Unter dem Begriff „kulturelle Musikwissenschaft“ versammeln sich seit über einem halben Jahrhundert eine Reihe musikwissenschaftlicher Visionen, die alle ein gemeinsames Ziel verfolgen: die unermüdliche Suche nach neuen Wegen für ein besseres Musikverständnis. Jüngste Ansätze kultureller Musikwissenschaft begreifen musikalische Aktivitäten als kulturelle Praktiken und versuchen so über die systematische Analyse verbaler und musikalischer Diskurse hinaus zu gelangen. Das Interesse gilt vorrangig der Erforschung unserer intellektuellen Möglichkeiten, die es uns erlauben, uns in physischer, sozialer oder diskursiver Hinsicht die Welt mithilfe von Musik zu erschließen. Daraus ergeben sich aktuelle Untersuchungsschwerpunkte und kritische Denkansätze der kulturellen Musikwissenschaft, deren Geschichte, theoretischen Rahmen und zentrale Konzepte die Autoren des vorliegenden Bandes am Beispiel spezifischer musikalischer Praktiken diskutieren. Dabei wird deutlich, dass es der kulturellen Musikwissenschaft vielmehr darum geht, Fragen aufzuwerfen und Perspektiven zu eröffnen, als Antworten und Fakten festzulegen. Sie lehnt es ab, sich mit Erkenntnissen zufrieden zu geben, entscheidend ist ein fortgesetztes Streben nach neuen Wegen und Annäherungen an die Musik: eine produktive intellektuelle Rastlosigkeit. Der vorliegende Band enthält Beiträge von Birgit Abels, Charissa Granger, Lawrence Kramer, John Richardson und Eva-Maria van Straaten. The term “cultural musicology” has been around for more than half a century, and it has harbored a number of musicological visions which share one fundamental goal: broadly speaking, aspiring to better understand music and remaining eager to find ever-new ways to do so. Recent cultural musicology seeks to understand musical activities as cultural practices in a manner that aims to reach beyond the systematic analysis of verbal and musical – musicked – discourse and of the conditions in which it is enacted. Its primary interest is in exploring our primarily intellectual possibilities to comprise of musicking as epistemologies through which humans musically relate to, and make sense of, their surrounding world in a physical, social, and discursive sense. From this, a few key areas of inquiry emerge, and this edited volume presents a first-of-its-kind exploration of current critical thinking and research in and about cultural musicology. In exploring specific musical practices, the contributors discuss the (hi)stories, theoretical framework, and central concepts of current cultural musicology. In-between the lines, it becomes clear that cultural musicology is about looking for questions and perspectives rather than answers and presumed facts, about refusing to be content with anything that may be found along the way, and about remaining eager to discover new approaches and ways to think about music: about intellectual restlessness, and embracing it. This edited volume includes contributions from Birgit Abels, Charissa Granger, Lawrence Kramer, John Richardson, and Eva-Maria van Straaten.

We're being formed by our devices. Today's digital technologies are designed to captivate our attention and encroach on our boundaries, shaping how we relate to time and space, to ourselves and others, even to God. Our natural longing for relationship makes us vulnerable to the "industrializing" effects of social media. While we enjoy the benefits of digital tech, many of us feel troubled with its power and exhausted by its demands for permanent connectivity. Yet even as we grow disenchanted, attempting to resist the digital "powers that be" might seem like a losing battle. Sociologist Felicia Wu Song has spent years considering the personal and collective dynamics of digital ecosystems. She combines psychological, neurological, and sociological insights with theological reflection to explore two major questions: What kind of people are we becoming with personal technologies in hand? And who do we really want to be? Song unpacks the soft tyranny of the digital age, including the values embedded in our apps and the economic systems that drive our habits. She then explores pathways of meaningful resistance that can be found in Christian tradition—especially counter-narratives about human worth, embodiment, relationality, and time—and offers practical experiments for individual and communal change. In our current digital ecologies, small behavioral shifts are not enough to give us freedom. We need a sober and motivating vision of our prospects to help us imagine what kind of life we hope to live—and how we can get there.

Yarrow: From Ancient Ally to Modern Miracle - Your Complete Herbal Guide Unveil the timeless secrets of Yarrow, a versatile herb interwoven with history, healing, and practical applications. Whether you're a seasoned herbalist or curious beginner, this comprehensive guide empowers you to cultivate, utilize, and experience the full spectrum of Yarrow's benefits. Delve into Yarrow's rich tapestry: Uncover its fascinating history: Explore Yarrow's journey from sacred herb in ancient cultures to its use in battlefields and modern medicine. Unlock its medicinal potential: Discover how Yarrow's unique compounds address various health concerns, from inflammation and pain to anxiety and sleep issues. Master the art of cultivation: Learn everything you need to grow Yarrow, from selecting the right location to harvesting sustainably. Embrace diverse uses: Explore a range of applications, from culinary delights to soothing teas, potent tinctures, and healing salves. Craft your own remedies: Dive into step-by-step instructions for crafting effective Yarrow teas, tinctures, and salves, tailored to your needs. This book offers something for everyone: Beginners: Gain foundational knowledge about Yarrow's identification, properties, and safe usage. Intermediate learners: Expand your herbal repertoire with detailed recipes and advanced preparation techniques. Seasoned herbalists: Deepen your understanding of Yarrow's intricate medicinal aspects and explore its historical significance. More than just a plant, Yarrow is a doorway to natural healing. Embrace the empowering journey of cultivating, crafting, and experiencing the transformative power of Yarrow. Dive into this comprehensive guide and embark on your path to holistic well-being.

Sleep, and the lack of it, is a public obsession and an enormous everyday quandary. Troubled sleep tends to be seen as an individual problem and personal responsibility, to be fixed by better habits and tracking gadgets, but the reality is more complicated. Sleep is a site of politics, culture, and power. In Restless in Sleep Country Paul Huebener pulls back the covers on cultural representations of sleep to show how they are entangled with issues of colonialism, homelessness, consumer culture, technology and privacy, the exploitation of labour, and the effects of the Covid-19 pandemic. Even though it almost entirely evades direct experience, sleep is the subject of a variety of potent narratives, each of which can serve to clarify and shape its role in our lives. In Canada, cultural visions of slumber circulate through such diverse forms as mattress commercials, billboards, comic books, memoirs, experimental poetry, and bedtime story phone apps. By guiding us through this imaginative landscape, Huebener shows us how to develop a critical literacy of sleep. Lying down and closing our eyes is an act that carries surprisingly high stakes, going beyond individual sleep troubles. Restless in Sleep Country illuminates the idea of sleep as a crucial site of inequity, struggle, and gratification.

Here are four series of FULL COLOR art-prints on individual pages through 17 chapters. Chapters are titled after 16 United States of America war actions with metered and free-verse, poetry, short stories and current events commentary. Chapters list numbers of American military casualties compared to number of American vehicular deaths during same period. The writings, adult themes and poetry, 155 items, illustrations and photographs, 80 some, are in 446 pages. The book generates tears and laughter. Many re-read it over and over. Teachers ask to use its content. It is a nearly complete collection of Michael L. Farahay's art, activist writings, and invention designs from 1958 on.