Isolda Wilde sees a lot of things other people don't. But when a dead girl appears at her window, her every word a threat, Isolda needs help. Her real-life friends - Grape, James and new boy Edgar - make her forget for a while. And the mermaids, fairies and magical creatures, seemingly lifted from the pages of the French fairytales Isola idolises, will protect her with all the fierce love they possess.

Discover the dark and seductive realm of faerie in the first book of New York Times bestseller Holly Black’s critically acclaimed Modern Faerie Tales series, where one girl must save herself from the sinister magic of the fey courts, and protect her heart in the process. Sixteen-year-old Kaye is a modern nomad. Fierce and independent, she drifts from place to place with her mother’s rock band until an ominous attack forces them back to Kaye’s childhood home. But Kaye’s life takes another turn when she stumbles upon an injured faerie knight in the woods. Kaye has always been able to see faeries where others could not, and she chooses to save the strange young man instead of leaving him to die. But this fateful choice will have more dire consequences than she could ever predict, as Kaye soon finds herself the unwilling pawn in an ancient and violent power struggle between two rival faerie kingdoms—a struggle that could very well mean her death.

A deliciously dark bubblegum-gothic fairytale from a stunning new Australian talent. He s gone the same way as those little birds that bothered me with their awful songs! And you will too, you and your horrible heart-music, because you won t stay out of my woods! There s a dead girl in a birdcage in the woods. That s not unusual. Isola Wilde sees a lot of things other people don t. But when the girl appears at Isola s window, her every word a threat, Isola needs help. Her real-life friends Grape, James and new boy Edgar make her forget for a while. And her brother-princes magical creatures seemingly lifted from the pages of the French fairytales Isola idolises will protect her with all the fierce love they possess. It may not be enough. Isola needs to uncover the truth behind the dead girl s demise . . . before the ghost steals Isola's last breath.

Ashley Poston, acclaimed author of Heart of Iron, returns with a dark, lush fairy tale–inspired fantasy for fans of Sara Raasch and Susan Dennard. Cerys is safe in the Kingdom of Aloriya. Here there are no droughts, disease, or famine, and peace is everlasting. It has been this way for hundreds of years, since the first king made a bargain with the Lady who ruled the forest that borders the kingdom. But as Aloriya prospered, the woods grew dark, cursed, and forbidden. Cerys knows this all too well: When she was young, she barely escaped as the woods killed her friends and her mother. Now Cerys carries a small bit of the curse—the magic—in her blood, a reminder of the day she lost everything. As a new queen is crowned, however, things long hidden in the woods descend on the kingdom itself. Cerys is forced on the run, her only companions a small and irritating fox from the royal garden and the magic in her veins. It’s up to her to find the legendary Lady of the Wilds and beg for a way to save her home. But the road is darker and more dangerous than she knows, and as secrets from the past are uncovered amid the teeth and roots of the forest, it’s going to take everything she has just to survive.

Presents a collection of classic and lesser known fairy tales retold with sinister plot twists and macabre characters, including "Rapunzel," "Molly Whupple," "Beauty and the Beast," and "The Island of Skeletons."

The Victorian fascination with fairyland is reflected in the literature of the period, which includes some of the most imaginative fairy tales ever written. They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns. The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.