European-East Asian Borders is an international, trans-disciplinary volume that breaks new ground in the study of borders and bordering practices in global politics. It explores the insights and limitations of border theory developed primarily in the European context to a range of historical and contemporary border-related issues and phenomena in East Asia. The essays presented here question, rather than assume, the various borders between inclusion/exclusion, here/there, us/them, that condition the (im)possibility of translating between histories, cultures and identities. Contributors suggest that the act of translation offers new ways of thinking about how border logics operate, taking on the concept of translation itself as border problematic and therefore raising questions of power and authority, such as who gets to act as a translator, or who benefits from the outcome. The book will appeal not only to upper-level students and scholars with a geopolitical-historical interest in East Asia, but also to those who work in the inter-disciplinary field of border studies and others with an interest more generally in translation and the extent to which theory ‘travels’ across time and space.

Translation and Literature in East Asia: Between Visibility and Invisibility explores the issues involved in translation between Chinese, Japanese and Korean, as well as from these languages into European languages, with an eye to comparing the cultures of translation within East Asia and tracking some of their complex interrelationships. This book reasserts the need for a paradigm shift in translation theory that looks beyond European languages and furthers existing work in this field by encompassing a wider range of literature and scholarship in East Asia. Translation and Literature in East Asia brings together material dedicated to the theory and practice of translation between and from East Asian languages for the first time.

This book analyzes immigration policies in East Asia in the context of contemporary global migration flows and mobility. To assess how global norms of migration have impacted the East Asian migration region and explore regional migration trends, the book contains 13 case studies which investigate the regulation of immigration in China, Hong Kong, Japan, South Korea, and Taiwan. Three analytical strands, namely, norm diffusion, identity politics, and citizenship, build the theoretical framework for the case studies which investigate how regional and national norms, discourses, and institutions affect local communities and migration patterns. In particular, the book analyzes contemporary issues such as immigration policy reforms, practices of inclusion and exclusion in local communities, and discourses on multiculturalism and risk. The book utilizes a comparative perspective which enables readers to reflect on the role of national identity, international organizations and law, public security concerns, and labour market demands in the articulation and implementation of contemporary immigration policy in East Asia. This book substantially complements the existing literature on immigration governance and interregional migration mobility in East Asia and will be of interest to academics in the fields of East Asian studies, public policy, immigration and migration studies, and comparative politics.

This book examines four contemporary sites of visual culture in East Asia through the poetic prism of the “ruinous garden.” Framing destroyed, discarded, and displaced material objects within a rhetoric of development and relating this to the experience of ethnic/national culture, the book presents succinct analyses of visual works, as well as cultural criticisms, centered on space in metropolitan Japan and Hong Kong, China. These analyses are placed in dialog with approaches from postcolonial texts, addressing development and fractures in representation. Additionally, the book suggests graphic design as a form of retrospective cultural thinking, encompassing visual and invisible modernity, as well as an attachment to disappearing space. Offering a unique and thorough analysis of Japanese visual culture, combining discussion on photography, installation art, and graphic design, as well as integrating material from Hong Kong visual culture in discussions of identity, this book will appeal to students and scholars of visual culture in East Asia, environmental art, and environmental humanities.

Grounded in extensive empirical research, Danger, Development and Legitimacy in East Asian Maritime Politics addresses the major issues of geopolitics in the region that have been and will continue to shape the international politics of the Asia-Pacific for years to come. Covering the nation-states of China, Japan and South Korea, it includes an examination of the key island disputes, as well as analysis of the North Korea–South Korea clashes in the Yellow Sea, controversies in Japan’s relations with both Koreas and the so-called ‘history disputes’, including recognition of World War II atrocities across the region. In doing so, this book explores a range of themes from the ecological environment to the globalized nature of shipping and therein links the East Asian maritime sphere directly to the dynamics and developments in the domestic politics of each country. Thus, it serves to demonstrate how several controversial debates in the international politics of the Asia-Pacific are ultimately and inextricably intertwined. A timely contribution that furthers our understanding of contemporary politics of the Asia-Pacific, this book will be of great interest to students and scholars of Asian politics, international relations and the Asia-Pacific region in general.

While inquiries into early encounters between East Asia and the West have traditionally focused on successful interactions, this collection inquires into the many forms of failure, experienced on all sides, in the period before 1850. Countering a tendency in scholarship to overlook unsuccessful encounters, it starts from the assumption that failures can prove highly illuminating and provide valuable insights into both the specific shapes and limitations of East Asian and Western imaginations of the Other, as well as of the nature of East-West interaction. Interdisciplinary in outlook, this collection brings together the perspectives of sinology, Japanese and Korean studies, historical studies, literary studies, art history, religious studies, and performance studies. The subjects discussed are manifold and range from missionary accounts, travel reports, letters and trade documents to fictional texts as well as material objects (such as tea, chinaware, or nautical instruments) exchanged between East and West. In order to avoid a Eurocentric perspective, the collection balances approaches from the fields of English literature, Spanish studies, Neo-Latin studies, and art history with those of sinology, Japanese studies, and Korean studies. It includes an introduction mapping out the field of failures in early modern encounters between East Asia and Europe, as well as a theoretically minded essay on the lessons of failure and the ethics of cross-cultural understanding.

This book provides the first full-length, English-language investigation of the multiple and often contradictory ways in which mothers who kill their children were portrayed in 1970s Japan. It offers a snapshot of a historical and social moment when motherhood was being renegotiated, and maternal violence was disrupting norms of acceptable maternal behaviour. Drawing on a wide range of original archival materials, it explores three discursive sites where the image of the murderous mother assumed a distinctive visibility: media coverage of cases of maternal filicide; the rhetoric of a newly emerging women’s liberation movement known as ūman ribu; and fictional works by the Japanese writer Takahashi Takako. Using translation as a theoretical tool to decentre the West as the origin of (feminist) theorizations of the maternal, it enables a transnational dialogue for imagining mothers' potential for violence. This thought-provoking work will appeal to scholars of feminist theory, cultural studies and Japanese studies.