"The long and illustrious career of Edouard Vuillard spans the fin-de-siecle and the first four decades of the twentieth century, during which time the French painter, printmaker, and photographer created an extraordinary body of work. This is the first volume to explore Vuillard's rich and varied career in its totality, presenting nearly 350 works that demonstrate the full range of his subject matter and reveal both the public and private sides of this quintessentially Parisian artist." "In a series of illustrated essays and catalogue entries, the authors explore Vuillard's complex and diverse artistic development, beginning with his academic training in Paris in the late 1880s and the innovative Nabi paintings of the 1890s for which he is best known, including his provocative, disquieting middle-class interiors and his work associated with the avant-garde theatre. The authors also examine Vuillard's splendid but lesser known large-scale decorations, his luminous landscapes, and the elegant portraits from the last decades of his career. In addition to paintings, the volume includes a substantial selection of drawings and graphics, together with a large group of striking photographs by the artist, many of which are published here for the first time." "This illustrated catalogue accompanies the most comprehensive exhibition ever devoted to the work of Edouard Vuillard (1868-1940). The exhibition opens at the National Gallery of Art in Washington and travels to the Montreal Museum of Fine Arts, the Galeries nationales du Grand Palais in Paris, and the Royal Academy of Arts, London."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom', whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.00Exhibition: The Barber Institute of Fine Arts, Birmingham, UK (19.10.2018 - 20.01.2019).

"One of the great Post-Impressionist artists, Vuillard is known for his sensitive palette of colors and delicate interior scenes that make his paintings very accessible."--Amazon.