Entry Into the Inconceivable is an introduction to the philosophy of the Hua-yen school of Buddhism, one of the cornerstones of East Asian Buddhist thought. Cleary presents a survey of the unique Buddhist scripture on which the Hua-yen teaching is based and a brief history of its introduction into China. He also presents a succinct analysis of the essential metaphysics of Hua-yen Buddhism as it developed during China's golden age and full translations of four basic texts by seminal thinkers of the school.

Known in Chinese as Hua-yen and in Japanese as Kegon-kyo, the Avatamsaka Sutra, or Flower Ornament Scripture, is held in the highest regard and studied by Buddhists of all traditions. Through its structure and symbolism, as well as through its concisely stated principles, it conveys a vast range of Buddhist teachings. This one-volume edition contains Thomas Cleary's definitive translation of all thirty-nine books of the sutra, along with an introduction, a glossary, and Cleary's translation of Li Tongxuan's seventh-century guide to the final book, the Gandavyuha, "Entry into the Realm of Reality."

Translating Totality in Parts offers an annotated translation of two of preeminent Chinese Tang dynasty monk Chengguan’s most revered masterpieces. With this book, Chengguan’s Commentaries to the Avatamsaka Sutra and The Meanings Proclaimed in the Subcommentaries Accompanying the Commentaries to the Avatamsaka Sutra are finally brought to contemporary Western audiences. Translating Totality in Parts allows Western readers to experience Chengguan’s important contributions to the religious and philosophical theory of the Huayan and Buddhism in China.

"Siddhartha: The Prince Who Became Buddha is a compelling reconstruction of the life of the man who became Buddha. Siddhartha Gautama was a historical character that was born in a century of great ferments and in a country where the spiritual search has been a priority for a long time. The salient episodes of the life of the Buddha are introduced in the first part of the work, getting information from various literary sources, such as the Buddhist Canon or the Chinese pilgrims' reports, with an iconographic support of works produced in different times and countries. In the second part it is human feeling of the Buddha that is tried to express, going the same way that one day saw him tireless pilgrim, with a specially commissioned search of modern images, that remembers the suffered run of Siddhartha, tragically stricken by a universal pain and determined to find an antidote, not only for the people of his time and his country, but forever and for everybody."--BOOK JACKET.

The issue of sinification—the manner and extent to which Buddhism and Chinese culture were transformed through their mutual encounter and dialogue—has dominated the study of Chinese Buddhism for much of the past century. Robert Sharf opens this important and far-reaching book by raising a host of historical and hermeneutical problems with the encounter paradigm and the master narrative on which it is based. Coming to Terms with Chinese Buddhism is, among other things, an extended reflection on the theoretical foundations and conceptual categories that undergird the study of medieval Chinese Buddhism. Sharf draws his argument in part from a meticulous historical, philological, and philosophical analysis of the Treasure Store Treatise (Pao-tsang lun), an eighth-century Buddho-Taoist work apocryphally attributed to the fifth-century master Seng-chao (374–414). In the process of coming to terms with this recondite text, Sharf ventures into all manner of subjects bearing on our understanding of medieval Chinese Buddhism, from the evolution of T’ang "gentry Taoism" to the pivotal role of image veneration and the problematic status of Chinese Tantra. The volume includes a complete annotated translation of the Treasure Store Treatise, accompanied by the detailed exegesis of dozens of key terms and concepts.

Profound and amusing, this book provides a viable approach to answering the perennial questions: Who am I? Why am I here? How can I live a meaningful life? For Asma, the answers are to be found in Buddhism. There have been a lot of books that have made the case for Buddhism. What makes this book fresh and exciting is Asma’s iconoclasm, irreverence, and hardheaded approach to the subject. He is distressed that much of what passes for Buddhism is really little more than “New Age mush.” He asserts that it is time to “take the California out of Buddhism.” He presents a spiritual practice that does not require a belief in creeds or dogma. It is a practice that is psychologically sound, intellectually credible, and esthetically appealing. It is a practice that does not require a diet of brown rice, burning incense, and putting both your mind and your culture in deep storage. In seven chapters, Asma builds the case for a spiritual practice that is authentic, and inclusive. This is Buddhism for everyone, especially for people who are uncomfortable with religion but yearn for a spiritual practice.