Egypt's Wearable Heritage combines different subjects of crafts and arts from Egypt and the West-Asian and North African region. It is a richly illustrated and colourful book on different aspects of 'wearable heritage', such as jewellery, costume, amulets, but also hairstyles and even weaponry. Egypt's Wearable Heritage contains aspects of beliefs, economy and socio-cultural phenomena and contemporary culture.

For millions of internet users around the globe, the search for new knowledge begins with Wikipedia. The encyclopedia's rapid rise, novel organization, and freely offered content have been marveled at and denounced by a host of commentators. This book moves beyond unflagging praise, well-worn facts, and questions about its reliability and accuracy, to unveil the complex, messy, and controversial realities of a distributed knowledge platform. The essays, interviews and artworks brought together in this reader form part of the overarching 'Critical Point of View' research initiative, which began with a conference in Bangalore (January 2010), followed by events in Amsterdam (March 2010) and Leipzig (September 2010). With an emphasis on theoretical reflection, cultural difference and indeed, critique, contributions to this collection ask: What values are embedded in Wikipedia's software? On what basis are Wikipedia's claims to neutrality made?

The Twitter posts of the activists who brought heady days of revolution to Egypt in early 2011, paint a picture of an uprising in real time. This book brings together a selection of key tweets in a compelling, fastpaced narrative, allowing the story to be told directly by the people who made the revoltution.

The Egyptian Revolution that began on 25 January 2011 immediately gave rise to a wave of popular political and social expression in the form of graffiti and street art, phenomena that were almost unknown in the country under the old regime. Mia Gröndahl, the photographer of Gaza Graffiti: Messages of Love and Politics and Tahrir Square: The Heart of the Egyptian Revolution, has followed and documented the constantly and rapidly changing graffiti art of the new Egypt from its beginnings, and here in more than 400 full-color images celebrates the imagination, the skill, the humor, and the political will of the young artists and activists who have claimed the walls of Cairo and other Egyptian cities as their canvas. From the simplest hand-written messages, through stencils and martyr portraits, to the elaborate murals of Mohamed Mahmoud Street, the messages on the walls are presented in themed sections-Revolution & Freedom, Egyptian & Proud, Cross & Crescent, Martyrs & Heroes-punctuated by interviews with some of the individual artists whose work has broken fresh ground.

Part of a collection on Studies in Egyptology, and originally published in 1988, this monograph looks at 'Rekhmara expedie les affiars du gouvernement' a text by Phillippe Virey which describes the organisation of the Egyptian State under the eighteenth Dynasty. It was later renamed as 'The Duties of the Vizier'.

"Essays examine the widespread presence and myths of Asia in American culture in the late 18th and early 20th centuries, exploring the persistence and pervasiveness of America's fascination with the East"--OCLC

The Routledge Companion to Alternative and Community Media provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternative and community media across the world. The volume offers a multiplicity of perspectives to examine the reasons why alternative and community media arise, how they develop in particular ways and in particular places, and how they can enrich our understanding of the broader media landscape and its place in society. The 50 chapters present a range of theoretical and methodological positions, and arguments to demonstrate the dynamic, challenging and innovative thinking around the subject; locating media theory and practice within the broader concerns of democracy, citizenship, social exclusion, race, class and gender. In addition to research from the UK, the US, Canada, Europe and Australia, the Companion also includes studies from Colombia, Haiti, India, South Korea and Zimbabwe, enabling international comparisons to be made and also allowing for the problematisation of traditional - often Western - approaches to media studies. By considering media practices across a range of cultures and communities, this collection is an ideal companion to the key issues and debates within alternative and community media.