The Black Star Collection at The Image Centre: the expectations, challenges, and results of a decade of research in a key photo agency’s print collection. In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution enables more access, researchers must still face the size of the collection, its structural organization, the materiality of the prints, and the lack of ephemera. Facing Black Star aims to fruitfully highlight this tension between research expectations and challenges. Coeditors Thierry Gervais and Vincent Lavoie have gathered local, national, and international researchers ranging from graduate students to established scholars and curators to illuminate the staggering range of the collection, from its disquieting record of the Nazis’ rise to power to its visual archive of climate change. Each contribution highlights methodological, epistemological, and political issues inherent to conducting research in photographic archives and collections, such as indexing protocols and their impact on research, the photographic archive as a place of visibility and invisibility, and the photographic archive as a hermeneutic tool. Shedding new light on current issues in the theory and history of photography, this impressive volume containing 100 images will not only discuss the subjects portrayed in the photographs but will also address the history of photojournalism, the role of such a photographic archive in our Western societies, and ultimately photography as a medium. Like the other volumes of the RIC Books series (MIT Press/The Image Centre [formerly the Ryerson Image Centre]), this publication will appeal as much to academics of visual history as it will to photography enthusiasts in general.

Stranded on an alien planet, two astronauts must battle deadly elements and each other to recover a reserve shuttle built for one Black Star is a debut graphic novel by Eric Anthony Glover, based on his original unproduced screenplay, and illustrated by Arielle Jovellanos. In the future, interstellar travel is past its prime and sending shuttles beyond our solar system—even for vital scientific research—is a life-threatening gamble. However, in order to retrieve samples of an alien flower that may hold the key to saving countless lives, Harper North and her crew of scientists must journey to Eleos, a dangerous planet in deep space. But as they approach Eleos, their ship is caught in an asteroid storm and as it hurtles towards the surface, its reserve shuttle detaches, landing over 100 kilometers away. When the rest of the crew perishes in the burning wreckage of the ship, North races towards the rescue shuttle built for one, hoping to fulfill their mission and survive. But North isn’t alone: The team’s wilderness expert is still alive and hell-bent on hunting North down and claiming the shuttle for herself. Now, North has no choice but to reach the shuttle first—and fast. The fuel is leaking. Her GPS battery is dying. And the planet’s deadly seasonal change is coming. As she battles the flora and fauna and tries to elude her ruthless former crew mate, North will find the cost of survival is dear . . . Will she be willing to pay that price?

Linking discontent and unrest in Harlem and Los Angeles to anticolonial revolution in Algeria, Egypt, and elsewhere, Black leaders in the United States have frequently looked to the anti-imperialist movements and antiracist rhetoric of the Muslim Third World for inspiration. Daulatzai maps the shared history between Black Muslims, Black radicals, and the Muslim Third World, showing how Black artists and activists imagined themselves not as national minorities but as part of a global majority, connected to larger communities of resistance. From publisher description.

More than forty criminal heroes are examined in this volume. They include evil characters such as Dr. Fu Manchu, Li Shoon, Black Star, the Spider, Rafferty, Mr. Clackworthy, Elegant Edward, Big-nose Charlie, Thubway Tham, the Thunderbolt, the Man in Purple, and the Crimson Clown, plus many, many more! The development of these characters is traced across more than two decades of crime fiction published in Detective Story Magazine, Flynn's, Black Mask, and other magazines. The conventions that made these stories a special part of popular fiction are examined in detail.

This book describes how the first African American mass political organization was able to gain support from throughout the African diaspora to finance the Black Star Line, a black merchant marine that would form the basis of an enclave economy after World War I. Ramla M. Bandele explores the concept of diaspora itself and how it has been applied to the study of émigré and other ethnic networks. In characterizing the historical and political context of the Black Star Line, Bandele analyzes the international political economy during 1919-25 and considers the black politics of the era, focusing particularly on Marcus Garvey's Universal Negro Improvement Association for its creation of the Black Star Line. She offers an in-depth case study of the Black Star Line as an instance of the African diaspora attempting to link communities and carry out a transnational political and economic project. Arguing that ethnic networks can be legitimate actors in international politics and economics, Bandele also suggests, however, that activists in any given diaspora do not always function as a unit.

The second entry in the Star Wars-inspired series that Nerdist calls "the next big thing." Though the ragtag group of misfits known as the Black Star Renegades won a decisive battle by destroying Ga Halle’s War Hammer, the war is far from over. In response to losing the crown jewel of its fleet, the evil Praxis empire has vengefully reinforced its tyranny across the galaxy--but its rule won't be had so easily. Led by hotshot pilot Kira Sen, a growing rebel force stands in the way of Praxis’s might. Not only do they possess the will to fight for galactic freedom, they also possess the ultimate ace in the hole: The mythical Rokura, the most powerful weapon ever known. Too bad Cade Sura hasn’t figured out to use it. As Kira wages an increasingly bloody war against Praxis, Cade is left with only once choice: With Ga Halle scouring every star system for the coveted weapon, Cade embarks on a dangerous mission into uncharted space to discover the Rokura’s origins. Only then can he learn how it can be wielded. Because if he doesn’t, all hope for the galaxy might be lost.

One of the greatest names in science-fiction is that of John W. Campbell. Famed as the editor of Astounding Science Fiction/Analog for many years, John W. Campbell was earlier known for his exciting, imaginative novels of super-science, which placed his name alongside such greats as Edward E. Smith and Edmond Hamilton. THE BLACK STAR PASSES is such a book, narrating the adventures of the Earth scientists Arcot, Wade, and Morey as they fight at first for the freedom of their planet and then for the safety of the entire solar system. For cosmic scope, daring concepts, and sweeping adventure, it has never been surpassed.