In the spring of 2000, Richard Renaldi began making frequent trips to the small New England city of Fall River, Massachusetts. Situated just a short distance from the Atlantic coast, Fall River was once at the very center of American textile manufacturing. Renaldi's aim was to photograph the young men of Fall River coming of age amidst an industrial landscape well past its boom years. This extraordinary body of images - both portraits and landscapes - is gathered here for the first time in Renaldi's second monograph, Fall River Boys.

In this deeply felt, unforgettable book, Bill Reynolds journeys with a high school basketball team through the past and present of an American town. Fall River, Massachusetts, is a once-prosperous industrial center haunted by its history, the Durfee High School basketball team begins its annual drive for a state championship: a quest that inspires and sometimes consumes kids, coaches, families, teachers, and all of Fall River. Fall River Dreams is the story of one season's quest-a classic book about sports, youth, time, hope, and memory in America today.

The city known today as Fall River, Massachusetts, considered until 1803 to be a part of Freetown and until 1862 to be partially contained within the boundaries of Rhode Island, came into its own as a great industrial city in the latter half of the nineteenth century. The massive power of the Quequechan River fueled several mills, and Fall River granite provided the basis for a developing stone-cutting business. Over the years, the city's numerous villages have been home to many hard-working and loyal residents. These residents historically have much to be proud of: in many ways Fall River led the region in the development of technology and public education. By the 1880s, the city was equipped with telephones, streetcars, and electrical service, and the B.M.C. Durfee High School-opened in 1886-was considered the finest in the nation. Through the 200-plus photographs and informative captions in this marvelous new visual history, local author Rob Lewis seeks to remind residents of Fall River's glorious past; his work also suggests the future potential of this significant American city as we approach the millennium.

"Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format eight-by-ten-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States. He pairs them up and invites them to pose together, intimately, in ways that people are usually taught to reserve for their close friends and loved ones. Renaldi creates spontaneous and fleeting relationships between strangers, for the camera, often pushing his subjects beyond their comfort levels. These relationships may only last for the moment the shutter is released, but the resulting photographs are moving and provocative, and raise profound questions about the possibilities for positive human connection in a diverse society. -- Provided by publisher."--Publisher's description.

Manhattan Sunday is part homage to a slice of New York nightlife, and part celebration of New York as palimpsest--an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. In the essay that accompanies his photographs, Richard Renaldi describes his experiences as a young man in the late 1980s who had recently embraced his gay identity, and of finding a home in the mystery and abandonment of the club, the nightscape, and then finally daybreak, each offering a transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage. Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night bleeds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. Manhattan Sunday is a personal memoir that also offers a reflection the city's evolving identity--one that still carries with it and cherishes the echoes of its past.

Founded in 1803, Fall River changed its name the following year to Troy, after a resident visiting Troy, New York, enjoyed the city. In 1834, the name was officially changed back to Fall River. The city s motto, We ll Try, originates from the determination of its residents to rebuild the city following a devastating fire in 1843. The fire resulted in 20 acres in the center of the village being destroyed, including 196 buildings, and 1,334 people were displaced from their homes. Once the capital of cotton textile manufacturing in the United States, by 1910, Fall River boasted 43 corporations, 222 mills, and 3.8 million spindles, producing two miles of cloth every minute of every working day in the year. The workforce was comprised of immigrants from Ireland, England, Scotland, Canada, the Azores, and, to a lesser extent, Poland, Italy, Greece, Russia, and Lebanon."