One of the most lively and contentious issues in contemporary linguistic theory concerns the elusive boundary between semantics and pragmatics, and Professor Laurence R. Horn of Yale University has been at the center of that debate ever since his groundbreaking 1972 UCLA dissertation. This volume in honor of Horn brings together the best of current work at the semantics/pragmatics boundary from a neo-Gricean perspective. Featuring the contributions of 22 leading researchers, it includes papers on implicature (Kent Bach), inference (Betty Birner), presupposition (Barbara Abbott), lexical semantics (Georgia Green, Sally McConnell-Ginet, Steve Kleinedler & Randall Eggert), negation (Pauline Jacobson, Frederick Newmeyer, Scott Schwenter), polarity (Donka Farkas, Anastasia Giannakidou, Michael Israel), implicit variables (Greg Carlson & Gianluca Storto), definiteness (Barbara Partee), reference (Ellen Prince, Andrew Kehler & Gregory Ward), and logic (Jerrold Sadock, Francis Jeffry Pelletier & Andrew Hartline). These original papers represent not only a fitting homage to Larry Horn, but also an important contribution to semantic and pragmatic theory.

One of the most lively and contentious issues in contemporary linguistic theory concerns the elusive boundary between semantics and pragmatics, and Professor Laurence R. Horn of Yale University has been at the center of that debate ever since his groundbreaking 1972 UCLA dissertation. This festvolume in honor of Horn brings together the best of current work at the semantics/pragmatics boundary from a neo-Gricean perspective. Featuring the contributions of 22 leading researchers, it includes papers on implicature (Kent Bach), inference (Betty Birner), presupposition (Barbara Abbott), lexical semantics (Georgia Green, Sally McConnell-Ginet, Steve Kleinedler & Randall Eggert), negation (Pauline Jacobson, Frederick Newmeyer, Scott Schwenter), polarity (Donka Farkas, Anastasia Giannakidou, Michael Israel), implicit variables (Greg Carlson & Gianluca Storto), definiteness (Barbara Partee), reference (Ellen Prince, Andrew Kehler & Gregory Ward), and logic (Jerrold Sadock, Francis Jeffry Pelletier & Andrew Hartline). These original papers represent not only a fitting homage to Larry Horn, but also an important contribution to semantic and pragmatic theory.

In Making Things and Drawing Boundaries, critical theory and cultural practice meet creativity, collaboration, and experimentation with physical materials as never before. Foregrounding the interdisciplinary character of experimental methods and hands-on research, this collection asks what it means to “make” things in the humanities. How is humanities research manifested in hand and on screen alongside the essay and monograph? And, importantly, how does experimentation with physical materials correspond with social justice and responsibility? Comprising almost forty chapters from ninety practitioners across twenty disciplines, Making Things and Drawing Boundaries speaks directly and extensively to how humanities research engages a growing interest in “maker” culture, however “making” may be defined. Contributors: Erin R. Anderson; Joanne Bernardi; Yana Boeva; Jeremy Boggs; Duncan A. Buell; Amy Burek; Trisha N. Campbell; Debbie Chachra; Beth Compton; Heidi Rae Cooley; Nora Dimmock; Devon Elliott; Bill Endres; Katherine Faull; Alexander Flamenco; Emily Alden Foster; Sarah Fox; Chelsea A. M. Gardner; Susan Garfinkel; Lee Hannigan; Sara Hendren; Ryan Hunt; John Hunter; Diane Jakacki; Janelle Jenstad; Edward Jones-Imhotep; Julie Thompson Klein; Aaron D. Knochel; J. K. Purdom Lindblad; Kim Martin; Gwynaeth McIntyre; Aurelio Meza; Shezan Muhammedi; Angel David Nieves; Marcel O’Gorman; Amy Papaelias; Matt Ratto; Isaac Record; Jennifer Reed; Gabby Resch; Jennifer Roberts-Smith; Melissa Rogers; Daniela K. Rosner; Stan Ruecker; Roxanne Shirazi; James Smithies; P. P. Sneha; Lisa M. Snyder; Kaitlyn Solberg; Dan Southwick; David Staley; Elaine Sullivan; Joseph Takeda; Ezra Teboul; William J. Turkel; Lisa Tweten.

Qing China (1644–1912) witnessed a resurgence in architectural painting, a traditional subject category known as jiehua, or boundary painting. Drawing Boundaries concerns itself with the symbolic implications of this impressive and little studied reflorescence. Beginning with a concise and well-illustrated history of the evolution of the tradition, this exciting new study reveals how these images were deployed in the Manchu (Qing) imperial court to define political, social, or cultural boundaries. Characterized by grand conception and regal splendor, the paintings served to enhance the imperial authority of rulers and, to a segment of the elite, to advertise social status. Drawing Boundaries thus speaks to both issues of painting and architectural style and the discourse of powerful cultural forms. In addition to the analysis of how the style of image construction suggests these political and social motivations, the book identifies another aspect of traditional architectural representation unique to the Qing: the use of architectural representation to render form and space. Anita Chung makes the fascinating observation that these renderings create an overwhelming sense of “being there,” a characteristic, she argues, that underscores the Qing concern for the substance of things—a sensibility toward the physical world characteristic of the period and emblematic of a new worldview.

Drawing Your Line: Setting Boundaries Step-by-Step is a manual for developing the self-respect and empowerment that ultimately allows for the setting of healthy boundaries in various arenas of life. This process involves learning to find, respect, and use your voice to take control of your life. Inspired by their work as life coaches working with women, the authors share their personal successes and failures with setting boundaries to inspire you to make healthy changes in your own life. Chock-full of helpful reflection questions to elicit real growth and self-awareness, this book guides you through a "coaching" experience to help you understand where your boundary tendencies come from and how to make healthy shifts toward a life of freedom and peace. Setting boundaries is not an act of aggression, but rather, an act of self-empowerment through self-love.

Western society has become estranged from the borders and social boundaries that have for centuries given meaning to human experience. This book argues that the controversy surrounding mass migration and physical borders runs in parallel and is closely connected to the debates surrounding the symbolic boundaries people need to guide on the issues of everyday life. Numerous commentators claim that borders have become irrelevant in the age of mass migration and globalisation. Some go so far as to argue for ‘No Borders’. And it is not merely the boundaries that divide nations that are under attack! The traditional boundaries that separate adults from children, or men from women, or humans from animals, or citizens and non-citizens, or the private from the public sphere are often condemned as arbitrary, unnatural, and even unjust. Paradoxically, the attempt to alter or abolish conventional boundaries coexists with the imperative of constructing new ones. No-Border campaigners call for safe spaces. Opponents of cultural appropriation demand the policing of language and advocates of identity politics are busy building boundaries to keep out would-be encroachers on their identity. Furedi argues that the key driver of the confusion surrounding borders and boundaries is the difficulty that society has in endowing experience with meaning. The most striking symptom of this trend is the cultural devaluation of the act of judgment, which has led to a loss of clarity about the moral boundaries in everyday life. The infantilisation of adults that runs in tandem with the adultification of children offers a striking example of the consequence of non-judgmentalism. Written in a clear and direct style, this book will appeal to students and scholars in cultural sociology, sociology of knowledge, philosophy, political theory, and cultural studies.

This pandemic and the need to socially distance tested all my boundary setting skills. It reminded me that when it comes to setting boundaries, we are all amateurs.I took notes of things I recently learned and collected pieces I've written in the past in an attempt to assemble a manual focused on boundaries: where to start, what they are for, how to express them, how to enforce them and what they sound like.This means this collection does include essays you might also come across in my other books.I hope reading through this is as helpful to you as creating it was for me.