"Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code designed to maintain the so-called Maat - or Cosmic Order, Truth-Justice, and Universal Harmony - and thus integral to Egyptian lives and beliefs. It conducts this study through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time." "Illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness. The definitive treatment of its subject, it is sure to appeal to art historians, Egyptologists, linguist, and connoisseurs interested in one of history's most complex and influential civilizations."--BOOK JACKET.

This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes' monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts. ''None of Prisse's contemporaries had the skill or endurance to bring such an endeavor to such a brilliant end. He was far ahead of his time in his awareness of the vulnerability of the monuments and the need to protect them and to record them. His were the first reliable drawings of Egyptian architecture and ornaments and the first plans and sections of constructions newly excavated. He returned to Paris [in 1860] with a rich harvest of 300 drawings, 400 meters of squeezes, and 150 photographs.'' - Maarten J. Raven, Curator of the Egyptian Department, the Rijksmuseum van Oudheden, Leiden. Now reissued in a handy new hardbound reference format.

Annotation. This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes' monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts.

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.

The 11 painting fragments from the tomb-chapel of Nebamun that were brought to the British Museum in the early 19th century have long been recognized as some of the finest examples of ancient Egyptian art. This book places the paintings in their historical context and provides an account of the work done to preserve them.

Examines the art of ancient Egypt, including wall painting, reliefs, buildings, and sculpture.