Dreaming of Michelangelo is the first book-length study to explore the intellectual and cultural affinities between modern Judaism and the life and work of Michelangelo Buonarroti. It argues that Jewish intellectuals found themselves in the image of Michelangelo as an "unrequited lover" whose work expressed loneliness and a longing for humanity's response. The modern Jewish imagination thus became consciously idolatrous. Writers brought to life—literally—Michelangelo's sculptures, seeing in them their own worldly and emotional struggles. The Moses statue in particular became an archetype of Jewish liberation politics as well as a central focus of Jewish aesthetics. And such affinities extended beyond sculpture: Jewish visitors to the Sistine Chapel reinterpreted the ceiling as a manifesto of prophetic socialism, devoid of its Christian elements. According to Biemann, the phenomenon of Jewish self-recognition in Michelangelo's work offered an alternative to the failed promises of the German enlightenment. Through this unexpected discovery, he rethinks German Jewish history and its connections to Italy, the Mediterranean, and the art of the Renaissance.

?Michelangelo's masterpiece The Dream ( Il Sogno) has been described as one of the finest of all Italian Renaissance drawings and is amongst The Courtauld Gallery's greatest treasures. Executed in c. 1533, The Dream exemplifies Michelangelos unrivalled skill as draughtsman. Accompanying an exhibition at the Courtauld in 2010, this catalogue examines this celebrated work in the context of a group of closely related drawings by Michelangelo, as well as some of his original letters and poems and works by his contemporaries.

An illustrated biography of Michelangelo, the Italian Renaissance painter and sculptor.

Abstract: The discovery of the actual manuscript was featured on the front pages of the major German newspapers and reported throughout the world. It consists of 334 pages, typewritten, with extensive handwritten amendments, notes, and edits. According to Gerda Panofsky, her husbanded had continued to expand and edit the manuscript until 1922, and was preparing it for publication when he had to leave it behind. In this study, Panofsky provides a detailed analysis of Michelangelo's artistic style, comparing Michelangelo directly with Raphael, and then later taking a larger historical view. This text offers important new information about the evolution of Panofsky's scholarship, as well as on the state of research on Michelangelo and the High Renaissance during a period of transition for the discipline, in which formal readings of artworks began to take precedence over artists' biographies.

The life of Michelangelo offers one of the most striking examples of the influence that a great man can have on his time. At the moment of his birth in the second half of the fifteenth century the serenity of Ghirlandajo and of Bramante illuminated Italian art. Florentine sculpture seemed about to languish away from an excess of grace in the delicate and meticulous art of Rossellino, Disiderio, Mino da Fiesole, Agostino di Duccio, Benedetto da Maiano and Andrea Sansovino. Michelangelo burst like a thunder-storm into the heavy, overcharged sky of Florence. This storm had undoubtedly been gathering for a long time in the extraordinary intellectual and emotional tension of Italy which was to cause the Savonarolist upheaval. Nothing like Michelangelo had ever appeared before. He passed like a whirlwind, and after he had passed the brilliant and sensual Florence of Lorenzo de' Medici and Botticelli, of Verocchio and Lionardo, was ended forever. All that harmonious living and dreaming, that spirit of analysis, that aristocratic and courtly poetry, the whole elegant and subtle art of the "Quattrocento," was swept away at one blow. Even after he had been gone for a long time, the world of art was still whirled along in the eddies of his wild spirit. Not the most remote corner was sheltered from the tempest; it drew in its wake all the arts together. Michelangelo captured painting, sculpture, architecture and poetry, all at once; he breathed into them the frenzy of his vigour and of his overwhelming idealism. No one understood him, yet all imitated him. Every one of his great works, the David, the cartoon for the war against Pisa, the vault of the Sistine Chapel, the Last Judgment, St. Peter's, dominated generations of artists and enslaved them. From every one of these creations radiated despotic power, a power that came above all from Michelangelo's personality and from that tremendous life which covered almost a century. No one work can be detached from that life and studied separately. They are all fragments of one monument, and the mistake that most historians make is to mutilate this genius by dividing it into different pieces. We must try to follow the entire course of the torrent from its beginning to its end if we are to have any comprehension of its formidable unity.

The significance of the German philosopher and social thinker, Georg Simmel (1858–1918), is only now being recognised by intellectual historians. Through penetrating readings of Simmel's thought, taken as a series of reflections on the essence of modernity and modern civilisation, Efraim Podoksik places his ideas within the context of intellectual life in Germany, and especially Berlin, under the Kaiserreich. Modernity, characterised by the growing differentiation and fragmentation of culture and society, was a fundamental issue during Simmel's life, underpinning central intellectual debates in Imperial Germany. Simmel's thought is depicted here as an attempt at transforming the complexity of these debates into a coherent worldview that can serve as an effective guide to understanding their main parameters. Paying particular attention to the genealogy and usage of the concepts of Bildung, culture and civilisation in Germany, this study offers contextual analyses of Simmel's philosophies of culture, society, art, religion and the feminine, as well as his interpretations of Dante, Kant, Nietzsche, Schopenhauer, Goethe and Rembrandt.

The ‘Divine’ sculptor, painter, architect, poet and engineer, Michelangelo Buonarroti exerted an unparalleled influence on the development of Western art, producing masterpieces that rank among the most famous in existence. Delphi’s groundbreaking ‘Masters of Art Series’ presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents the complete works of Michelangelo in all mediums, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Michelangelo — over 400 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * The complete ceiling and wall frescoes of the Sistine Chapel, fully indexed * Insightful introductions, giving valuable contextual information on all the paintings and sculptures * Enlarged ‘Detail’ images, allowing you to explore Michelangelo’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Rare attributed works * Also includes Michelangelo's architectural, poetical and drawing works * Easily locate the works you want to view * Features three bonus biographies, including Vasari’s legendary work - discover Michelangelo's artistic and personal life * Scholarly ordering of plates into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Paintings THE TORMENT OF ST. ANTHONY MADONNA AND CHILD WITH ST. JOHN AND ANGELS THE ENTOMBMENT DONI TONDO: THE HOLY FAMILY THE BATTLE OF CASCINA SISTINE CHAPEL CEILING TABLE OF CONTENTS FOR THE SISTINE CHAPEL CEILING ‘DETAIL’ IMAGES THE LAST JUDGMENT LEDA AND THE SWAN THE CONVERSION OF SAUL THE CRUCIFIXION OF ST. PETER The Sculptures MADONNA OF THE STAIRS BATTLE OF THE CENTAURS CRUCIFIXES STATUES FOR THE ‘ARCA DI SAN DOMENICO’ BACCHUS PIETÀ DAVID MADONNA OF BRUGES PICCOLOMINI ALTARPIECE TONDO PITTI TADDEI TONDO ST. MATTHEW TOMB OF POPE JULIUS II REBELLIOUS SLAVE DYING SLAVE OTHER SLAVE STATUES THE GENIUS OF VICTORY TOMB OF GIULIANO DE’ MEDICI TOMB OF LORENZO DE’ MEDICI APOLLO-DAVID CROUCHING BOY CRISTO DELLA MINERVA BRUTUS FLORENTINE PIETÀ RONDANINI PIETÀ ATTRIBUTED SCULPTURES The Architecture LIST OF ARCHITECTURAL WORKS The Drawings LIST OF DRAWINGS The Poetry ESSAY ON THE POETRY OF MICHELANGELO by Walter Pater THE SONNETS OF MICHAELANGELO BUONARROTI The Biographies LIFE OF MICHELAGNOLO BUONARROTI by Giorgio Vasari MICHELANGELO by Romain Rolland THE LIFE OF MICHELANGELO BUONARROTI by John Addington Symonds Please visit www.delphiclassics.com to browse through our range of exciting titles