Facets of Wuthering Heights is a collection of essays by one author concerned to throw critical light on several different facets of Emily Brontë’s masterpiece, Wuthering Heights. Although three of the essays deal partly with the historical background to the novel, the collection as a whole seeks to draw attention to Emily Brontë’s remarkable versatility as a novelist by, for example, implicitly pointing up the skill with which she has constructed the plot, the inventiveness with which she has created an astonishing variety of characters, and the brilliance with which she has made structural use of her central themes. This book is intended to encourage readers to take a fresh look at Wuthering Heights as a work of art which, far from deserving to be read merely for its extraordinary treatment of love, is, in fact, eminently notable for its author’s objective and dispassionate portrayal of a particular society and a particular set of individuals in late eighteenth-century England and beyond.

The classic story, set in Yorkshire, England, of the love between Catherine and Heathcliff and of his revenge after her brother treats him in a degrading manner.

The play is believed to have been written between 1599 and 1606. The earliest account of a performance of what was probably Shakespeare's play is April 1611, when Simon Forman recorded seeing such a play at the Globe Theatre.

Wuthering Heights is a novel by Emily Bronte. Wuthering Heights is the name of the farmhouse on the Yorkshire moors where the story unfolds. The book's core theme is the destructive effect that jealousy and vengefulness have, both on the jealous or vengeful individuals and on their communities. Wuthering Heights is now widely regarded as a classic of English literature. When first published it was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day, including religious hypocrisy, morality, social classes and gender inequality.

After discussing Lavater's place in eighteenth-century German letters and his importance in the history of Western physiognomy, Dr. Tytler examines the literary portrait in the modern novel and suggests that the development of techniques of character description and the growth of observational powers of narrators and characters alike, as manifest in fiction from the 1790s onward, may be more fully appreciated when considered in the light of the physiognomical background previously delineated. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.