This volume builds bridges between usually-separate social groups, between different methodologies and even between disciplines. It is the result of an innovative conference held at Swansea University in 2010, which brought together leading craftspeople and academics to explore the all-too-often opposed practices of experimental and experiential archaeology. The focus is upon Egyptology, but the volume has a wider importance. The experimental method is privileged in academic institutions and thus perhaps is subject to clear definitions. It tends to be associated with the scientific and technological. In opposition, the experiential is more rarely defined and is usually associated with schoolchildren, museums and heritage centres; it is often criticised for being unscientific. The introductory chapter of this volume examines the development of these traditionally-assumed differences, giving for the first time a critical and careful definition of the experiential in relation to the experimental. The two are seen as points on a continuum with much common ground. This claim is borne out by succeeding chapters, which cover such topics as textiles, woodworking and stoneworking. And Salima Ikram, Professor of Egyptology at the American University in Cairo, here demonstrates remarkably that our understanding of the classic Egyptian funerary practice of mummification benefits from both 'scientific' experimental and sensual experiential approaches. The volume, however, is important not only for Egyptology but for archaeological method more generally. The papers illuminate the pioneering of individuals who founded modern archaeological practice. Several papers are truly groundbreaking and deserve to circulate far beyond Egyptology. Thus the archaeologist Marquardt Lund tackles the problem of understanding the earliest known depictions of flint knife manufacture, those from an Egyptian tomb dated around 1900 BC. He shows the importance of thinking outside 'traditional', i.e. modern, knapping practice. Lund's knapping method, guided by the tomb depictions, is surprising but effective, and very different from that presented in manuals of lithic technology or taught in academic institutions.

A History of World Egyptology is a ground-breaking reference work that traces the study of ancient Egypt over the past 150 years. Global in purview, it enlarges our understanding of how and why people have looked, and continue to look, into humankind's distant past through the lens of the enduring allure of ancient Egypt. Written by an international team of scholars, the volume investigates how territories around the world have engaged with, and have been inspired by, ancient Egypt and its study, and how that engagement has evolved over time. Chapters present a specific territory from different perspectives, including institutional and national, while examining a range of transnational links as well. The volume thus touches on multiple strands of scholarship, embracing not only Egyptology, but also social history, the history of science and reception studies. It will appeal to amateurs and professionals with an interest in the histories of Egypt, archaeology and science.

This volume of collected studies takes stock of most recent developments in Egyptology and the Digital Humanities, considering future directions for the application of new technologies in Egyptology. The book presents the results of an international conference held in 2019 at Indiana University – Bloomington, in which Egyptologists and digital humanists with interest in Egyptology gathered in 2019 to present current projects in 3D modeling, virtual and augmented reality, game technology, digital pedagogy, database projects, computational and corpus linguistics and E-publications. Those projects, along with a selection of others that were not presented in Bloomington, are now described and discussed in this volume.

Written in the tradition of historians like Mary Beard and Stacy Schiff who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today. In a new era when democracies around the world are threatened or crumbling, best-selling author Kara Cooney turns to five ancient Egyptian pharaohs--Khufu, Senwosret III, Akenhaten, Ramses II, and Taharqa--to understand why many so often give up power to the few, and what it can mean for our future. As the first centralized political power on earth, the pharaohs and their process of divine kingship can tell us a lot about the world's politics, past and present. Every animal-headed god, every monumental temple, every pyramid, every tomb, offers extraordinary insight into a culture that combined deeply held religious beliefs with uniquely human schemes to justify a system in which one ruled over many. From Khufu, the man who built the Great Pyramid at Giza as testament to his authoritarian reign, and Taharqa, the last true pharaoh who worked to make Egypt great again, we discover a clear lens into understanding how power was earned, controlled, and manipulated in ancient times. And in mining the past, Cooney uncovers the reason why societies have so willingly chosen a dictator over democracy, time and time again.

Ethnic Identities in the Land of the Pharaohs deals with ancient Egyptian concept of collective identity, various groups which inhabited the Egyptian Nile Valley and different approaches to ethnic identity in the last two hundred years of Egyptology. The aim is to present the dynamic processes of ethnogenesis of the inhabitants of the land of the pharaohs, and to place various approaches to ethnic identity in their broader scholarly and historical context. The dominant approach to ethnic identity in ancient Egypt is still based on culture historical method. This and other theoretically better framed approaches (e.g. instrumentalist approach, habitus, postcolonial approach, ethnogenesis, intersectionality) are discussed using numerous case studies from the 3rd millennium to the 1st century BC. Finally, this Element deals with recent impact of third science revolution on archaeological research on ethnic identity in ancient Egypt.

Ancient Egypt has always been a source of fascination to writers, artists and architects in the West. This book is the first study to address representations of Ancient Egypt in the modern imagination, breaking down conventional disciplinary boundaries between fields such as History, Classics, Art History, Fashion, Film, Archaeology, Egyptology, and Literature to further a nuanced understanding of ancient Egypt in cultures stretching from the eighteenth century to the present day, emphasising how some of the various meanings of ancient Egypt to modern people have traversed time and media. Divided into three themes, the chapters scrutinise different aspects of the use of ancient Egypt in a variety of media, looking in particular at the ways in which Egyptology as a discipline has influenced representations of Egypt, ancient Egypt's associations with death and mysticism, as well as connections between ancient Egypt and gendered power. The diversity of this study aims to emphasise both the multiplicity and the patterning of popular responses to ancient Egypt, as well as the longevity of this phenomenon and its relevance today.

The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later. This, the third of a three-volume history of Egyptology, follows the progress of the discipline from the trauma of the First World War, through the vicissitudes of the twentieth century, and into Egyptology's new horizons at the beginning of the twenty-first century. Wonderful Things affirms that the history of ancient Egypt has proved continually fascinating, but it also demonstrates that the history of Egyptology is no less so. Only by understanding how Egyptology has developed can we truly understand the Egyptian past.