Appendix - "The Medieval Antecendents of Renaissance Humanism"__

Written by an eminent authority on the Renaissance, these classic essays deal not only with Paul Kristeller's specialty, Renaissance humanism and philosophy, but also with Renaissance theories of art. The focus of the collection is on topics such as humanist learning, humanist moral thought, the diffusion of humanism, Platonism, music and learning during the early Renaissance, and the modern system of arts in relation to the Renaissance. For this volume the author has written a new preface, a new essay, and an afterword.

"[Fifteen scholars examine the life and thought of Paul Oskar Kristeller (1905-1999) to uncover the relationship between the man and his interpretation of Renaissance humanism and its relation to intellectual and cultural life]"--Provided by publisher.

This book is a treasure house of Italian philosophy. Narrating and explaining the history of Italian philosophers from the Middle Ages to the twentieth century, the author identifies the specificity, peculiarity, originality, and novelty of Italian philosophical thought in the men and women of the Renaissance. The vast intellectual output of the Renaissance can be traced back to a single philosophical stream beginning in Florence and fed by numerous converging human factors. This work offers historians and philosophers a vast survey and penetrating analysis of an intellectual tradition which has heretofore remained virtually unknown to the Anglophonic world of scholarship.

"Professor Weiss traces the gradual growth of the Renaissance from the late thirteenth century onwards. He devotes a whole chapter to Boccaccio and Petrarch, another to Sannazzaro, Castiglione, Ariosto and Machiavelli. One of his recurrent themes is the conflict between Platonism and Aristotelianism in the thought of the times. After considering the novel literary genres developed by the Italian writers, he turns to the influence of humanism in western Europe generally, and in particular the rise of Petrarchism and pastoral literature in France, Spain, and England. A final chapter discusses Renaissance fiction which, with de Rojas' play, La Celestine, the work of Rabelais, and the Spanish picaresque novel, looks forward to Cervantes and Shakespeare." -- Book jacket.