This book volume engages the emergent ways and exercises of world-making in eastern African literatures and cultures. It also includes how the world comes to eastern Africa as well as how eastern Africa speaks to the world. Writers within the region have come up with novel commentaries on diverse social issues. Artists and other users have invented new forms of expression through digitalization. The structure and content of this literature and cultural conversations, in line with modernity, has exhibited a fluidity that calls for the critical appraisal carried out in this book. Therefore, this book volume centralises the emergence of new patterns of engagement in the literatures and cultures of the region. Taking cue from the cultural transformations, technological advancements and political influences, the volume raises questions on politics, conflict and war, and the evolving genres and canon. The book crosses language barriers beyond English and includes critical attention to texts written in the Swahili and French languages. The chapters aim to give a broad overview of the writings and cultural expressions in the eastern African region, including novels, films, short stories, theatre, poetry, oral, and digital performances. TABLE OF CONTENTS Introduction: An Overview of Trends in Eastern African Literatures and Cultures Oduor Obura Part One: The Evolving Literary Canon Literary Disruptions of the Ugandan Canon in Selected Ugandan Short Stories Edgar Nabutanyi A Discipline under Siege: Interrogating the Place of Literature in English in the Secondary School Curriculum in Tanzania Obala Musumba Cartographies of Killing: Transnational Drones in Eye in the Sky Jana Fedtke Performing in the Cyber Space: The Online Mchongoano Battles Kimingichi Wabende Mobile Phones in the Public Space: Communication as Contextual Cultural Practice in Kenya James Ogone Part Two: Conflict, Politics, and War Narrating Violence in Burundian Genocide and Civil War Literat

The Oxford Studies in Postcolonial Literatures series offers stimulating and accessible introductions to definitive topics and key genres and regions within the rapidly diversifying field of postcolonial literary studies in English. This volume offers an overview of contemporary Eastern African writing in English since the mid-twentieth century. It takes a fresh look at what has been an under-represented regional literary tradition within what continues to be an under-represented continental literary tradition. In particular, it broadens the scope of such an overview, complementing the extant monographs on well-known Eastern African writers such as Ngũgĩ to include a host of more recent, less-publicized novelists, dramatists, and poets. It extends the geographical range of existing studies from the familiar triad of Kenyan, Ugandan, and Tanzanian traditions of writing in English, to include the lesser-known Somali, Ethiopian, or Sudanese, or Mauritian or Madagascan traditions. Rather than simply addressing national traditions or broad thematic bundles, the volume treats works as literatures of a region: that is, as literatures of place and space. Eastern African Literatures stresses the formative role of space, place and geography in fashioning the fabric of social interaction, whether individual or collective, in generating history, in moulding identities, and as a consequence in defining the shape of the future. The 'spatial' perspectives allow the 'proximate' rather than the 'distant' influence of literary art to come into view. Proximate modes of literary communication, arising out of residual but vibrant traditions of oral communication, blend with contemporary media to produce hybrid genres of proximity specific to Eastern African literary production. In this way, the book also makes a contribution to the ongoing theorization of literary and cultural innovation in the cultures of the Global South.

Bringing together diverse voices, genres and intellectual trajectories, Gikandi and Schirmer attempt to reflect on the state of production of, and engagement with, Eastern African literary cultures. The book revisits established intellectual debates and canonical texts. It also offers a powerful engagement with popular arts and performance, particularly in the manner in which genres such as drama, music and new media offer important insights into everyday life in the region.

The Columbia Guide to East African Literature in English Since 1945 challenges the conventional belief that the English-language literary traditions of East Africa are restricted to the former British colonies of Kenya, Uganda, and Tanzania. Instead, these traditions stretch far into such neighboring countries as Somalia and Ethiopia. Simon Gikandi and Evan Mwangi assemble a truly inclusive list of major writers and trends. They begin with a chronology of key historical events and an overview of the emergence and transformation of literary culture in the region. Then they provide an alphabetical list of major writers and brief descriptions of their concerns and achievements. Some of the writers discussed include the Kenyan novelists Grace Ogot and Ngugi wa Thiong'o, Ugandan poet and essayist Taban Lo Liyong, Ethiopian playwright and poet Tsegaye Gabre-Medhin, Tanzanian novelist and diplomat Peter Palangyo, Ethiopian novelist Berhane Mariam Sahle-Sellassie, and the novelist M. G. Vassanji, who portrays the Indian diaspora in Africa, Europe, and North America. Separate entries within this list describe thematic concerns, such as colonialism, decolonization, the black aesthetic, and the language question; the growth of genres like autobiography and popular literature; important movements like cultural nationalism and feminism; and the impact of major forces such as AIDS/HIV, Christian missions, and urbanization. Comprehensive and richly detailed, this guide offers a fresh perspective on the role of East Africa in the development of African and world literature in English and a new understanding of the historical, cultural, and geopolitical boundaries of the region.

Here is an introduction to the history of English writing from East and West Africa drawing on a range of texts from the slave diaspora to the post-war upsurge in African English language and literature from these regions.

Third installment of major literary and scholarly project exposes East African women's history and culture.

This book deconstructs Eurocentric narratives and showcases local voices to re-examine childhood in Eastern Africa. Moving away from portrayals of eastern African childhood as characterised by want, the author argues for a differentiated and pluralist nature of the eastern African childhood. Taking a chronological approach, the author provides a multidisciplinary critical reading of Africanist research on childhood in eastern Africa, drawing from anthropological and cultural studies, while examining writings from the pre-imperial and colonial periods. Moving into the contemporary period, the book reveals the continuity, tensions and ruptures of these portrayals in humanitarian, legal, and journalistic discourses, before exploring postcolonial writings on childhood in works by Eastern African novelists. Based on such a multidisciplinary perspective, this book will be of interest to scholars of African literature, eastern African history, critical childhood studies, museums and Africanist epistemologies.