Describes the life of Eva Mozes and her twin sister Miriam as they were interred at the Auschwitz concentration camp during the Holocaust, where Dr. Josef Mengele performed sadistic medical experiments on them until their release.

Cultural heritage communities of interest have increasingly expanded from cultural heritage professionals to volunteers, special interest groups and independent citizen-led initiative groups. Digital technology has also increasingly impacted cultural heritage by affording novel experiences of it – it features in a number of activities for all the aforementioned groups, as well as acting as support for visitors to cultural heritage centres. With different degrees of formality and training, these communities are increasingly defining and taking ownership of what is of value to them, thus reconfiguring the care, communication, interpretation and validation of heritage. Digital technology has played a crucial role in this transformative process. In a fully international context, cultural heritage practitioners, community champions and academics from different fields of study have contributed to this book. Each chapter brings to the fore the multiple relationships between heritage, communities and technologies as a focus of study and reflection in an inclusive way. Contributions touch upon present and future opportunities for technology, as well as participatory design processes with different stakeholders. This book brings together ideas from different disciplines, cultures, methods and goals, to inspire scholars and practitioners involved in community heritage projects.

‘Londoner Eva Verde’s Lives Like Mine explores the theme of a school-run affair and the complications and joys it brings to a dual-heritage mother struggling with her intolerant in-laws’ Independent 'A bitter sweet story of longing and self-discovery, of deceit and regret. Visceral, authentic and funny, Eva’s prose reads like something between a conversation and a confession. An exciting new voice and a joy to read' Kit de Waal ‘Eva's writing breaks new ground in a confident and original voice, with a sharp eye for detail, wonderful characterisation and some seriously badass humour’ Yvvette Edwards, author of the Man Booker Prize longlisted novel, A Cupboard Full of Coats ‘Lives Like Mine is an assured debut from a writer who’s going to go far' Red Online 'Londoner Eva Verde's breathtaking novel' New! Mother. To three small children, their heritage dual like hers. Daughter. To a mother who immigrated to make a better life but has been rejected by her chosen country. Wife. To a man who loves her but who will not defend her to his intolerant family. Woman… Whose roles now define her and trap her in a life she no longer recognises… Meet Monica, the flawed heroine at the heart of LIVES LIKE MINE. With her three children in school, Monica finds herself wondering if this is all there is. Despite all the effort and the smiles, in the mirror she sees a woman hollowed out from putting everyone else first, tolerating her in-laws’ intolerance, and wondering if she has a right to complain when she’s living the life that she has created for herself. Then along comes Joe, a catalyst for change in the guise of a flirtatious parent on the school run. Though the sudden spark of their affair is hedonistic and oh so cathartic, Joe soon offers a friendship that shows Monica how to resurrect and honour the parts of her identity that she has long suppressed. He is able to do for Monica what Dan has never managed to, enabling her both to face up to a past of guilty secrets and family estrangements, and to redefine her future.

Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books