In this richly layered memoir, the author tells how her determination to master rowing gave her the courage to free herself from the forces of abuse in her childhood and the failure of her marriage. Ultimately, she declares sovereignty over her life and wins a world championship gold medal.

An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

The ends of work -- Exhaustion and endurance in sick landscapes : cheap tea and the work of monoculture in the Dooars, India / Sarah Besky -- The concentration of killing : soy, labor, and the long green revolution / Kregg Hetherington -- Making monotony : bedsores and other signs of an overworked hog / Alex Blanchette -- Labor struggles -- The job of finding food is a joke : orangutan rehabilitation, work, subsistence, and social relations / Juno Salazar Parreñas -- The heat of work : dissipation, solidarity, and kidney disease in Nicaragua / Alex Nading -- Metabolic relations : Korean red ginseng and the ecologies of modern life / Eleana Kim -- How guinea pigs work : figurations and gastro-politics in Peru / María Elena García -- Industrial materials : labor, landscapes, and the industrial honeybee / Jake Kosek -- Futures of work -- Cultural analysis of microbial worlds / John Hartigan -- Rhapsody in the forest : wild mushrooms and the multispecies multitude / Shiho Satsuka -- Kamadhenu's last stand : on animal refusal to work / Naisargi N. Dave.

“We free now, baby,” mama whispers as we bounce and sway with the wagon’s twists and turns over roads of clay through the land that oppressed us to a new world, a brand new day. The dynamic author/illustrator team of Toyomi Igus and Michele Wood has come together again to produce I See the Rhythm of Gospel, a sequel to the Coretta Scott King Award-winning I See the Rhythm. Readers of all ages will be captivated by this informative and inspirational blend of poetry, art, and music that relates the history of gospel music as reflected through the journey of African Americans from their arrival as slaves in America to the election of our first black president, Barack Obama.

In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.

Drawn on the Way features techniques, tips, and projects for creating quick, lively sketches-portraits, figures, still life, scenes, nature, and more-that capture the beauty of a fleeting moment and connect us to the world.