Gillian Mackie examines the decorative schemes, now often the only way to determine the function, patronage, and meaning of the building, of surviving early medieval chapels built in Italy and Istria from AD312-740.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

A new narrative history of medieval Christianity, spanning from A.D. 500 to 1500, focuses on the role of women in Christianity; the relationships among Christians, Jews and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion and worship; and instruction through drama, architecture and art.

This book explores the way in which church architecture from the earliest centuries of Christianity has been shaped by holy bones - the physical remains or 'relics' of those whom the Church venerated as saints. The Church's holy dead continued to exercise an influence on the living from beyond the grave, and their earthly remains provided a focus for prayer. The memoriae, house-churches and crypts of early Christian Rome; the elaborately decorated monuments containing the bodies of the bishops of Merovingian Gaul; the revival of ring crypts in the Carshingian empire; the crypts, 'tomb-shrines', and later high shrines of medieval England, all demonstrate how the presence of a holy body within a church influenced its very architecture. This is the first complete modern study of this hitherto somewhat neglected aspect of medieval church architecture in western Europe.

A study not of the institution of the Church but of Christianity itself, this book explores the Christian people, their beliefs, and their way of life, providing a new understanding of Western Christianity at the time of the Reformation. Bossy begins with a systematic exposition of traditional or pre-Reformation Christianity, exploring the forces that tended to undermine it, the characteristics of the Protestant and Catholic regimes that superseded it, and the fall-out that resulted from its disintegration.

With its official recognition by the Roman state, the Christian community suddenly enjoyed the sympathy of the highest authorities, wide public attention and a great afflux, and with imperial support architectural masterpieces were erected, the Lateran Basilica, St. Peter's and San Paolo fuori le mura, whose dimensions and magnificence bore every comparison with pagan sanctuaries. The great rise in martyr worship furthermore prompted the construction of numerous memorial churches outside the city gates, which at the same time served as burial grounds for believers. Rome was transformed from capital of the Empire to capital of Christianity boasting the tombs of the two prime apostles Peter and Paul and numerous other witnesses of Christ. Alongside these monuments of papal and imperial representation, several tituli, parish churches, were founded along the main thoroughfares inside the city to create visible landmarks of Christianity and satisfy the pastoral needs of an ever-growing community. Focusing on these formative centuries of Christianity, from the reign of Constantine until the emergence of the Medieval world order in the Carolingian age, Hugo Brandenburg offers a broad panoramic view of Christian church architecture in Rome from its conception to the establishment of canonical church types. Throughout, the author treats the archaeological remains as speaking testimonies, articulating the intentions, motivations and self-perception of Rome's early Christian community. This lucid and detailed exposition of more than 50 early churches of Rome from the fourth to the seventh century, which draws together archaeological, documentary and literary sources, will appeal to the layman and the specialist alike. It contains an up-to-date bibliography on each subject and gives ample space to the discussion of recent developments in the field, whereby Hugo Brandenburg offers his own well-founded interpretations of the evidence and shows his immense expertise of early Christian architecture. The present work is lavishly illustrated with original plans and drawings and exclusive photographs especially taken for this volume, which allow an unusually detailed visual insight into the sacred architecture of early Christian Rome.

This fascinating and lively book provides the first comprehensive discussion of the production, circulation, and use of books in early Christianity. It explores the extent of literacy in early Christian communities; the relation in the early church between oral tradition and written materials; the physical form of early Christian books; how books were produced, transcribed, published, duplicated, and disseminated; how Christian libraries were formed; who read the books, in what circumstances, and to what purposes. Harry Y. Gamble interweaves practical and technological dimensions of the production and use of early Christian books with the social and institutional history of the period. Drawing on evidence from papyrology, codicology, textual criticism, and early church history, as well as on knowledge about the bibliographical practices that characterized Jewish and Greco-Roman culture, he offers a new perspective on the role of books in the first five centuries of the early church.