Examines the relationship between socialism and feminism through a detailed study of Britain's first Marxist party, the Social Democratic Federation.

In the wake of the French Revolution, Edmund Burke argued that civil order depended upon nurturing the sensibility of men—upon the masculine cultivation of traditionally feminine qualities such as sentiment, tenderness, veneration, awe, gratitude, and even prejudice. Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male sentimentality left for women of various political persuasions. Demonstrating the interrelationships among politics, gender, and feeling in the fiction of this period, Johnson provides detailed readings of Wollstonecraft, Radcliffe, and Burney, and treats the qualities that were once thought to mar their work—grotesqueness, strain, and excess—as indices of ideological conflict and as strategies of representation during a period of profound political conflict. She maintains that the reactionary reassertion of male sentimentality as a political duty displaced customary gender roles, rendering women, in Wollstonecraft's words, "equivocal beings."

With attention to the ways in which new reproductive technologies facilitate the gradual disembodiment of reproduction, this book reveals the paradox of women's reproductive experience in patriarchal cultures as being both, and often simultaneously, empowering and disempowering. A rich exploration of birth appropriation in the West, New Reproductive Technologies and Disembodiment investigates the assimilation of women's embodied power into patriarchal systems of symbolism, culture and politics through the inversion of women's and men's reproductive roles. Contending that new reproductive technologies represent another world historical moment, both in their forging of novel social relations and material processes of reproduction, and their manner of disembodying women in unprecedented ways - a disembodiment evident in recent visual and literary, popular and academic texts - this volume locates the roots of this disembodiment in western political discourse. A call to feminist political theory to re-remember the material dimensions of bodies and their philosophical significance, New Reproductive Technologies and Disembodiment will appeal to scholars of sociology, gender studies, political and social theory and the study of science, technology and health.