The first major biography of a truly formidable king, whose reign was one of the most dramatic and important of the entire Middle Ages, leading to war and conquest on an unprecedented scale. Edward I is familiar to millions as "Longshanks," conqueror of Scotland and nemesis of Sir William Wallace (in "Braveheart"). Yet that story forms only the final chapter of the king's action-packed life. Earlier, Edward had defeated and killed Simon de Montfort in battle; traveled to the Holy Land; conquered Wales, extinguishing its native rulers and constructing a magnificent chain of castles. He raised the greatest armies of the Middle Ages and summoned the largest parliaments; notoriously, he expelled all the Jews from his kingdom. The longest-lived of England's medieval kings, Edward fathered fifteen children with his first wife, Eleanor of Castile and, after her death, erected the Eleanor Crosses—the grandest funeral monuments ever fashioned for an English monarch. In this book, Marc Morris examines afresh the forces that drove Edward throughout his relentless career: his character, his Christian faith, and his sense of England's destiny—a sense shaped largely by the tales of the legendary King Arthur. Morris also explores the competing reasons that led Edward's opponents (including Robert Bruce) to resist him. The result is a sweeping story, immaculately researched yet compellingly told, and a vivid picture of medieval Britain at the moment when its future was decided.

Edward I—one of the outstanding monarchs of the English Middle Ages—pioneered legal and parliamentary change in England, conquered Wales, and came close to conquering Scotland. A major player in European diplomacy and war, he acted as peacemaker during the 1280s but became involved in a bitter war with Philip IV a decade later. This book is the definitive account of a remarkable king and his long and significant reign. Widely praised when it was first published in 1988, it is now reissued with a new introduction and updated bibliographic guide. Praise for the earlier edition:"A masterly achievement. . . . A work of enduring value and one certain to remain the standard life for many years."—Times Literary Supplement "A fine book: learned, judicious, carefully thought out and skillfully presented. It is as near comprehensive as any single volume could be."—History Today "To have died more revered than any other English monarch was an outstanding achievement; and it is worthily commemorated by this outstanding addition to the . . . corpus of royal biographies."—Times Education Supplement

Detailed examination of the letters of Edward I reveals them to be powerful and sophisticated political tools.

Known to posterity as Scottorum Malleus - the Hammer of the Scots - Edward I was one of medieval England's most formidable rulers. In this meticulously researched new history, David Santiuste offers a fresh interpretation of Edward's military career, with a particular focus on his Scottish wars. This is in part a study of personality: Edward was a remarkable man. His struggles with tenacious opponents - including Robert the Bruce and William Wallace - have become the stuff of legend.There is a clear and perceptive account of important military events, notably the Battle of Falkirk, but the narrative also encompasses the wider impact of Edward's campaigns. He attempted to mobilize resources - including men, money and supplies - on an unprecedented scale. His wars affected people at all levels of society, throughout the British Isles.David Santiuste builds up a vivid and convincing description of Edward's campaigns in Scotland, whilst also exploring the political background. Edward emerges as a man of great conviction, who sought to bend Scotland to his will, yet also, on occasion, as a surprisingly beleaguered figure. He is presented here as the central character in a turbulent world, as commander and king.

A study of medieval warfare and a formative event in the history of Britain. Edward I’s conquest of Wales has not been the subject of a scholarly book for over a century. Research has advanced since then, changing our perception of the medieval military mind and shining fresh light on the key characters involved in the conquest. That is why Sean Davies’s absorbing new study is so timely and important. Taking a balanced approach, he gives both the Welsh and English perspectives on the war and on the brutal, mistrustful, and ruthless personal motives that drove events. His account is set in the context of Welsh warfare and society from the end of Rome to the time of Edward’s opening campaign in the late thirteenth century. The narrative describes in vivid detail the military history of the conflict; the sequence of campaigns; Welsh resistance; Edward’s castle building and English colonization; the cost of the struggle to the Welsh and the English; and the uneasy peace that followed.

In 1960, Edward Albee electrified the theater world with the American premiere of The Zoo Story, and followed it two years later with his extraordinary first Broadway play, Who's Afraid of Virginia Woolf? Proclaimed as the playwright of his generation, he went on to win three Pulitzer Prizes for his searing and innovative plays. Mel Gussow, author, critic, and cultural writer for The New York Times, has known Albee and followed his career since its inception, and in this fascinating biography he creates a compelling firsthand portrait of a complex genius. The book describes Albee's life as the adopted child of rich, unloving parents and covers the highs and lows of his career. A core myth of Albee's life, perpetuated by the playwright, is that The Zoo Story was his first play, written as a thirtieth birthday present to himself. As Gussow relates, Albee has been writing since adolescence, and through close analysis the author traces the genesis of Who's Afraid of Virginia Woolf?, Tiny Alice, A Delicate Balance, and other plays. After his early triumphs, Albee endured years of critical neglect and public disfavor. Overcoming artistic and personal difficulties, he returned in 1994 with Three Tall Women. In this prizewinning play he came to terms with the towering figure of his mother, the woman who dominated so much of his early life. With frankness and critical acumen, and drawing on extensive conversations with the playwright, Gussow offers fresh insights into Albee's life. At the same time he provides vivid portraits of Albee's relationships with the people who have been closest to him, including William Flanagan (his first mentor), Thornton Wilder, Richard Barr, John Steinbeck, Alan Schneider, John Gielgud, and his leading ladies, Uta Hagen, Colleen Dewhurst, Irene Worth, Myra Carter, Elaine Stritch, Marian Seldes, and Maggie Smith. And then there are, most famously, Elizabeth Taylor and Richard Burton, who starred in Mike Nichols's acclaimed film version of Who's Afraid of Virginia Woolf? The book places Albee in context as a playwright who inspired writers as diverse as John Guare and Sam Shepard, and as a teacher and champion of human rights. Edward Albee: A Singular Journey is rich with colorful details about this uniquely American life. It also contains previously unpublished photographs and letters from and to Albee. It is the essential book about one of the major artists of the American theater.

An authoritative life of Edward the Confessor, the monarch whose death sparked the invasion of 1066 One of the last kings of Anglo-Saxon England, Edward the Confessor regained the throne for the House of Wessex and is the only English monarch to have been canonized. Often cast as a reluctant ruler, easily manipulated by his in-laws, he has been blamed for causing the invasion of 1066—the last successful conquest of England by a foreign power. Tom Licence navigates the contemporary webs of political deceit to present a strikingly different Edward. He was a compassionate man and conscientious ruler, whose reign marked an interval of peace and prosperity between periods of strife. More than any monarch before, he exploited the mystique of royalty to capture the hearts of his subjects. This compelling biography provides a much-needed reassessment of Edward’s reign—calling into doubt the legitimacy of his successors and rewriting the ending of Anglo-Saxon England.