New world, new rules . . . Alex is screwed. She’s due at the fae Court of Enchantment in less than twenty-four hours, but she’s not even close to being ready. Her job is hanging by a fraying thread. There’s a new vampire master in town. And several of her werewolf friends have been captured by the Paranatural Task Force. She’s their best chance for release before the full moon reveals their secret, but the Lord of Enchantment is not someone you keep waitingâ€"even when he happens to be your grandfather. All Alex can do is call in a favor, hope to hell she can survive the plots of the fae court, and hightail it home to salvage her life. One mistake at court could change everything . . . . About the Author: Born and raised in Colorado, L. R. BRADEN makes her home in the foothills of the Rocky Mountains with her wonderful husband, precocious daughter, and psychotic cat. With degrees in both English literature and metalsmithing, she splits her time between writing and art.

When the leader of the local witch coven is murdered, all evidence suggests foul play of the faerie variety. With a group of anti-supernatural assassins running around town, I have to figure out their connection with the dark faeries before my best friend Isabel, the new coven leader, becomes the killer's next target. Nobody ever crosses the witches and escapes unscathed, but with the ancient Sidhe, all bets are off. I need to have my wits about me, otherwise one mistake might spell the destruction of our world. Keywords: urban fantasy, faeries, magic, folklore, fantasy with action, fairy tales, fae urban fantasy series, changeling, Seelie Court, Unseelie Court, adult urban fantasy series, British fantasy, complete fantasy series, ghost mystery, female protagonist urban fantasy, dark urban fantasy, ghosts, contemporary fantasy mystery, post-apocalyptic fantasy, contemporary fantasy, sword magic, shifters, mages, shifters, humorous urban fantasy, paranormal fantasy, myths and legends

Children are disappearing. With Purity growing in political power and bigotry on the rise across the Realms, Alex’s short-term goals are to stay under the PTF's radar and as far from the fae Courts as she can. But her plans go up in smoke when May, the younger sister of her good friend Emma, goes missing. The fae are involved. Alex will do everything she can to find May, but to mount a rescue she'll have to avoid PTF raids, conquer old ghosts, and risk coming face to face with her fae grandfather again. War is coming. Lines are being drawn. No one is safe. To survive, Alex will have to choose a side. Author Bio: Born and raised in Colorado, award-winning author L. R. BRADEN makes her home in the foothills of the Rocky Mountains with her wonderful husband, precocious daughter, and psychotic cat. With degrees in both English literature and metalsmithing, she splits her time between writing and art.

"Despite its canonical prestige, Edmund Spenser's epic six-part poem The Faerie Queene (1590-96) has never been easy or altogether pleasurable to read. As this book describes, the poem's first known reader, Spenser's friend Gabriel Harvey, did so under duress, and returned the manuscript with a plea that Spenser write something else instead. Virginia Woolf's tongue-in-cheek advice to twentieth-century readers eager to cultivate a taste for The Faerie Queene-"The first essential is, of course, not to read The Faerie Queene"-sums up a tradition of readerly resistance to the poem. As a consequence of its difficulty, the poem has an extraordinary capacity to induce doubt in readers-about Spenser, about themselves, and about the enterprise of reading itself. Each of the six chapters in Nicholson's book considers the poem through the lens of a different readership: scholars; schoolchildren; compilers of commonplace books, who value specific elements about the poem; Queen Elizabeth, the ostensible subject of the poem; and readers who, across the centuries, ultimately failed to understand the poem. Rather than tell us how to read Spenser's work, Nicholson describes how these individual readers, from learned scholars to precocious schoolboys, jealous queens to algorithmic search engines, have generated meaning and pleasure from an unusual and difficult text. Throughout, the author argues that that The Faerie Queene can be read not simply as literature but as literary theory, a reflection on what reading does to texts, readers, and the worlds they live in"--

Charles Williams was a British poet, novelist, playwright, theologian and literary critic, chiefly remembered today for his innovative fantasy novels. Along with Tolkien and C. S. Lewis, Williams was a member of the Inklings, a literary discussion group based in Oxford University, who were enthusiasts that praised the value of narrative in fiction and encouraged the writing of fantasy. Williams produced notable works in all literary formats, including compelling dramas, erudite non-fiction and sublime poetry. This eBook presents Williams’ complete fictional works (except for one novel), with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Williams’ life and works * Concise introductions to the novels and other texts * All the novels (except for one), with individual contents tables * The rare unfinished novel, ‘The Noises That Weren’t There’, digitised here for the first time * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The rare short story ‘Et in Sempiternum Pereant’ * The complete poems and plays for the first time in publishing history * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a wide selection of Williams’ non-fiction– spend hours exploring the author’s varied works * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, the novel ‘All Hallows’ Eve’ (1945) cannot appear in this edition. When it becomes available, it will be added to the eBook as a free update. CONTENTS: The Novels War in Heaven (1930) Many Dimensions (1931) The Place of the Lion (1931) The Greater Trumps (1932) Shadows of Ecstasy (1933) Descent into Hell (1937) The Noises That Weren’t There (1970) The Short Story Et in Sempiternum Pereant (1935) The Plays The Chapel of the Thorn (1912) The Masque of the Manuscript (1927) The Masque of Perusal (1929) The Masque of the Termination of Copyright (1930) A Myth of Shakespeare (1930) Three Plays (1929) Thomas Cranmer of Canterbury (1936) Seed of Adam (1937) Judgement at Chelmsford (1939) The Death of Good Fortune (1939) The House by the Stable (1939) Terror of Light (1940) Grab and Grace (1941) The Three Temptations (1942) House of the Octopus (1945) The Poetry Collections The Silver Stair (1912) Poems of Conformity (1917) Divorce (1920) Windows of Night (1924) Heroes and Kings (1930) Taliessin through Logres (1938) The Region of the Summer Stars (1944) Uncollected Poems The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction Victorian Narrative Verse (1927) The English Poetic Mind (1932) Bacon (1933) Reason and Beauty in the Poetic Mind (1933) James I (1934) Rochester (1935) Queen Elizabeth (1936) Henry VII (1937) He Came Down from Heaven (1938) The Descent of the Dove (1939) Witchcraft (1941) The Figure of Beatrice (1943) The Figure of Arthur (1948)

Clive Staples Lewis, better known as C.S. Lewis, was a respected academic, writer, and speaker. While he might be best known for his works of fantasy, especially the Chronicles of Narnia and Space Trilogy series, he also wrote many books on Christian apologetics, including Mere Christianity, Miracles, and The Problem of Pain. While Lewis was a lecturer at Oxford, he became close friends with fellow lecturer J.R.R. Tolkien, future author of The Lord of the Rings trilogy. Both authors participated in an informal writing group, The Inklings, where they critiqued and debated each other’s texts and ideas. His works have been translated into more than 30 languages and have sold millions of copies. The Lion, the Witch, and the Wardrobe stands out as his most popular fantasy work. Initially, the first book in the Chronicles of Narnia, though chronologically the second by order, it tells of the adventures of children who magically arrive in a magical country called Narnia. In Narnia, magic comes as no surprise, animals both speak and act, and good strives against evil. Lewis weaves Christian themes throughout the Chronicles of Narnia in a manner that is both accessible and picturesque for readers young and old. Attentive readers will also spot elements of Roman and Greek mythology as well as British and Irish folklore. THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE PRINCE CASPIAN THE VOYAGE OF THE DAWN TREADER THE SILVER CHAIR THE HORSE AND HIS BOY THE MAGICIAN’S NEPHEW THE LAST BATTLE THE SPACE TRILOGY OUT OF THE SILENT PLANET PERELANDRA OR, VOYAGE TO VENUS THAT HIDEOUS STRENGTH OTHER FICTION THE PILGRIM’S REGRESS THE SCREWTAPE LETTERS THE GREAT DIVORCE TILL WE HAVE FACES SHORT STORIES THE POETRY COLLECTIONS SPIRITS IN BONDAGE DYMER THE COMPLETE POETRY THE NON-FICTION THE PROBLEM OF PAIN ON STORIES AN ESSAY A PREFACE TO PARADISE LOST BROADCAST TALKS THE ABOLITION OF MAN BEYOND PERSONALITY GEORGE MACDONALD: AN ANTHOLOGY MIRACLES HAMLET: THE PRINCE OR THE POEM? MARY NEYLAN PREFACE TO ESSAYS PRESENTED TO CHARLES WILLIAMS ARTHURIAN TORSO WILLIAMS AND THE ARTHURIAD TRANSPOSITION AND OTHER ADDRESSES MERE CHRISTIANITY REFLECTIONS ON THE PSALMS STUDIES IN WORDS THE FOUR LOVES A GRIEF OBSERVED AN EXPERIMENT IN CRITICISM THEY ASKED FOR A PAPER: PAPERS AND ADDRESSES THE DISCARDED IMAGE LETTERS TO MALCOLM: CHIEFLY ON PRAYER IT ALL BEGAN WITH A PICTURE… THE AUTOBIOGRAPHY