The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.

This volume offers 21 essays that cover a wide range of topics in Byzantine and Post-Byzantine art and Archaeology.

Secular Byzantine Women examines female material culture during the Late Roman, Byzantine, and Post-Byzantine eras, to better understand the lives of ordinary and humble women during this period. Although recent scholarship has contributed greatly to our knowledge of Byzantine and medieval women, such research has largely focused on female saints, imperial figures, and prominent women of local communities. But what about secular and non-privileged women? Bringing together scholars from various fields, including archaeology, history, theology, anthropology, and ethnography, this volume seeks to answer this important question. The chapters examine the everyday lives of lay women, including their working routines, their clothing, and precious possessions. This book will appeal to scholars and students of Byzantine history, art, and archaeology, as well as those interested in gender and material culture studies.

This volume presents a broad array of contributions on Byzantine literature and culture, in which well-known Byzantinists approach topics of ceremonial, education, historiography, hagiography, homiletics, law, philology, philosophy, prosopography, rhetoric and theology. New editions and analyses of texts and documents are included. The essays combine traditional scholarship with newer approaches, thus reflecting the current dynamics of the field.

The 30 studies presented here are dedicated to Sophia Kalopissi-Verti, Emerita of Byzantine Archaeology at the National and Kapodistrian University of Athens. They cover a large variety of topics presenting unpublished archaeological material, suggesting new approaches to various aspects of Byzantine archaeology, material culture and art history.

This volume is a contribution to the ongoing scholarly dialogue on a crucial topic, viz. the relations between East and West and their reflection in art and culture in late medieval Greece.00Based on the evidence of artistic production and material culture this collective volume aims at exploring cross-cultural relations and interaction between Greeks and Latins in late medieval Greece in the aftermath of the Fourth Crusade. Fourteen essays discuss mostly new and unpublished archaeological and artistic material, including architecture, sculpture, wall-paintings and icons, pottery and other small finds, but also the evidence of music and poetry. Through the surviving material of these artistic activities this volume explores the way Byzantines and Latins lived side by side on the Greek mainland and the Aegean islands from the thirteenth to the fifteenth centuries and traces the mechanisms that led to the emergence of the new, composite world of the Latin East. Issues of identity, patronage, papal policy, the missionary activities of the Latin religious orders and the reactions and responses of the Byzantines are also re-considered, offering fresh insights into and a better understanding of the various manifestations of the interrelationship between the two ethnicities, confessions and cultures.

In recognition and celebration of the achievements of Marlia (Maria Cordelia) Mundell Mango as a researcher and as a teacher, twelve of her doctoral students offer her this volume of collected essays, showcasing recent research in Byzantine archaeology and material culture studies. The essays are divided into three sections. The first comprises studies on Byzantine economy, shipping, road networks, production and trade from Late Antiquity down to the time of the Crusades. The studies in the second part discuss facets of the material culture and the lifestyle especially of the upper social strata in the Byzantine Empire, while those of the final section explore aspects of artistic creativity in the lands of the empire. Taken together, these diverse studies offer 'glimpses' into the Byzantine economy and trade, lifestyle and religion, ideology and identity, artistic creativity and its impact beyond the Byzantine frontier, illustrating a variety of methodological approaches and pointing towards new directions for future research. Their wide chronological, geographic and thematic coverage is in itself a tribute to Marlia Mango's breadth of knowledge and a reflection of her far-ranging research interests.