Echoes of a Prophet examines intertextual connections to Ezekiel found in John and in Second Temple literature. The Dead Sea Scrolls contain many allusions to a number of Ezekiel's oracles, while other Second Temple works refer to only a few of Ezekiel's oracles, and those only rarely. In each case, Manning examines the evidence for the presence of the allusions, studies the implied interpretational methods, and comments on the function of the allusion in advancing the author's ideas. He also analyzes John's allusions to Ezekiel: the good shepherd, the vine, the opened heavens, imagery from the "dry bones" vision, and water symbolism. He observes that John has a few unique tendencies: he alludes to all five of Ezekiel's "oracles of hope" and primarily uses that imagery to describe the giving of the Holy Spirit and new life through Jesus.

The Levitical Day of Atonement was a day of penitence, confession, and judgment for Israelites of loyal character and a day of covenant renewal for the nation of Israel. On this day, sin was removed from the tabernacle through the application of sacrificial blood to its altars and compartments, as well as by the dismissal of the goat for Azazel, which carried all the community’s sin to a “barren land.” As it became ingrained in the veil of Jewish consciousness, the Day of Atonement underwent a “process of abstraction” over many centuries leading up to Second Temple times, when the Most Holy Place lay devoid of the ark of the covenant and its mercy seat. Continuing to reverberate in the Jewish imaginaire, the Day of Atonement was received by the authors of the New Testament, including John of Patmos, to whom its sacrificial typology provided irresistible motifs which they used to proclaim “the Christ event.” By utilizing a coherent intertextual approach, this book explores how John wove the Day of Atonement into the colorful literary tapestry of Revelation.

The exodus—the story of God leading his chosen people out of slavery in Egypt—stands as a pivotal event in the Old Testament. But if you listen closely, you will hear echoes of this story of redemption all throughout God's Word. Using music as a metaphor, the authors point us to the recurring theme of the exodus throughout the entire symphony of Scripture, shedding light on the Bible's unified message of salvation and restoration that is at the heart of God's plan for the world.

From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.

The claim that the events of Jesus' life, death, and resurrection took place "according to the Scriptures" stands at the heart of the New Testament's message. All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, "If you believed Moses, you would believe me, for he wrote about me" (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts? Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world. Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.

The Day of Atonement was a day of rest, penitence, and purification for Israelites of loyal character. On this day, sins and impurities that had accumulated throughout the year were removed from the tabernacle by the application of sacrificial blood to its altars and compartments and transferred by the high priest's confession onto the goat for Azazel, which carried them to the desert. Israel was thus rendered "clean" before the Lord, ensuring that he would continue to dwell in their midst. As it became ingrained in the veil of Jewish consciousness, the Day of Atonement underwent a process of reflection and reimagination as shown in Second Temple literature, where Azazel plays a significant eschatological role. Arriving in New Testament times, the day's imagery and typology presented irresistible motifs which its authors used to proclaim Jesus Christ's atoning death and heavenly intercession on behalf of believers. By utilizing a coherent intertextual approach, this book explores how John wove the Day of Atonement into the colorful literary tapestry of Revelation.