Henry James called Fanny Kemble's autobiography "one of the most animated autobiographies in the language." Born into the first family of the British stage, Fanny Kemble was one of the most famous woman writers of the English-speaking world, a best-selling author on both sides of the Atlantic. In addition to her essays, poetry, plays, and a novel, Kemble published six works of memoir, eleven volumes in all, covering her life, which began in the first decade of the nineteenth century and ended in the last. Her autobiographical writings are compelling evidence of Kemble's wit and talent, and they also offer a dazzling overview of her transatlantic world. Kemble kept up a running commentary in letters and diaries on the great issues of her day. The selections here provide a narrative thread tracing her intellectual development-especially her views on women and slavery. She is famous for her identification with abolitionism, and many excerpts reveal her passionate views on the subject. The selections show a life full of personal tragedy as well as professional achievements. An elegant introduction provides a context for appreciating Kemble's remarkable life and achievements, and the excerpts from her journals allow her, once again, to speak for herself.

A biography of the British stage star turned plantation mistress, whose abolitionist writings made her an unlikely heroine of the Union cause--and whose life intersected in bold and dramatic ways with the most tumultuous of American conflicts, the Civil War. 64 illustrations.

Two women with similar backgrounds. Both slaves; both fiercely independent. Both great, in different ways. Harriet Tubman: brave pioneer who led her fellow slaves to freedom, larger than life . . . yearning to be free. Sojourner Truth: strong woman who spoke up for African American rights, tall as a tree . . . yearning to be free. One day in 1864, the lives of these two women came together. When Harriet Met Sojourner is a portrait of these two remarkable women, from their inauspicious beginnings to their pivotal roles in the battle for America's future.

With cheaper publishing costs and the explosion of periodical publishing, the influence of New World travel narratives was greater during the nineteenth century than ever before, as they offered an understanding not only of America through British eyes, but also a lens though which nineteenth-century Britain could view itself. Despite the differences in purpose and method, the writers and artists discussed in Nineteenth-Century British Travelers in the New World-from Fanny Wright arriving in America in 1818 to the return of Henry James in 1904, and including Charles Dickens, Frances Trollope, Isabella Bird, Fanny Kemble, Harriet Martineau, and Robert Louis Stevenson among others, as well as artists such as Eyre Crowe-all contributed to the continued building of America as a construct for audiences at home. These travelers' stories and images thus presented an idea of America over which Britons could crow about their own supposed sophistication, and a democratic model through which to posit their own future, all of which suggests the importance of transatlantic travel writing and the ’idea of America’ to nineteenth-century Britain.

Abraham Lincoln is the most revered president in American history, but the woman at the center of his life—his wife, Mary—has remained a historical enigma. One of the most tragic and mysterious of nineteenth-century figures, Mary Lincoln and her story symbolize the pain and loss of Civil War America. Authoritative and utterly engrossing, Mrs. Lincoln is the long-awaited portrait of the woman who so richly contributed to Lincoln's life and legacy.