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.

Religion, as defined by Marxism, is fantastic reality. Fantastic, not in the trite sense that the claims religion makes about existence are verifiably untrue, unreal or baseless, but in the sense that nature and society are reflected in exaggerated form, as leaping shadows, as symbols or inversions. So religion should not be dismissed as mere false consciousness. Religion reflects something of the real; but, as Jack Conrad's book shows, there is even more to it than that. Religious ideas are not only determined by reality; they can themselves become materially effective. The ideas people have in their heads - especially when mediated through institutions such as churches, mosques and temples - no matter how wrapped up in the godly and seemingly unrelated to the corporeal world, impact on their surroundings.

The fantastic reality that is modern physics is open for your exploration, guided by one of its primary architects and interpreters, Nobel Prize winner Frank Wilczek. Some jokes, some poems, and extracts from wife Betsy Devine's sparkling chronicle of what it's like to live through a Nobel Prize provide easy entertainment. There's also some history, some philosophy, some exposition of frontier science, and some frontier science, for your lasting edification. 49 pieces, including many from Wilczek's award-winning Reference Frame columns in Physics Today, and some never before published, are gathered by style and subject into a dozen chapters, each with a revealing, witty introduction. Profound ideas, presented with style: What could be better? Enjoy.

As the first international anthology to cover the entire scope of fantastic narrative, Fantastic Worlds presents over fifty tales, myths, and stories, ranging from Genesis to Ovid, Hans Christian Andersen to J.R.R. Tolkien, Edgar Allan Poe to James Thurber, and Franz Kafka to Italo Calvino. Including tales of fairies and elves, ghost stories, high fantasy, and stories of social criticism and the conflict between science and religion, this volume presents a diverse selection of writings that all share the same capacity to liberate the human spirit through the wild mental acrobatics of fantasy.

96 brilliant photographs -- 11 in full color -- by outstanding contemporary master: an eroding claybank, sand-scrubbed driftwood, the spine of a skate, a barnacle colony, a pebble polished by the sea, the jaw of an anglerfish, and much more. "The author works at his art with zest and a poet's perception". -- Publishers Weekly.

DIVDIVSinai Tapestry, the brilliant first novel of the Jerusalem Quartet,is an epic alternate history of the Middle East in which the discovery of the original Bible links a disparate group of remarkable people across time and space/divDIV In 1840, Plantagenet Strongbow, the twenty-ninth Duke of Dorset, seven-feet-seven-inches tall and the greatest swordsman and botanist of Victorian England, walks away from the family estate and disappears into the Sinai Desert carrying only a large magnifying glass and a portable sundial. He emerges forty years later as an Arab holy man and anthropologist, now the author of a massive study of Levantine sex—and the secret owner of the Ottoman Empire./divDIV Meanwhile, Skanderbeg Wallenstein has discovered the original Bible, lost on a dusty bookshelf in the monastery library. To his amazement, it defies every truth held by the three major religions. Nearly a century later, Haj Harun, an antiquities dealer who has acted as guardian of the Holy City for three thousand years, uncovers the hidden Bible./divDIV Sinai Tapestry is the first volume of the Jerusalem Quartet, which continues with Jerusalem Poker, Nile Shadows,and Jericho Mosaic./divDIV/div/div