As I witness day is born. I breathe new life. Into a world unknown. Let there be eternal light over darkness. Each dawn brings new life. The day that starts the part. May time be filled with star filled days. With each new dawn I breathe new life. Now my soul is filled to the last rights. My journey is just the tip of the ice. My journey as a poet is never over.

"In a collection of essays, deaf lesbians and gay men discuss their lives, describing how they discovered their sexual identity, overcame barriers to communication in a hearing world, and created a deaf gay and lesbian culture."--Amazon.com viewed Nov. 1, 2022.

A debutante ditches the dull social scene to stow away on the ship of a sexy sea captain in this Victorian romance from the author of The Irish Heiress. She longed for adventure… For many, the London season is a whirlwind of sparkling ballrooms, fashionable gowns, and stolen glances. For Juliette Hamilton, the second of five sisters, it is nothing but scandal. Unable to contain her wild streak, Juliette is desperate for an escape from the watchful eyes of society. And then the perfect opportunity presents itself, in the form of dashing sea captain Harrison Fleming. But he could give her so much more… When Harrison finds Juliette stowed away on his ship, he'd like nothing more than to return the infuriating, intoxicating woman to her family and get back to the business of amassing his fortune. But it's too late to change course, so he gives her the next best punishment: the job of his personal servant! Now, Juliette's at his beck and call, day and night. And both begin to realize that that in such very close quarters, her penance may be much more of a pleasure… Praise for the Novels of Kaitlin O'Riley “O'Riley's believable, charismatic characters and fast-paced plotline set this novel well apart from the usual romance fare.” —Publishers Weekly (starred review) on When His Kiss Is Wicked “A talented author…O'Riley's plot twists add…freshness to the genre.”—Romantic Times on Secrets of a Duchess

From New York Times bestselling author Donna Grant comes the first in a seductive faery tale series sure to win hearts. Four brothers, a secret kingdom, and an ancient curse. As a prince of a secret kingdom, Lucian has one objective: find his mate and return to Drahcir before time runs out. However, he’s unprepared for Isabelle and completely taken off guard by his insatiable appetite for her. But will passion be enough to convince her to venture to a place where magic is a way of life? Isabelle has resigned herself to her simple existence until a fascinating, devilishly handsome man walks into her life. He shows her desire and adventure that shakes the very foundation of her world. She soon realizes she can’t live without him, but can she give up the life she knows for one she can’t begin to imagine?

Discussions of the self in James Joyce's A Portrait of the Artist as a Young Man traditionally have a generic or a generalized quality: the self is modernist or postmodernist, essential or processive, unified or fragmented, etc. Pathologies of Desire takes a different tack: it shifts the ground of discussion, locating the self in relation to particular dispositions or traits of the subject, Stephen Dedalus. More specifically, it foregrounds three pathological states (autoerotic, paranoia, and the shame/guilt syndrome) as primary modes of self-aggregation - the unique power of painful inner splits and divisions to precipitate self-awareness, and to make the self self-reflexive. As challenges to self-understanding, anxiety (autoeroticism), persecution (paranoia), and humiliation (shame/guilt) are prime catalysts of those multi-layered linguistic resources that fortify Stephen's self with the means of comprehending its own angst. The fact that each particular self dissolves to make way for another underscores its purely contingent and transitional quality - it functions as a defense against the singularity of the pain that it generates. Stephen's ultimate prospect of creating new future selves is thus contingent on his power to liberate himself from the old ones' oppressive conditioning.

The first fruits of the literary career of St. Augustine, the great theologian and Christian philosopher par excellence, are the dialogues he wrote at Cassiciacum in Italy following his famous conversion in Milan in 386 AD. These four little books, largely neglected by scholars, investigate knowledge, ethics, metaphysics, the problem of evil, and the intriguing relationship of God and the soul. They also take up the ancient philosophical project of identifying the principles and practices that heal human desires in order to attain happiness, renewing this philosophical endeavor with insights from Christian theology. Augustine's later books, such as the Confessions, would continue this project of healing desire, as would the writings of others including Boethius, Anselm, and Aquinas. Mark Boone's The Conversion and Therapy of Desire investigates the roots of this project at Cassiciacum, where Augustine is developing a Christian theology of desire, informed by Neoplatonism but transformed by Christian teaching and practices.

This volume marks the first sustained study to interrogate how and why issues of sexuality, desire, and economic processes intersect in the literature and culture of the Victorian fin de siècle. At the end of the nineteenth-century, the move towards new models of economic thought marked the transition from a marketplace centred around the fulfilment of ‘needs’ to one ministering to anything that might, potentially, be desired. This collection considers how the literature of the period meditates on the interaction between economy and desire, doing so with particular reference to the themes of fetishism, homoeroticism, the literary marketplace, social hierarchy, and consumer culture. Drawing on theoretical and conceptual approaches including queer theory, feminist theory, and gift theory, contributors offer original analyses of work by canonical and lesser-known writers, including Oscar Wilde, A.E. Housman, Baron Corvo, Vernon Lee, Michael Field, and Lucas Malet. The collection builds on recent critical developments in fin-de-siècle literature (including major interventions in the areas of Decadence, sexuality, and gender studies) and asks, for instance, how did late nineteenth-century writing schematise the libidinal and somatic dimensions of economic exchange? How might we define the relationship between eroticism and the formal economies of literary production/performance? And what relation exists between advertising/consumer culture and (dissident) sexuality in fin-de-siecle literary discourses? This book marks an important contribution to 19th-Century and Victorian literary studies, and enhances the field of fin-de-siècle studies more generally.