Tilly has been given an ultimatum from her mother— she can attend the summer dance program of her dreams in NYC if she puts her deposit in for fall admission to Georgetown but Matilda Castillo schemes how to get the best of both worlds. With her deposit in, and a deferment until next year, Tilly sets out to pursue her dream of professional dancing. But in the cutthroat world of dance, she may have made a few enemies. Matilda Castillo has always followed the rules, but when she gets injured senior year, she's sure her dreams of becoming a contemporary dancer have slipped away. So when Tilly gets a once-in-a-lifetime opportunity to spend the summer with a New York dance troupe, nothing can stop her from saying yes—not her mother, not her fears of the big city, and not the commitment she made to Georgetown. Tilly's mother allows her to go on two conditions: one, Tilly will regularly visit her abuela in New Jersey, and two, after the summer, she'll give up dancing and go off to college. Armed with her red vintage sunglasses and her pros and cons lists, Tilly strikes out, determined to turn a summer job into a career—and figure out how to break it to her mother later. Along the way she meets new friends ... and new enemies. Tilly isn't the only one desperate to dance, and fellow troupe member Sabrina Wolfrik intends to succeed at any cost. But despite dodging sabotage and blackmail attempts from Sabrina, Tilly can't help but fall in love with the city, especially since Paolo, a handsome musician from her past, is also calling New York home for the summer. As the weeks wind down and the competition with Sabrina heats up, Tilly's future is on the line. She must decide whether to follow her mother's dream of college or leap into the unknown to pursue her own dreams. A modern take inspired by Little Red Riding Hood, Everywhere You Want to Be features: A strong, charismatic female lead; soft boy love interest; mean girl antagonist A clean and wholesome romance, and passionate career choice Tie-in with Christina June’s It Started With Goodbye, and No Place Like Here Perfect for fans of Elise Bryant, Morgan Matson, and Sarah Dessen

After being falsely accused of a crime, Tatum is confined to her house under the watchful eye of her step-mother. But when a twist of fate comes in the form of a mysterious client to her graphic design business, maybe there’s a bit of fairytale luck after all. Sixteen-year-old Tatum Elsea is bracing for the worst summer of her life. Trapped under her stepmother-imposed house arrest and her BFF ghosting her, Tatum pours herself into the assigned community service. With a helpful push from her fellow community service member, Abby, Tatum fills her time at homebuilding her covert graphic design business, right under her stepmother’s nose. When a cute cello-playing client sweeps Tatum off her feet, she’s left breathless and eager to get out of these four walls. But Tatum discovers she's not the only one in the house keeping secrets as she takes the chance to make amends with her family and friends. Encouraged by her feisty step-abuela/fairy-godmother, and filled with a new perception of life, Tatum is ready to start fresh and maybe even get her happy ending along the way. A contemporary twist on the Cinderella tale, It Started With Goodbye features: secret admirer and hidden identity trope a strong, spunky female lead for fans of Elise Bryant, Meg Cabot, and Sarah Dessen

A New York Times Book Review Notable Book of 2020 Winner of the Ernest J. Gaines Award for Literary Excellence “A comically dark coming-of-age story about growing up on the South Side of Chicago, but it’s also social commentary at its finest, woven seamlessly into the work . . . Bump’s meditation on belonging and not belonging, where or with whom, how love is a way home no matter where you are, is handled so beautifully that you don’t know he’s hypnotized you until he’s done.” —Tommy Orange, The New York Times Book Review In this alternately witty and heartbreaking debut novel, Gabriel Bump gives us an unforgettable protagonist, Claude McKay Love. Claude isn’t dangerous or brilliant—he’s an average kid coping with abandonment, violence, riots, failed love, and societal pressures as he steers his way past the signposts of youth: childhood friendships, basketball tryouts, first love, first heartbreak, picking a college, moving away from home. Claude just wants a place where he can fit. As a young black man born on the South Side of Chicago, he is raised by his civil rights–era grandmother, who tries to shape him into a principled actor for change; yet when riots consume his neighborhood, he hesitates to take sides, unwilling to let race define his life. He decides to escape Chicago for another place, to go to college, to find a new identity, to leave the pressure cooker of his hometown behind. But as he discovers, he cannot; there is no safe haven for a young black man in this time and place called America. Percolating with fierceness and originality, attuned to the ironies inherent in our twenty-first-century landscape, Everywhere You Don’t Belong marks the arrival of a brilliant young talent.

The contemporary consumer is bombarded with fear-inducing images and information. This media shower of imagery is equalled only by the sheer quantity of fear-assuaging products offered for our consumption. "The Politics of Everyday Fear" addresses questions raised by the saturation of social space by capitalized fear. Emphasizing the relatively neglected domain of what might be called "ambient" fear - continually rekindled, low-level fear that insinuates itself into people's daily routine, subtly reshaping their lives - "The Politics of Everyday Fear" approaches fear less as a psychological fixation than a fluid mechanism for the social control order of late capitalism. Brian Massumi is the author of "User's Guide to Capitalism and Schizophrenia: Deviations From Deleuze and Guattari" (1992) and with Kenneth Dean of "First and Last Emperors: the Absolute State and the Body of the Despot (1992)". He has translated many books and written many essays on contemporary discourses. This book is intended for undergraduates and graduate students in media studies, interdisciplinary cultural theory, comparative literature, postmodernism, Marxism and post-structuralist media theory.

Over the past seven years I've lived in more places than I can remember. I lived and worked in Shanghai, New York, Berlin, Bangkok, Munich and a few more places, not including the dozens of places I've stayed at for just a few days or weeks.While writing these lines I'm in a small town in Malaysia.I've basically lived out of a backpack for the past seven years. And the longer I'm doing this, the less stuff I need. Right now I carry less than 10 items around with me in a carry on backpack that weighs less than 10kg. I go wherever I want to go. I currently spend less than $800 a month. Including everything. My most precious possession is a $300 Acer laptop.I've started a clothing company in China, for the Chinese market, which failed miserably. I've launched more than 10 websites, some of them made some money, some of them didn't. I shut down all of them. I've written seven books (this is my eighth). None of them was a bestseller. I write a blog where I published more than 500 articles so far. I've more than 100,000 monthly readers spread across multiple platforms.I'm by no means successful. Or rich. But I have more than enough, by all means. I have access to everything I need. And I can buy and afford everything I need.I'm not a minimalist. Or a digital nomad. Or an entrepreneur. Or a blogger. Or an author.I'm mostly trying to just be myself. I'm trying to be myself in a world where it gets harder and harder every single day to just be yourself.It's not always been easy. As a matter of fact it's probably been hard more often than it's been easy. But every day of struggle and doubt has been worth it. Being yourself and creating your own life instead of just living a life is always worth the struggle.This right here is my story. This is what I've learned about life, myself and the world around me.I'm everywhere and nowhere. And I own nothing and everything...

Presents a set of positive changes in corporate strategies, industry norms, regional policies, and national laws that will incentivize talent flow, creativity, and growth.

When Avery Miller wakes up in her hospital room, it's to a life she didn't expect, want, or ever imagine for herself. She's barely given time to mourn the death of her mother as she's introduced to her new family-a father she never knew existed, a stepmother she didn't want, and a brother who gave himself the job of being her enthusiastic best friend and overbearing protector before they even met. All it takes is one car accident to change the trajectory of seventeen-year-old Avery's life forever, ripping her from the brink of poverty in Pennsylvania and tossing her into a new life in a penthouse apartment in the middle of New York City. The visible marks on her skin are a tangible reminder of the pain she's gone through, but it's Ethan, the guy who lives one floor below and has a Shakespeare quote for every occasion, who helps her overcome loss, find herself again, and fall in love.