Probably no murder during the 20th century received more media coverage than did the Coo murder trial. The time: 1934. The place: Oneonta, New York.

Papers relating to Eva Coo's trial and conviction for the murder of Harry Wright, including correspondence, transcripts of testimony, appeals, scrapbooks, clippings, and photographs from the files of the district attorney, Donald Grant, her lawyer James Byard, Jr., and Clermont Tennant, the lawyer for her co-defendant, Martha Clift.

Executed Women of the 20th and 21st Centuries provides a look into the lives, crimes, and executions of women during the 20th and 21st centuries. Rather than dealing with these women as numbers and statistics, this book presents them as human beings. Each of these women had lives, histories, and families. The purpose is not to condone their actions, but to suggest that those we executed are, in fact, humans—rather than monsters, as they are often portrayed.

During the 20th century, only six women were legally executed by the State of New York at Sing Sing Prison. In each case, the condemned faced a process of demonization and public humiliation that was orchestrated by a powerful and unforgiving media. When compared to the media treatment of men who went to the electric chair for similar offenses, the press coverage of female killers was ferocious and unrelenting. Granite woman, black-eyed Borgia, roadhouse tramp, sex-mad, and lousy prostitute are just some of the terms used by newspapers to describe these women. Unlike their male counterparts, females endured a campaign of expulsion and disgrace before they were put to death. Not since the 1950s has New York put another woman to death. Gado chronicles the crimes, the times, and the media attention surrounding these cases. The tales of these death row women shed light on the death penalty as it applies to women and the role of the media in both the trials and executions of these convicts. In these cases, the press affected the prosecutions, the judgements, and the decisions of authorities along the way. Contemporary headlines of the era are revealing in their blatant bias and leave little doubt of their purpose. Using family letters, prison correspondence, photographs, court transcripts, and last- minute pleas for mercy, Gado paints a fuller picture of these cases and the times.

With Boston to the north and New York City to the south, Connecticut’s history of organized crime is often overlooked. This is the untold story of New Haven’s illegal past. One of America’s most historic and enduring cities, New Haven has wrangled with a perpetual identity struggle, torn between worlds that occasionally converged in chaos and violence. In the 1930s, Connecticut became a region where Mafia families like the Genoveses, Gambinos, Colombos, and Patriarcas shared turf—working together with enough profits to go around or descending into open war to rival that experienced in any major city. Central to this conflict were three men who were, at different times, cautious allies or sworn nemeses. Representing the Genoveses, Midge Renault reigned supreme thanks to his reputation for wanton violence. Meanwhile, Colombo capo Ralph “Whitey” Tropiano maintained a lower profile, which belied his reputation as a vicious killer. But it was his lieutenant, Billy “The Wild Guy” Grasso, who ultimately rose to the top after joining the New England Patriarca Family, enjoying a short rule that ended with a murder plot that left him on the wrong end of a bullet.