Peter and Ernesto are sloths, friends, and nothing alike, so Ernesto decides to go off on an adventure alone. Will the pals' separation tear them apart or bring them closer together? Presnted in comic books format.

From Box Trolls director Graham Annable comes Peter & Ernesto: Sloths in the Night, an immensely charming new addition to his brilliant graphic novel series about the endearing friendship between two sloths. Peter and Ernesto love the jungle, but they know how dangerous it can be at night. From clumsy bats to crazed owls to rumors of a dragon, there are countless things that make the darkness perilous for sloths. That’s why, one day, when their friend Bernard goes missing just as the sun is setting, Peter and Ernesto quickly gather their tribe to form a search party. However, while these sloths have some sense of the dangers that they’ll face while looking for Bernard, there are surprises lurking in the shadows that will surpass their wildest imaginings!

From Box Trolls director Graham Annable comes Peter & Ernesto: The Lost Sloths, the immensely charming sequel to his brilliant debut graphic novel about the endearing friendship between two sloths. Peter and Ernesto loved their tree. Then a hurricane came and blew it away! Now, Peter, Ernesto, and the rest of their sloth friends must venture into the jungle to find a new—great—tree. But the jungle is full of dangers, including angry ants, slithering snakes, and a ravenous jaguar! Can cautious Peter and confident Ernesto work together to keep their tribe safe? They’ll have to, if they want to find the perfect tree to call home!

Winner of the Pura Belpré Award! “We need books to break open our hearts, so that we might feel more deeply, so that we might be more human in these unkind times. This is a book doing work of the spirit in a time of darkness.” —Sandra Cisneros, author of The House on Mango Street Efrén Nava’s Amá is his Superwoman—or Soperwoman, named after the delicious Mexican sopes his mother often prepares. Both Amá and Apá work hard all day to provide for the family, making sure Efrén and his younger siblings Max and Mía feel safe and loved. But Efrén worries about his parents; although he’s American-born, his parents are undocumented. His worst nightmare comes true one day when Amá doesn’t return from work and is deported across the border to Tijuana, México. Now more than ever, Efrén must channel his inner Soperboy to help take care of and try to reunite his family. A glossary of Spanish words is included in the back of the book.

From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of “Papa’s” life in Cuba Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel “as a citizen of Cojímar.” In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway’s self-professed Cuban-ness: his respect for Cojímar fishermen, his long-running affair with a Cuban lover, the warmth of his adoptive Cuban family, the strong influences on his work by Cuban writers, his connections to Cuban political figures and celebrities, his denunciation of American imperial ambitions, and his enthusiastic role in the revolution. With a focus on the island’s violent political upheavals and tensions that pulled Hemingway between his birthplace and his adopted country, Feldman offers a new angle on our most influential literary figure. Far from being a post-success, pre-suicide exile, Hemingway’s decades in Cuba were the richest and most dramatic of his life, and a surprising instance in which the famous American bully sought redemption through his loyalty to the underdog.

Falling Short has descriptive copy which is not yet available from the Publisher.

This is not simply a triumph of style; it is both a reflection on a time of bloodshed and a raw vision of human misery. Guillermo Saccomanno, winner of the Argentine National Literature Prize. This man knows. He knows about guns, knows about women...