Elizabeth I was born into a world of women.As a child, she was served by a predominantly female household of servants and governesses, with occasional visits from her mother, Anne Bolyen, and the wives who later took her place.As Queen, Elizabeth was cons

Elizabeth I was born into a world of women.As a child, she was served by a predominantly female household of servants and governesses, with occasional visits from her mother, Anne Bolyen, and the wives who later took her place.As Queen, Elizabeth was constantly attended by ladies of the bedchamber and maids of honour who clothed her, bathed her and watched her while she ate.Among her family, it was her female relations who had the greatest influence: from her sister Mary, who distrusted and later imprisoned her, to her cousin, Mary, Queen of Scots, who posed a constant and dangerous threat to her crown for almost thirty years. Despite the importance of women in Elizabeth's life, most historians and biographers have focused on her relationships with men.She has been portrayed as a 'man's woman' who loved to flirt with the many ambitious young men who frequented her court.Yet it is the women in her life who provide the most fascinating insight into the character of this remarkable monarch.With them she was jealous, spiteful and cruel, as well as loyal, kind and protective.She showed her frailties and her insecurities, but also her considerable shrewdness and strength.In short, she was more human than the public persona she presented to the rest of the court. It is her relationships with women that hold the key to the private Elizabeth. In this original chronicling of the life of one of England's greatest monarchs, historian Tracy Borman explores Elizabeth's relationships with the key women in her life. Beginning with her mother and the governesses and stepmothers who cared for the young princess, including her beloved Kat Astley and the inspirational Katherine Parr, Elizabeth's Women sheds new light on her formative years.Elizabeth's turbulent relationships with her rivals are examined: from her sister, 'Bloody' Mary, to the sisters of Lady Jane Grey, and finally the most deadly of all her rivals, Mary, Queen of Scots who would give birth to the man Elizabeth would finally, inevitably have to recognise as heir to her throne. It is a chronicle of the servants, friends and 'flouting wenches' who brought out the best - and the worst - of Elizabeth's carefully cultivated image as Gloriana, the Virgin Queen, in the glittering world of her court.

Examines Queen Elizabeth I through the eyes of the women who shaped her life--from her bewitching mother, Anne Boleyn, to her dangerously obsessive sister, Mary Tudor, and from the rivals to her throne such as Mary, Queen of Scots to her rivals in love, like Lettice Knollys, who stole her closest male favorite.

“An original, masterly, and fascinating study [that] offers brilliant new insights into the shaping of the Virgin Queen.”—Alison Weir, New York Times bestselling author of the Six Tudor Queens series In vivid detail, historian Tracy Borman presents Elizabeth I from a thrilling new angle, focusing on the Virgin Queen not through her relationship with men, but as the product of women—the mother she lost so tragically, the female subjects who worshipped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her. Borman introduces Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations—which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor—“Bloody Mary”—envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death. Elizabeth’s Women is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself—long viewed as the embodiment of feminism—shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies. Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.

"Originally published in 2013 by Bloomsbury Publishing, Great Britain, as Elizabeth's Bedfellows: An Intimate History of the Queen's Court"--T.p. verso.

The names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is: a black high school girl, dressed in white, walking stoically in front of Little Rock Central High School, and a white girl standing directly behind her, face twisted in hate, screaming racial epithets. This famous photograph captures the full anguish of desegregation--in Little Rock and throughout the South--and an epic moment in the civil rights movement.In this gripping book, David Margolick tells the remarkable story of two separate lives unexpectedly braided together. He explores how the haunting picture of Elizabeth and Hazel came to be taken, its significance in the wider world, and why, for the next half-century, neither woman has ever escaped from its long shadow. He recounts Elizabeth's struggle to overcome the trauma of her hate-filled school experience, and Hazel's long efforts to atone for a fateful, horrible mistake. The book follows the painful journey of the two as they progress from apology to forgiveness to reconciliation and, amazingly, to friendship. This friendship foundered, then collapsed--perhaps inevitably--over the same fissures and misunderstandings that continue to permeate American race relations more than half a century after the unforgettable photograph at Little Rock. And yet, as Margolick explains, a bond between Elizabeth and Hazel, silent but complex, endures.

Elizabeth Conway's greatest ambition is to discover a comet. Unfortunately, she is the eldest of eight daughters of an earl, so her relative expect her to take her rightful place in Society. The heavenly bodies she views through her telescope hold far more fascination for Elizabeth than any mere male, although her perpetual beau, dashing Lord Bevis, would change that if he could.When Tom Conroy, a distant cousin and the new Earl of Clanross, appears after a year's delay, Elizabeth offers him a cool welcome. He is a dull stick and ill-mannered to boot. Yet he is the only man who has shown respect for her astronomical work, and his concern for her younger sisters' welfare reveals a different side to him. Then his heir, Elizabeth's cousin Willoughby, appears with the obvious intent of making a match between his lovely but silly sister and Clanross--and with making as much mischief as he can. Lord Bevis presses his suit with Lady Elizabeth, until she agrees, at long last, to marry him. She resists making an announcement, though, until he tells his somewhat traditional father that he will not only be marrying an heiress but her telescope.Elizabeth discovers a comet. Clanross proclaims his pride in her accomplishment, but Lord Bevis's reaction is far more traditional. Willoughby introduces a beautiful woman into the mix and the twins further complicate it. Distraught, confused, perhaps even heartbroken, Elizabeth faces the question of what to do with the rest of her life. And what to do about Clanross, whom she just might love.