During the last few decades suburbia has grown enormously and become a phenomenon attracting the attention of scholars as well as practitioners by whom it is seen as an increasingly significant and complex area of modern life. The essays in this volume consider a range of representations of suburban life from the late nineteenth century to the present day, including fiction, film, and popular music, drawn from America and Australia as well as Britain. They explore and challenge traditional views of suburbia so that, rather than a location of conformity and stereotypicality, it can be viewed as a site of social conflict, division, and ambiguity as well as a source of significant creativity across a range of cultural texts. The volume takes a thematic approach, considering the rise of suburbia, imagined and real suburbias, alternative suburbias: all of the essays have a strong historical dimension and the overall approach is characterized by interdisciplinarity.

During the last few decades suburbia has grown enormously and become a phenomenon attracting the attention of scholars as well as practitioners by whom it is seen as an increasingly significant and complex area of modern life. The essays in this volume consider a range of representations of suburban life from the late nineteenth century to the present day, including fiction, film, and popular music, drawn from America and Australia as well as Britain. They explore and challenge traditional views of suburbia so that, rather than a location of conformity and stereotypicality, it can be viewed as a site of social conflict, division, and ambiguity as well as a source of significant creativity across a range of cultural texts. The volume takes a thematic approach, considering the rise of suburbia, imagined and real suburbias, alternative suburbias: all of the essays have a strong historical dimension and the overall approach is characterized by interdisciplinarity.

Much has been written about the housing policies of the Depression and the Postwar period. Much less has been written of the houses built as a result of these policies, or the lives of the families who lived in them. Using the houses of Levittown, Long Island, as cultural artifacts, this book examines the relationship between the government-sponsored, mass-produced housing built after World War II, the families who lived in it, and the society that fostered it. Beginning with the basic four-room, slab-based Cape Cods and Ranches, Levittown homeowners invested time and effort, barter and money in the expansion and redesign of their houses. The author shows how this gradual process has altered the socioeconomic nature of the community as well, bringing Levittown fully into the mainstream of middle-class America. This book works on several levels. For planners, it offers a reassessment of the housing policies of the 1940s and '50s, suggesting that important lessons remain to be learned from the Levittown experience. For historians, it offers new insights into the nature of the suburbanization process that followed World War II. And for those who wish to understand the subtle workings of their own domestic space within their lives, it offers food for speculation.

A lively and provocative history of the contested landscapes where the majority of Americans now live. From rustic cottages reached by steamboat to big box stores at the exit ramps of eight-lane highways, Dolores Hayden defines seven eras of suburban development since 1820. An urban historian and architect, she portrays housewives and politicians as well as designers and builders making the decisions that have generated America’s diverse suburbs. Residents have sought home, nature, and community in suburbia. Developers have cherished different dreams, seeking profit from economies of scale and increased suburban densities, while lobbying local and federal government to reduce the risk of real estate speculation. Encompassing environmental controversies as well as the complexities of race, gender, and class, Hayden’s fascinating account will forever alter how we think about the communities we build and inhabit.

People all over the globe know Las Vegas as gambling's Mecca, Sin City, the Entertainment Capital of the World, a resort destination that attracts more than 35 million visitors per year. But that's just one piece of the story of this fascinating metropolis of 1.5 million people - and counting. With more than 6,000 people rushing to the valley each month, Las Vegas responded to the influx with enthusiasm and a can-do attitude, all while coping with enormous economic, social and political challenges. This carefully documented history focuses on the most exciting and chaotic decade in Las Vegas history: the 1990s. Veteran journalist Geoff Schumacher captures the true essence of Las Vegas, seeing past the neon and discovering the multi-faceted communities beyond.

Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design, architecture, landscape, planning, history, demographics, social justice, familial trends, policy, energy, mobility, health, environment, economics, and applied and future technologies. This exhaustive compilation is richly illustrated with a wealth of photography, aerial drone shots, drawings, plans, diagrams, charts, maps, and archival materials, making it the definitive statement on suburbia at the beginning of the twenty-first century.