Based upon the authors large personal collection of beautiful fashion postcards from Edwardian times, this book takes the reader on a journey through that era covering the hat fashions and social changes of the day. Delve further into the carnage that took place around the world, in which unscrupulous and money grabbing individuals from the Northumbrian coast in England to the Everglades in America, would callously slaughter whole colonies of birds (leaving their young to die) purely to provide the millinery trade with ornate feathers to decorate fashionable hats during that era.The book also takes the reader into the world of millinery sweatshops of poverty stricken New York and describes the conditions and deprivations under which the poorly paid workers, many of them immigrants, worked. You can even learn about the background, history and amazing life of one of the worlds greatest fashion designers, Coco Chanel, as she set out on her lifetime of fashion in Edwardian Paris.With superb fashion colour plates of the day, together with images of amazingly creative and colourful hat pins from both the UK and America, the author shares the fruits of his 40 years of postcard collecting and the highs and lows of his search for the 'Hats' postcards, as worn by his Edwardian 'girlfriends' from over 100 year ago.

Based upon the author s large personal collection of beautiful fashion postcards from Edwardian times, this book takes the reader on a journey through that era covering the hat fashions and social changes of the day. Delve further into the carnage that took place around the world, in which unscrupulous and money grabbing individuals from the Northumbrian coast in England to the Everglades in America, would callously slaughter whole colonies of birds (leaving their young to die) purely to provide the millinery trade with ornate feathers to decorate fashionable hats during that era. The book also takes the reader into the world of millinery sweatshops of poverty stricken New York and describes the conditions and deprivations under which the poorly paid workers, many of them immigrants, worked. You can even learn about the background, history and amazing life of one of the world s greatest fashion designers, Coco Chanel, as she set out on her lifetime of fashion in Edwardian Paris. With superb fashion colou plates of the day, together with images of amazingly creative and colorful hat pins from both the UK and America, the author shares the fruits of his 40 years of postcard collecting and the highs and lows of his search for the 'Hats' postcards, as worn by his Edwardian 'girlfriends' from over 100 year ago."

Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.

This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North’s destructive relationship with the natural world. Drawing on a broad spectrum of archives extending back to the late 18th century – paintings, fashion plates, prints, photographs, and films – this study traces the intricate ways a patriarchal imperialism and a global capitalism have paired black women with the realm of nature to justify the exploitation both of people and of ecosystems. These dehumanizing and speciesist strategies of subjugation have perpetuated interlocking patterns of social injustice and environmental depletion that constitute the most salient challenges facing humankind today. Through a novel approach that merges visual studies, critical race theory, and animal studies, this interdisciplinary investigation historicizes the evolution of the boundaries between human and non-human animals during the modern period. The book will be of interest to scholars working in art history, visual studies, critical race theory, colonial and post-colonial studies, animal studies, and French studies.

Bonnets, capes, caps, shawls, bodices, and crinolines as people actually wore them from 1840 to 1914. More than 200 photos depict aristocrats and members of the middle class as well as celebrities.