DI Mark Tartaglia investigates the murder of a bestselling novelist in the third novel in Elena Forbes’ bestselling mystery series. Bestselling novelist Joe Logan walks out into a hot summer’s evening in central London. The next day his body is found dumped in a disused Victorian crypt at the Brompton Cemetery. He has been tied up, shot, and castrated. The killing has the hallmarks of a professional hit. But what had Logan done to deserve such a brutal end? Detective Mark Tartaglia is convinced that Logan’s personal life holds the key, but unravelling the victim's recent past proves difficult. Then the body of a second man is found in an old boathouse on the Thames — killed in an identical fashion to Logan. A vicious and methodical killer is at work, but what does he want and how does he lure his victims to their death? If Tartaglia can find the link between the two dead men maybe he can find the killer before he strikes again.

Charlotte Keating, a doctor and woman of independent means, is slowly pulled into a shadowy realm of violence and desperation after she investigates the suspicious death of a young woman she had recently declined to provide an illegal abortion. After Charlotte “Charley” Keating turns away a patient seeking an abortion she struggles with the ethical quandaries of such an act. As a feminist she would have liked to help the young girl in trouble but as a doctor with a practice and other patients counting on her she doesn’t feel like she can risk breaking the law for a complete stranger. When the poor girl turns up dead, Charley’s entire life is thrown into chaos. Perhaps Margaret Millar’s most controversial book—and certainly among her best—Do Evil in Return is a meticulously plotted and suspenseful meditation on abortion and the hypocrisy of the laws governing a woman’s body. Millar may be known as the Grande Dame of domestic suspense, but this brutal tale of a doctor hell-bent on uncovering the truth puts her in line with noir luminaries like David Goodis and Jim Thompson.

While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.

Yumi is a fun-loving schoolgirl with a deadly fate: she was born with a curse, and now something wicked her way comes.

Rhetoric and the Responsibility to and for Language: Speaking of Evil relocates the “problem of evil”— the question of why God would allow for the existence of evil—and surveys it as a rhetorical problem. It raises this question: if we speak evil, how shall we speak of evil? When we communicate, we are naming, and evil as the corruption of language plays a central role in that naming. Evil freezes our words, convinces us we have the sole right to their definitions, and generally stifles the dynamic gift of language. By looking at how people in different eras and situations have named evil, this book suggests how we can better take responsibility for our words and why we owe a responsibility to language as our ethical stance toward evil.

Overcoming Evil in the Last Days is the radical Christian's handbook for uncovering and defeating the evil that pervades our culture. As the gates of hell unleash their fiendish fury against the soul of man, the Church must be prepared to defend and to attack. Joyner lifts the veil on this heartless horde, exposing the face of racism, witchcraft, and religious spirits, while making the challenge clear: maintain our warrior stance against evil as we persist in our primary calling -- worshipping and loving God. Book jacket.

Wiltshire, during the dying days of Oliver Cromwell's Republic. Robert Vaughan is the son of a Parliamentarian officer who is investigating a series of grisly murders which suggest a link with Satanic rituals at Stonehenge. The return of a notoriously wicked Cavalier, signalling the impending royalist restoration, leads to a terrible tragedy for the Vaughans. Robert's flight from his violent, terrifying past leads him to Restoration London, where he works as scribe for Milton, and where he survives the Plague and the Great Fire. But Robert is led along a dark path, to vampirism and beyond, as he devotes himself to gaining the powers that will enable him to fight an evil killer of seemingly satanic powers. He will travel the globe, from the ancient ghetto of Prague to the virgin forest of the New World, as he aims to gain revenge on those who betrayed him.