In Entombed Epigraphy and Commemorative Culture Timothy M. Davis explains the social, cultural, and religious significance of early medieval muzhiming —one of the most versatile and persistent commemorative forms employed in the elite burials of pre-modern China.

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written. Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things broadens understandings of the links between the literary and the material.

Situated on opposite flanks of Eurasia, ancient Mediterranean and Han-Chinese societies had a hazy understanding of each other's existence. But they had no grounded knowledge about one another, nor was there any form of direct interaction. In other words, their historical trajectories were independent. In recent years, however, many similarities between both cultures have been detected, which has energized the field of comparative history. The present volume adds to the debate a creative method of juxtaposing historical societies. Each contribution covers both ancient China and the Mediterranean in an accessible manner. Embarking from the observation that Greek, Roman, and Han-Chinese societies were governed by comparable features, the contributors to this volume explain the dynamic interplay between political rulers and the ruled masses in their culture specific manifestation as demos (Greece), populus (Rome) and min (China).

Memory in Medieval China explores memory as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs, thereby illuminating ways in which the memory of persons, events, dynasties, and literary styles was constructed and revised.

This important study provides the only comprehensive survey of Chinese women during the early medieval period of disunion known as the Six Dynasties, which lasted from the fall of the Eastern Han dynasty in AD 220 to the reunification of China by the Sui dynasty in AD 581.

Historians have long been perplexed by the complete disappearance of the medieval Chinese aristocracy by the tenth century—the “great clans” that had dominated China for centuries. In this book, Nicolas Tackett resolves the enigma of their disappearance, using new, digital methodologies to analyze a dazzling array of sources. Tackett systematically mines thousands of funerary biographies excavated in recent decades—most of them never before examined by scholars—while taking full advantage of the explanatory power of Geographic Information System (GIS) methods and social network analysis. Tackett supplements these analyses with extensive anecdotes culled from epitaphs, prose literature, and poetry, bringing to life women and men who lived a millennium in the past. The Destruction of the Medieval Chinese Aristocracy demonstrates that the great Tang aristocratic families adapted to the social, economic, and institutional transformations of the seventh and eighth centuries far more successfully than previously believed. Their political influence collapsed only after a large number were killed during three decades of extreme violence following Huang Chao’s sack of the capital cities in 880 CE. 2015 James Breasted Prize, American Historical Association

The Craft of Oblivion is an innovative and groundbreaking volume that aims to study, for the first time, the intersections between forgetting and remembering in classical Chinese civilization. Oblivion has tended to be relegated to a marginal position, often conceived as the mere destructive or undesirable opposite of memory, even though it performs an essential function in our lives. Forgetting and memory, far from being autonomous and mutually exclusive spheres, should be seen as interdependent phenomena. Drawing on perspectives from history, philosophy, literature, and religion, and examining both transmitted texts and excavated materials, the contributors to this volume analyze various ways of understanding oblivion and its complex and fertile relations with memory in ancient China.