"They will melt like snowflakes in the sun," said one observer of nineteenth-century Irish emigrants to America. Not only did they not melt, they formed one of the most extensive and persistent ethnic subcultures in American history. Dennis Clark now offers an insightful analysis of the social means this group has used to perpetuate its distinctiveness amid the complexity of American urban life. Basing his study on family stories, oral interviews, organizational records, census data, radio scripts, and the recollections of revolutionaries and intellectuals, Clark offers an absorbing panorama that shows how identity, organization, communication, and leadership have combined to create the Irish-American tradition. In his pages we see gifted storytellers, tough dockworkers, scribbling editors, and colorful actresses playing their roles in the Irish-American saga. As Clark shows, the Irish have defended and extended their self-image by cultivating their ethnic identity through transmission of family memories and by correcting community portrayals of themselves in the press and theatre. They have strengthened their ethnic ties by mutual association in the labor force and professions and in response to social problems. And they have created a network of communications ranging from 150 years of Irish newspapers to America's longest-running ethnic radio show and a circuit of university teaching about Irish literature and history. From this framework of subcultural activity has arisen a fascinating gallery of leadership that has expressed and symbolized the vitality of the Irish-American experience. Although Clark draws his primary material from Philadelphia, he relates it to other cities to show that even though Irish communities have differed they have shared common fundamentals of social development. His study constitutes a pathbreaking theoretical explanation of the dynamics of Irish-American life.

A drunken Irish maid slips and falls. A greedy Jewish pawnbroker lures his female employee into prostitution. An African American man leers at a white woman. These and other, similar images appeared widely on stages and screens across America during the early twentieth century. In this provocative study, M. Alison Kibler uncovers, for the first time, powerful and concurrent campaigns by Irish, Jewish and African Americans against racial ridicule in popular culture at the turn of the twentieth century. Censoring Racial Ridicule explores how Irish, Jewish, and African American groups of the era resisted harmful representations in popular culture by lobbying behind the scenes, boycotting particular acts, and staging theater riots. Kibler demonstrates that these groups' tactics evolved and diverged over time, with some continuing to pursue street protest while others sought redress through new censorship laws. Exploring the relationship between free expression, democracy, and equality in America, Kibler shows that the Irish, Jewish, and African American campaigns against racial ridicule are at the roots of contemporary debates over hate speech.

The TikTok sensation Fallen Heir, the fourth in the #1 New York Times bestselling The Royals series, now in a new special edition with bonus material! With everything against them, they don't stand a chance—not until they fight for what they really want. These Royals will ruin you… Easton Royal has it all: looks, money, intelligence. His goal in life is to have as much fun as possible. He never thinks about the consequences because he doesn’t have to. Until Hartley Wright appears, shaking up his easy life. She’s the one girl who’s said no, despite being attracted to him. Easton can’t figure her out and that makes her all the more irresistible. Hartley doesn’t want him. She says he needs to grow up. She might be right. Rivals. Rules. Regrets. For the first time in Easton’s life, wearing a Royal crown isn’t enough. He’s about to learn that the higher you start, the harder you fall.

Irish Americans who supported the movement for the repeal of the act of parliamentary union between Ireland and Great Britain during the early 1840s encountered controversy over the issue of American slavery. Encouraged by abolitionists on both sides of the Atlantic, repeal leader Daniel O'Connell often spoke against slavery, issuing appeals for Irish Americans to join the antislavery cause. With each speech, American repeal associations debated the proper response to such sentiments and often chose not to support abolition. In American Slavery, Irish Freedom, Angela F. Murphy examines the interactions among abolitionists, Irish nationalists, and American citizens as the issues of slavery and abolition complicated the first transatlantic movement for Irish independence. The call of Old World loyalties, perceived duties of American citizenship, and regional devotions collided for these Irish Americans as the slavery issue intertwined with their efforts on behalf of their homeland. By looking at the makeup and rhetoric of the American repeal associations, the pressures on Irish Americans applied by both abolitionists and American nativists, and the domestic and transatlantic political situation that helped to define the repealers' response to antislavery appeals, Murphy investigates and explains why many Irish Americans did not support abolitionism. Murphy refutes theories that Irish immigrants rejected the abolition movement primarily for reasons of religion, political affiliation, ethnicity, or the desire to assert a white racial identity. Instead, she suggests, their position emerged from Irish Americans' intention to assert their loyalty toward their new republic during what was for them a very uncertain time. The first book-length study of the Irish repeal movement in the United States, American Slavery, Irish Freedom conveys the dilemmas that Irish Americans grappled with as they negotiated their identity and adapted to the duties of citizenship within a slaveholding republic, shedding new light on the societal pressures they faced as the values of that new republic underwent tremendous change.

Volume III of Erin's Sons extends the period of coverage to 1858 and lists approximately 7,000 additional Irish-born residents of Atlantic Canada. Like the other volumes in the series, it is based on a wide variety of genealogical sources, including church records, cemetery inscriptions, marriage and burial records, newspapers, census records, and ships' passenger lists.

This innovative collection explores the concept of space as it relates to feminist studies. Utilizing a range of theoretical perspectives, a distinguished group of international scholars crosses over the 'thresholds' of difference, methodology, and representation that challenge feminist geography.