"Consider this children’s book to be 2015’s version of Oh, the Places You’ll Go! Edmund, an adorable ball of yarn, sets off to explore the world. He meets interesting people and visits exciting places, but ultimately, finds that he can’t head out into the world alone without a little support from his family.” —Real Simple This delightful debut picture book celebrates both the joy of venturing into the unknown and the value of staying connected to loved ones back home. It stars a little ball of yarn who can’t resist the tug of adventure, the twists and turns of discovery, or the comfort of family and friends. Edmund is a ball of yarn and a ball of energy! From the time he could roll, he’s been bouncing down his front steps to explore, and his parents have always been right there to reel him in and roll him back up. But now that he’s bigger, Edmund is ready to discover the wonders of the world. Everything is new and exciting—but sometimes, even a little ball of yarn gets lonely, and there’s nothing better than the comfort of being around those he cares about.

"A ball of yarn with a love of adventure learns the importance of staying connected to his loved ones at home"--

"A ball of yarn with a love of adventure learns the importance of staying connected to his loved ones at home"--

For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.

Journey into the world of Peter Pan and its mysterious inhabitants. The book is a feature-length hex crawl campaign, filled with endless adventure, adapted from the tales of Peter Pan, and tailored for an older audience.

Meet a left and right foot who are a pair of complete opposites! Full of clever, giggle-inducing details, this lively odd-couple tale celebrates what makes us all unique, as well as the power of friendship to bring us together despite our differences. Feet come in twos, so they need to step out together. But Les and Ronnie often find it hard to cooperate. Les likes having a clean sock and being responsible. Ronnie is fine with a dirty sock and loves letting loose. Les is straight-laced while Ronnie doesn’t even care about laces. What’s a duo to do?

Cartea The Hero Paradigm in Fantasy Novels este una interdisciplinară și se înscrie în perimetrul studiilor culturale literare, cu descinderi în mitologie, antropologie culturală, şi studiile filmului. Tipologia eroului este analizată aşa cum apare în mitologie şi basm, înainte de a fi investigate romanele fantastice scrise de J.R.R. Tolkien, C.S. Lewis și J.K. Rowling, romane de secol XX ale căror rădăcini se regăsesc în cele două genuri precedente ale modului literaturii fantastice. Aceleaşi romane au fost ecranizate, trecând din modul lecturii în cel al vizualului şi chiar în cel al virtualului (al jocurilor video/pe computer). Cartea argumentează că eroii par să se afle în cădere liberă de-a lungul secolelor, ajungându-se la o epocă posteroică în secolul al XX-lea. Însă literatura fantastică și filmele bazate pe astfel de romane par să înlocuiască mitologia și eroismul tipic acesteia, reușind să insufle un nou interes în paradigma eroică.