The brilliant English writer Christopher Derrick presents a disturbing indictment of today's colleges and universities and the troubled condition of liberal education. The occasion for his writing this book was a visit to Thomas Aquinas College in California which deeply impressed Derrick with its true liberal and Catholic education. This small independent college convinced him of the need for reform in Catholic higher education today, and he uses the example of this college as the way this reform should be carried out. "This book is comparable to Newman's Idea of a University. Derrick has wit and a brilliant aphoristic style. This book could well serve as a manual for the reform of Catholic higher education today." -Paul Hallet, The National Catholic Register

Provides a sustained interpretation of Part 4 of Book 1 of Hume's Treatise, arguing that Hume uses our reactions to the sceptical arguments as evidence in favor of his model of the mind.

Starting with Richard Popkin's essay of 1963, `Scepticism in the Enlightenment', a new investigation into philosophical scepticism of the period was launched. The late Giorgio Tonelli and the late Ezequiel de Olaso examined in great detail the kinds of scepticism developed during the Enlightenment, and the kind of answer to scepticism that was developed by Leibniz. Their original researches and interpretations are of great value and importance. As a result of their work Popkin modified his original claims, as shown in the last two articles in this volume. The book contains an introduction by Popkin and 10 essays, two of which have never been published before. This collection should be of interest to students and scholars of 18th century thought in England, France and Germany.

Detailed presentation of American philosopher's pragmatic concept of epistemology, isolation of realms of existents and subsistents. Chapters include "There is No First Principle of Criticism," "Dogma and Doubt," and "The Discovery of Essence."

A quarterly review of philosophy.

This book comprehensively examines the relationship between literature and sculpture in the work of W. B. Yeats, drawing on extensive archival research to offer revelatory new readings of the poet. The book traces Yeats's literary and critical engagement with Celtic Revival statuary, public monuments in Dublin, the coin designs of the Irish Free State, abstract sculpture by the Vorticists and modernists, and a variety of carvings, decorative sculptures, and objets d'art. By charting Yeats's early art school education in Dublin, his attempts to raise funds for public monuments in the city, and to secure commissions for his favourite sculptors, the book documents a lifelong interest in the plastic arts. New and original readings of Yeats's poetry, drama, and prose criticism emerge from this concertedly inter-arts and interdisciplinary study.